Framed Abstract Paintings

Abstract mixed media triptych. This abstract "Eau" by African artist Kugbe Kukoff from Togo is the first in a trilogy of works titled " Air, Fire and Water" all of which are availab...

Artist: Valverde, Francisco Title: Kimaya Date: 2023 Medium: Acrylic on canvas Unframed Dimensions: 48" x 48" x 3" Framed Dimensions: 50" x 50" Signature: Signed Edition: Uni...

A beautiful large mid 20th century oil on canvas abstract winter landscape by Swedish artist Gunnar Nordstrom. Excellent quality and condition composition with strong and vibrant i...

Julian Stanczak (American, 1928-2017) Twist and the Rain, 1975 acrylic on canvas signed verso 30 x 24 inches Julian Stanczak (American, b. November 5, 1928) was an American painter...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

This surreal landscape painting by Gozo presents an evocative acrylic composition on Fabriano paper, measuring 50 x 70 cm. The piece unfolds in a dreamlike terrain of crimson and vio...

Diana Kurz Window, 1961 Oil on canvas 30 x 23 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and th...

Discover the vibrant world of Martin Saldana, a talented Mexican-American folk artist known for his captivating rustic and naïve style. This original painting, titled "The Train", wa...

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....

Signed lower right, 'Max Gunther' (German, 1934-1974); additionally signed verso, dated 1958 and titled 'Cité Décomposée'. Provenance: Estate of David Rockefeller...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

I See a Fishing Boat Leaving Cornwall, Oil on Canvas Painting by Padraig Macmiadhachain 1929-2017 Additional information: Medium: Oil on canvas...

Peter Keizer is a Dutch painter and sculptor born in 1961. He studied at the Rijksakademie in Amsterdam and began working as a professional artist following his graduation from the R...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

signed on bottom

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mint green background with thick use of paint. In...

This oil on canvas painting, created by the internationally renowned artist Sophie Dumont, is a compelling exploration of color, texture, and everyday objects. The artwork measures 4...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

Half Web in Pink, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Pink, green, blue, abstract. Custom framed in a white wooden float frame. Gorgeous medium to large scale abstract painting with beautiful composition and palette of lilac pink, lilac purple, light peach, pale yellow, light pink, bright pink, fuchsia, mauve, light violet, periwinkle, sky blue, aqua, pale blue...

"How Come" is a Modern surrealist oil on canvas painting by Irving Norman in 1968. The artwork is 90 x 60 inches and 91 1/4 x 61 1/2 x 1 5/8 inches with the fram, weighing less than ...

Anatoly Kost Diptych “Predestination” 2014 y. Canvas.Oil. Painting Flat: 65/110 cm Framed: 69/118 cm Diptych “Predestination” is a transformation of music on canvas.With the help o...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Dan McCaw's "Reverie" created in 2024, is a striking oil painting measuring 48 x 42 inches. This original artwork features an abstract composition of a figure, rendered with rich tex...

Allen Williams' "Revelation II" is an original oil painting on board, created in 2023. This contemporary figurative work features a nude female form eme...

Artist/ School: A. Davy, French School, late 20th century Title: Olive Trees, Manosque (Provence). Medium: signed, oil painting on canvas, framed and inscribed verso. Size: ...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Artist: Semour Zayon American (1930 - ) Title: Construction Composition (After Kandinsky) Medium: Oil on Board, signed Size: 10 x 9.5 inches Frame: 14 x 11.25 inches

Anatoly Kost “Constructive” 1993 y. Canvas.Oil. Painting Flat: 70,5/70,5 cm Framed: 76,5/76,5 cm This picture is a transformation of music on canvas, so it is accompanied by: Visio...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Katherine Bello Summer Rain Acrylic on canvas 2023 Size: 30x30x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1876 *on stretcher frame - ready to hang ** additiona...

Ted Hinrichs Spirit and the Quiet Acrylic on Canvas Year: 2023 Size: 48x41x1.5in Signed by hand COA provided Ref.: 24802-1728 *on Stretcher Frame ready to hang Tags: Abstract, Acr...

The painting size is 32"x24", oil on canvas. with framed size is 34.5"x26.5". In this captivating masterpiece, "Would You Marry Me?", Janet Hagopian skillfully weaves a vibrant tape...

" Cubist composition" original abstract mixed media acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of...

Green landscape Huguette Ginet-Lasnier (French 1927-2020) inscribed verso framed signed oil painting on canvas framed: 13 x 11 inches canvas: 11 x 9 inches. All the paintings we have...

'Fish, Dove and Musical Instrument', gouache on paper, from the Italian School of artists (circa 1940s). Surely this very attractive piece was inspired by Georges Braque (1882-1963) ...

A photographer from the age of five, Dicke started painting at Culver Military Academy in 1963 under the tutelage of the late Warner Williams, a bas-relief, realist artist. Later, he...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Very impressive and a rare early work by Frederick E. Conway (1900 - 1973). Oil on board. Incredibly framed. Signed.

'Afternoon Siesta' a powerful and Vibrant abstract painting. Depicting a woman sleeping on a blue sofa. A beautiful interior scene. Ghislaine was born in Eccles and studied Fine Ar...

Worked in black and white on a greige background, each piece is made with fabric that is glued and painted. Musical rhythm, each piece of fabric takes us to the next and the eye wan...

lake, water, calm, green, blue, teal, aqua, dusk, lake, trees, reflection, mountains. Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene by leading British Urban Artist Angela Wakefield. This artwork is from an intense body of abstract work that fo...

Vintage American modernist portrait of iconic artist Peter Max. Signed. Framed. Original oil on canvas.

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Acrylic on canvas set in white wooden frame. Abstract and figurative depending on how close or far you are from the piece. The circle is the focus. Small amount of paint create ...

Julien Airault (B.1979) Untitled Oil on canvas 92 x 73 cm / 36.22 x 28.74 inches With frame : 98 x 79 cm / 38.58 x 31.10 inches 2024 Born in 1979, Juli...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

George Dannatt (1915-2009) Venice No 2 1963 Mixed media on paper Image: 15.5 x 23.5 cm Frame: 34.7 x 42.0 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Tr...

Signed lower right, 'Kurt Weber' for Kurt Oscar Weber (Swiss-American, 1938-2011); additionally dated, verso, May 1963, and signed. Framed dimensions: 46 H x 1.5 D x 58.5 W inches. ...

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

"In the Studio" is a compelling exploration of the artist's workspace, where the tools of creation are celebrated as subjects in their own right. Sophie Dumont captures the essence o...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Lively assemblage with various items: Paintings, small mirrors, biological illustrations of bird...