Panel Abstract Paintings

"Emergence in Azure" is a captivating artwork that invites contemplation of the ephemeral beauty and tranquility of nature. Against a backdrop of azure blue sky, verdant and golden-h...

Multi-layered oil paint, inked paper on repurposed wood panel. Title is from the final act of Puccini's "Turandot."

Nicholas Wilton Born 1961, San Francisco, CA EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA. BFA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale, AZ Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

Oda's (CAN based) "Excavation 1" is an oil painting that depicts dark interior shapes revealed . Artist Bio/statement: Corey ‘Oda’ Popp is an emerging Japanese-American contemporar...

In this 12" x 36" abstract expressionist triptych, artist Kristy Chettle captures the vibrant essence of Monterey Bay's varied landscapes. The panels are a symphony of color, with ce...

Blue and white abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a r...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Orange and gray abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a ...

"Reserved Horizon XI" is a framed oil painting on panel by Eric Abrecht, depicting an abstracted coastal landscape. The artist's technique of painterly, rough brushstrokes gives this...

About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas with wood-panel support and wallpaper brushes—up to nine aff...

About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas with wood-panel support and wallpaper brushes—up to nine aff...

"Untitled (View of Provincetown Harbor)", is an oil on panel work made by Hans Hofmann circa 1937. The work is stamped verso by the estate of Hans Hofmann. The artwork size is 17 1/4...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil paint, a canvas with wood-panel support and wallpaper brushes—up to nine aff...

Sandstorm, 2000 Oil on panel 24 x 30 in. (61 x 76.2 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile sensations....

Texcollage (M11). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

Texcollage (M12). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

This abstract landscape in oil on linen mounted on panel by Gabe Brown is composed of carefully ordered patterns, geometric shapes and lines in vibrant prismatic shades of red, yello...

Joachim's Dream by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create depth and surface textures throughout...

Matte but luminous, Outland No. 13 by Susan English is a wonderful play of color, light, and composition. Hues of opaque blue at the bottom meet and merge in subtle transitions with ...

Carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale peach on a teal blue background with dark indigo at the bottom. Signed, date...

Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.

Series: Wax Weave 1/1 Beeswax, reclaimed paper, and silk on wood panel Size: 36" x 40"

Yum Three by artist Brenda Zappitell is a pink, blue, and grey, contemporary abstract made of flashe and Acrylic with cold wax on panel 60 x 60 and is priced at $16,000. Brenda Zapp...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

Yum II by artist Brenda Zappitell is a pink and light ingigo contemporary abstract made of flashe and Acrylic with cold wax on panel 50 x 50 and is priced at $14,000. Brenda Zappite...

Artist Statement My paintings emerge from the emotion I feel in the moment my brush touches a blank surface. I am a very physical and spontaneous painter. Moving back and forth with...

A very unique diamond-shaped abstract painting by Troy Smith. It was recently painted on a plywood panel in the summer of 2023. Vivid gestural strokes skate across the painting, cras...

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

Pastel pink tonal painting of a humanoid figure against a blue and purple background. Painting is done in a acrylic paint that is layered for affect on a wooden panel. Painting is no...

The surface of Two Stories No. 2 by Susan English is a wonderful play of color, light, and composition. Hues of soft jade, pale teal bluish green, light blue, dark indigo and dark ol...

Framed Dimensions: 17 x 20 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...

April by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create depth and surface textures throughout the paint...

Texcollage (M10). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

Striations of bright blue, teal green and pink in vertical stripes create an abstract horizon line suggesting a vibrant striped sky over a vast mountain range in golden brown with hi...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Geometric shapes compose a symmetrical pattern of curving stripes with rounded edges in shades of teal blue with coral pink and salmon almond shapes layered between the curving teal ...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

An abstract geometric shape is composed of thick, rounded curving lines in light pink and golden orange, bright and luminous against a teal green background, and another section with...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Tributaries" by Bonnie Zahn Griffith, Oil and Cold Wax Medium on Wood Panel, 18" x 18" unframed, 20" x 20" framed in a modern black frame with hanging wire included. Known for her p...

Blue and white abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a r...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold and red details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s ...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

A quiet street of San Miguel de Allende in Mexico is the subject of this painting by Carole Garland. An elderly woman cautiously makes her way along a narrow path using a tree to lend support. The orange wall provides much needed shade in the afternoon heat. Light seeps through the branches of a colorful bougainvillea patterning the orange bulwark. Artist Carole Garland who studied art in both San Miguel de Allende and Mexico City shares her appreciation of the simplicity of this quiet backstreet in a Mexican town. A special moment in time is brought to life. Garland uses the scumbling technique and a paint laden palette knife to achieve texture and depth in the leaves, the branches and the rough pavement of the street. This oil on wood panel is 16"x20" and its natural wood sides serve as a frame. The painting is wired for easy hanging. This is a stand-alone artwork but was conceived as a companion piece to Orange Wall of San Miguel #1. Together they are 16"x 40". Artist Carole Garland has appeared in numerous venues throughout Southern California, including several juried California Art Club exhibits and individual shows at TAG Gallery in Los Angeles. Her work has recently appeared at the West Los Angeles College Art Gallery; the Rose Cafe, Venice; Topanga Canyon Art...

Dan McCaw's (US based) "Seated Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white seated at an abstracted table within a neutral interi...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

"On the Water XXIII: Windward" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of periwinkle and cool blues, interrupted by str...

"Sunset Symphony" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition of soft lilac and rosy white interrupted by fiery reds and vibrant oranges. Eri...

"On the Water XXIV: Stem the Tide" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of cool blues interrupted by stripes of vibr...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Sharon used a thick application of paint, real-life subject matter, and emphasized geometric forms, distorted for expressive effect, and used an unnatural, arbitrary color. Blue, cr...

Acrylic,tempera,chameleon pigment,tinned Color,soft pastel on wood panel Giorgi Kavelashvili is a Georgian artist born in 1994 who lives and works in Tbilisi, Georgia. He is graduat...

Laura Culic’s distinct aesthetic is built on her use of cold wax painting to represent natural landscapes, imbued with abstracted elements, where she subverts our expectations of thi...

This piece by Harris features four original hand-cut ink paintings on paper and acrylic media on four wood panels. Harris's bands of racing abstract color offer an innate sense of rh...