Framed Abstract Paintings

Artist: Ian Hornak (1944-2002) Title: Georgica Pond at Sunset (East Hampton, NY) Year: February 1973 Medium: Acrylic on Canvas Size: 72 x 48 inches Condition: Excellent Inscription: Signed, dated, and titled by the artist, verso. Provenance: Tibor de Nagy Gallery, New York, NY; Bernice Fox Weinstein, Washington D.C.; Estate of Dr. Charles Cabaniss via his Lorena Smith Cabaniss, Washington D.C.; Private collection, MI. Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene by leading British Urban Artist Angela Wakefield. This artwork is from an intense body of abstract work that fo...

Danny McCaw's (US based) "Afternoon Glow" is an original, handmade oil painting with impasto brushstrokes that depicts an abstracted female figure. Bio/artist statement: Danny McCaw...

This oil painting is a wonderful example of surrealism. The background of the painting is a landscape with a bright blue sky surrounded by large clouds and green ground cover. At the...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Kennebec Race' (labels, verso) Previously with M...

CHARLES LEVIER – "LE VASE BLEU" Oil on Canvas ⚜ Signed Lower Right & Verso ⚜ Professionally Framed A RARE MIDCENTURY STILL LIFE WITH HISTORICAL DEPTH A striking floral still life by...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Original work by Spanish artist Rafael RUZ. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the...

"Honeycomb" Acrylic & Inks Abstract Painting 28" x 39" inch by Kinda Adly Kinda Adly, born in Egypt in 1989, is a self-taught artist. She grew up in Egy...

Martin Koole Girl Reading 120 x 120 cm with frame (included in price) 126x126 cm Acryl on canvas Martin Koole's paintings are distinguished from the work of other painters by his ve...

6000 Antique birch trees landscape,oil on artist board displayed in a wood frame.Signed lower left by Mori.Image size 9.5 H x 7.5 W

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Work on cardboard Gray wooden frame with glass pane 45 x 53 x 2.5 cm

Finely painted American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 28L.

Antique American impressionist flower landscape painting by Arthur William Best (1859 - 1935). Oil on board. Signed. Framed. Image size, 14L x ...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

MARK DI SUVERO Abstract Expressionist drawing with artist signed COA, ca. 1963 Pen and black ink and brush and black ink wash on paper. Hand signed on the front. Framed, with separa...

Jules Olitski Play of Angels, 2000 Watercolor and gouache on all-rag paper Signed and dated 2000 by the artist on the front Frame included (elegantly floated and framed in light wood...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Dick Beer (b. London 1893 - d. Stockholm 1938) A French City, 1919 (Fransk stad) oil on canvas canvas dimensions 82x66 cm frame 94x78.5 cm signed Dick ...

Performer Artist signed lower right, canvas 28"x31"75 Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he beg...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

'Longing' 48 x 48 inches, professionally framed in soft white wood, 49 x 49 inches from Swedish-American visual artist Charlotte Bernstrom’s paintings are inspired by the Earth and i...

"Moonrise Over Colorado Springs" is a striking 1950s abstract expressionist oil painting by renowned artist Charles Ragland Bunnell. Created in 1952, this captivating piece features ...

A burst of riotous color, perhaps a bouquet of flowers in a window, but not really representing anything exactly as much as expressing this joyful explosion - the artist titled the p...

Dick Beer (b. London 1893 - d. Stockholm 1938) Utsikt från fönster, View From a Window, 1920 oil on canvas 73 x 60.5 cm stamp signed painted 1920 Exhibi...

Syril Frank (American, 1929-2021) Untitled, c. 1970s/80s Oil on canvas Framed: 21 3/4 x 25 2/3 x 1 in. This fantastic painting in the abstract expressionist style loosely depicts a ...

Choose the color of the frame: black or wood In "Bibliothèque 13" (library 13), Sophie Dumont invites us to contemplate a minimalist bookshelf whe...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 31H.

You don't have to be a Catholic, or a medievalist, or a Catholic medievalist (Tolkien?) to appreciate this striking image of St. George taking on the dragon. In style it falls somewhere between Cubism and Guernica, to my eye. The limited color palette, with the bold red, gives it the energy of early 20th-century Russian poster...

Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012) Acrylic on canvas 76 x 101.5 cm (29 ⁷/₈ x 40 inches) Signed lower middle Paul Jenkins Executed in 1970 Provenance: Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Available at Madelyn Jordon Fine Art. 'Oak Bluffs' by Eugene Healy, 2021. Oil and mixed media on canvas, 40 x 30 in. This landscape painting features an abstracted seascape with land...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Antique American oil painting by Elaine Crawley. Oil on canvas board. Signed. Framed. Measuring 21 by 25 inches overall and 20 by 24 painting alone.

Ted Hinrichs Energy Acrylic on Canvas Year: 2023 Size: 24x18in Framed: 19x25x1.25in Signed by hand COA provided Ref.: 924802-1787 *Framed in brown Wood Tags: Abstract, Acrylic, Gest...

Hunt Slonem "Max" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed -...

Elaine Kazimierczuk comments about this artwork "This is one of a series of paintings I made during the first. lockdown of 2019. I was unable to go out and visit meadows to make phot...

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California.  Her outlook is that “Art is a universal language that can speak to anyone...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

'Abstract of Lines and Colours', oil on panel (circa 1960s), German School, signed, 'X. Kruger'. This artwork is a clear homage to Piet Mondrian (1872-1944). Recognised for the purit...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a warm red geometric rectangular shape at the center of the composition, wit...

lake, water, calm, green, blue, teal, aqua, dusk, lake, trees, reflection, mountains. Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

In this painting, I blend the tumultuous depth of abstract with the softer edges of impressionism, capturing an emotional landscape that speaks to our lives of loneliness or willing ...

Anatoly Kost Diptych “Predestination” 2014 y. Canvas.Oil. Painting Flat: 65/110 cm Framed: 69/118 cm Diptych “Predestination” is a transformation of music on canvas.With the help o...

The colours of summer by the lake are celebrated in this pastoral painting by Pat Service. The Canadian artist is known for her landscapes—this minimalist piece illustrates a classic lake and beach view—the deep blues of the cloud filled sky and lake, green fields, a red cabin...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. "Mystery needs to be part of the artistic production again. We don't need our egos to send powerful messages". Ed Warner...

Green landscape Huguette Ginet-Lasnier (French 1927-2020) inscribed verso framed signed oil painting on canvas framed: 13 x 11 inches canvas: 11 x 9 inches. All the paintings we have...

Katharina Hormel’s newest collection captures the essence of summer in everyday life. With vibrant colours and a minimalistic style, her paintings depict joyful moments.The dynamic c...

Oil on board. Signed. Framed. Image size, 23 1/2H x 29 1/2L

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Artist: Gérard Guegueniat (French, 1970s) Medium: Oil on Board Dimensions: Framed: 19 x 25 inches Board: 18 x 24 inches Provenance: Private Collection, France Condition: Very good a...

Rare and interesting mid century Icelandic abstract painting. Oil on canvas board. Signed verso. Image size, 16H by 13L.

Alfonso Hüppi Untitled, 1962 Mixed media on canvas (paint, wood) 18 1/2 × 20 1/2 in 47 × 52 cm (without frame) Frame included

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...