Panel Abstract Paintings

A vibrant cobalt blue and bright turquoise encaustic (pigmented beeswax) painting on birch panel accented with subtle orange and red details. Signed and titled on verso. Joanne Matt...

This impressive large graphic painting is by Canada’s Burton Kramer. Renowned internationally as a fine graphic designer, Kramer brings the same intuitive colour sense, precise form ...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

In this contemporary abstract painting in acrylic on linen mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in salmon, peach and mauve are luminous a...

A beautiful wooded landscape scene with houses and trees. Painted on a masonite board. hand signed lower right. with framers label verso. Framed to 40 X 55 inches. 33 X 48 without the frame and mat. It is not dated. Lena Gurr (1897–1992), was an American woman artist who made paintings, prints, and drawings During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Born into a Russian-Jewish Yiddish speaking immigrant family, she was the wife of Joseph Biel, also Russian-Jewish and an artist of similar genre and sensibility. Gurr used Lena Gurr as her professional name. After marrying Joseph Biel she was sometimes referred to as Lena Gurr Biel. Biel had been born in Grodno, Poland (later absorbed into Russia) and had lived in England, France, and Australia before coming to New York. An artist, he specialized in landscape paintings and silkscreen printing as well as photography. He studied art at the Russian Academy in Paris. After immigrating to the United States, he studied under George Grosz at the Arts Students League. Gurr was born in Brooklyn and, apart from brief stays in Manhattan and in Paris, lived there her whole life. This painting bears the influence of Lyonel Feininger an influential German American artist. Gurr began studying art at a young age. In 1919 she studied painting and printmaking at the Educational Alliance Art School and between 1920 and 1922 she won a scholarship to attend the Art Students League where she took classes with John Sloan and Maurice Sterne. In 1926 and 1928 Gurr participated in group shows at the Whitney Studio Club in Greenwich Village and in 1928 she also participated in the 12th annual exhibition of the Society of Independent Artists at the Waldorf Roof in New York. (Reviewing this show, Helen Appleton Read, the critic for the Brooklyn Daily Eagle, said "I made three discoveries on my first visit, Thomas Nagel, Eugenie McEvoy and Lena Gurr with two figure compositions which have something of Marie Laurencin or Helene Perdriat quality of naive sophistication.") The Waldorf Roof was a set of rooms on the top floor of the Waldorf Astoria Hotel, one of which had glass sides and a glass roof. The rooms were used for concerts, dances, benefits, and exhibitions.From 1929 to 1931 Gurr took a leave of absence from her teaching position to travel in France with Joseph Biel, an artist whom she had met while studying at the Art Students League. They spent time in Nice and Mentone but mainly in Paris. During the early months of 1931, while she was still abroad, her work appeared in group exhibitions held at the R. H. Macy department store and the Opportunity Gallery (opened by Gifford Beal). In 1932 she participated in three shows: a solo exhibition at the Brooklyn Museum, an annual exhibition of the New York Society of Women Artists, ( Its first president was Marguerite Zorach. Founding members included Agnes Weinrich, Anne Goldthwaite...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

oil on panel

Pink Over & Under (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collag...

"Atlas Dips His Toes In the Sky" depicts the energy of a city that sits in a valley. As with most of Todd Carpenter's paintings, this scene is of no particular place, but rather his...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic Mixed Media on Panel Year: 2007 Style: Abstract Art, Title: Oringe Motion Size: 27...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant affects everyone in different ways, and while young, this change of culture, country, and separation helped shape Jandrell as an artist. As she does not identify as British or as South African, this "lack" of cultural identity tends to manifest in her paintings. Her paintings are abstract, visceral and intuitive, as she is drawn to the flexibility and ambiguity of abstraction. Painting is a form of honesty for Jandrell, it allows her to relax and feel centered, almost becoming a style of meditation. "Pandemonium" Contemporary Abstract Art 36 x 48 Acrylic and Oil Stick...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Nebula - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Bright colors have b...

Matte but luminous, Outland No. 13 by Susan English is a wonderful play of color, light, and composition in poured tinted polymer on aluminum. Hues of opaque blue at the bottom meet ...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Thick whorls in metallic orange swirl within the confines of the picture plane in this Storm Surge painting by Shayne Dark. The baroque sculptural quality of the work is enhanced by ...

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic Mixed Media on Panel Year: 2007 Style: Abstract Art, Title: Oringe Motion 3 Size: ...

Abstracted geometric contemporary landscape mixed media painting with acrylic, ink, polymers, and layers of complex and beautiful lines and marks that delve into the connection betwe...

"Holy Mathmatical Representation Batman!" (2024) by Warren W. Kessler is an original, handmade oil painting on aluminum panel that depicts an abstract still-life of a batman action f...

Laura Bidwa I Can Hear the Key, 2020 oil and latex paints on panel 22 x 17 in (Bid009) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"Labeling The Anthropocene 1" by Nicole Hyde is an original handmade acrylic on paper abstract painting in various colors. This piece is unframed yet rea...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Royal Light Size: 20" x 24"...

In this black acrylic word painting on white wood, Aron Hill paints three words that use the prefix 'pro,' meaning advancing or projecting forward -- two verbs and an adjective. As both visual imagery and language, words in artwork give powerful direction to thought. While text in art is not new – think of illuminated letters in medieval manuscripts...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

STEPHEN FOSS is widely known for the visually rich surface finish and color that show a return to heavily worked finishes in contemporary painting. His current body of work is a prim...

A vibrant turquoise blue encaustic (pigmented beeswax) painting on birch panel accented with a paler shade of blue along the edges. Signed, dated and titled on verso. Joanne Mattera...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"Of Stories and Stones" Whimsical Composition in Acrylic on Wood Panel Brightly colored landscape by Timothy Young (American, b. 1961). This piece is a close-up of a pile of stones,...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

In this contemporary geometric abstract painting in acrylic on linen mounted on a shaped panel, carefully ordered horizontal blocks of color in pale green, light teal blue and soft sage are luminous against thinner neutral sections of exposed beige linen. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

This piece titled "building up" is original artwork made from pencil, marker, acrylic paint on panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

In this contemporary painting in ink and oil on paper mounted on panel, the artist's unique ink process creates soft striations of bright pink, dark crimson red, pale yellow and oran...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 24 inches high by 48 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Abstract interior. Oil on panel. 2022.

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

This contemporary, geometric abstract, oil-on-panel painting is by Canadian artist Shayne Dark. Dark calls his extraordinary new series of dynamic oil paintings—'calculated chaotic c...

The composition in this work is a fractal pattern based on the golden ratio: golden triangles in which each larger triangle is divided into smaller triangles. The high-gloss black wh...

Untitled 04, 2015 - 2016 Mixed technique: oil paint, adhesive on OSB (Signed on reverse) 8 15/32 H x 5.9 W in 21.5 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fascinati...

All the Sun on the Sea II is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patin...

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...