Panel Abstract Paintings

This diptych Sunset Clouds , is part of Sunset Song Series, painted entirely en plein air under dimmed light in sunset hours, with no artificial light to guide her, Shizico Yi embrac...

Jardin d’Automne is Shizico Yi’s latest series of studies of late summer flora from her garden. Preserving the final vibrant days of the summer into mid autumn, she continues paintin...

The paintings draw upon late-summer blooms and trees from Shizico’s own garden—gladiolus, dahlias, and elderberry. Red tones carry the warmth of maternal love, while yellow brings th...

This special large Ink and Gold leaf on canvas board created by Shizico in early autumn, her Cat and the garden take centre stage. The pictorial language in this series pays homage t...

"So Much Lately" is a large, acrylic painting / wall sculpture on a flat, shaped wooden panel from artist VM Fisk's "Thought Traps and Mind Mazes" series. It is attached to the wall ...

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Big Little #175 (Small, Square Abstract Painting with Geometric Patterns in Purple and Orange) acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed Signed, vers...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

This special large Gold leaf on Oil canvas board created by Shizico in early autumn, where Dahlia bloomsome and the colour of turning leaves take centre stage. The pictorial languag...

Jennifer Bricker-Pugh Signal 5 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Jennifer Bricker-Pugh Signal 3 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

The Night stands as one of the most iconic series featured in the upcoming Summer Exhibition UK, 2025—a luminous ground of new works we’re thrilled to present. Painted entirely en pl...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. The painting features a light blue and metallic silver palette, with warm, subtle pops of l...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

This original geometric abstract wall sculpture by Rebecca Klundt is a 16-inch square mixed media artwork, constructed from reclaimed wood and finished with acrylic paint. Featurin...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Lesley Anne Spowart (American, born 1957) "Beautiful Blue" 2020 Acrylic Paint, Mixed Media, Wood Panel, Wood The artist signed the bottom left and back of the painting. "Beautiful B...

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 20" x 20" x 2.5". It is unframed. A certificate of ...

acrylic on birch panel

Dan McCaw's (US based) "Anticipation" is an original, handmade oil painting that depicts an abstracted figure seated within a brown interior. Artist Statement: Born: 1942 A solid...

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

'Abstract of Lines and Colours', oil on panel (circa 1960s), German School, signed, 'X. Kruger'. This artwork is a clear homage to Piet Mondrian (1872-1944). Recognised for the purit...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

{The Night} stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous gem we’re thrilled to present. Painted entirely en plein ai...

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, yellow, bee, p...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

This 11" x 14" oil on canvas painting is by Boston-based artist, Anthony Dyke. The painting is an example of geometric abstraction, composed through an arrangement of rectilinear forms, each rendered in bold, saturated color. Dominating the left side is a deep green vertical rectangle and adjacent to it is a narrow red vertical stripe, generating a visual dialogue between the broader green plane and the surrounding forms. A field of light blue occupies the top portion above. mid-composition, a horizontal mint green band stretches across the surface, and on top rests a tilted rectangular form shifting from white to warm red in a subtle gradient. To the far right, a tall blue vertical bar intersects with a fine yellow line. The base of the painting features a complex layering of darker hues: a black horizontal stripe, accompanied by stacked rectangles in red, purple, and yellow. Anthony Dyke was born in Norwich, Vermont and attended the School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his downtown Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from Vermont where the seasons are distinctly different from one another, his shift from a pastoral setting to an urban environment set up a dichotomy in the work, both visual and emotional. Tony has an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in his work through many years of creating artworks and currently speak to his interest in abstract painting. During his senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features a cool blue and metallic silver palette and is part of Mudre's Venezia series, ...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Contemporary pastel toned abstract painting by Houston based artist Kristen Anton. The work features grey, pink, brown, and orange blocks of color accented with layers of brushwork. ...

Peter Roux combines principles of landscape and abstract painting. His cloud paintings oscillate between representational and non-objective painting by rendering recognizable cloud f...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

This is a smal, abstract oil painting in gradations of pink with hints of gold undertones by professional artist Keith Breitfeller. Breitfeller’s peaceful, meditative color studies b...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Contemplative, rich, Turner-esque warm bronze abstract Impressionist reflective scene alludes to light falling on a vast landscape or body of water. Created with a rich range of gold...

"Natura Pura" is an abstract painting featuring the full rainbow of colors. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. “...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, a...

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Anthony Falcetta niké, 2025 acrylic, gypsum compound & spray paint on canvas 40 x 30 in. (fal013)

To Shizico Yi a triptych is a visual prayers; it embodies a meditative journeylike the form of meditation. The repetition of motifs within the triptych serves as a method to revisit...

This modern geometric painting by Burton Kramer was inspired by music. During his storied decades-long career, Burton Kramer has achieved international recognition as one of Canada’...

Untitled No 63,​ abstract composition 1987 Mixed media on wood panel, wax, oil, paper. signed with initials, gallery label. Abstract painter Michael David is best known for his use of encaustic, a technique that incorporates heated beeswax and pigment. Considered an inheritor of Abstract Expressionism, David’s abstract work primarily centers on the use of a densely layered surface to facilitate a direct and immediate spiritual experience. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. Alongside his work on canvas, David has developed a body of studio photography that recreates paintings by Caravaggio, Manet, and Mantegna, among others, in works that confront racism, homophobia, and sexism. David also works in mixed media and environmental sculpture...