Panel Abstract Paintings

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

A beautiful large 20th century abstract oil on panel depicting a group of rowing boats. the work is very nicely painted and presented in a painted wood frame. Artist: European Schoo...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mid Night Blue background with thick use of paint...

Eric Blum Untitled No. 1065, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum100)

Lesley Anne Spowart (American, born 1957) "Buster" 2023 Acrylic Paint, Oil Paint, Mixed Media, Wood Panel, Wire The artist signed the bottom left and back of the painting. "Buster"...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

“Coral Gardens” is an interpretation of the experience we had in the Great Lagoon of Rangiroa, a pristine and tranquil spot in the South Pacific. To catch a sense of motion and flick...

Nine chair paintings inspired by - and named after - individual artists whom Zolotnitsky met during her residency. Oil on mylar, 6 x 6 inches / framed white, 16" x 16" or as a suite...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

In this abstract oil painting, Dintino chooses slightly unorthodox colors to go together, bright yellows, bright mints, royal blues, reds, purples, practically all of the colors. Th...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Signed "Tom Benrimo" at lower right The overall dimensions including the frame are 35 x 41 inches

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Stunning textural abstract aerial landscape painting by Hungarian artist Levente Baranyai. Oil on panel, 37.5 x 50 inches. With a focus on aerial urb...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Here is David Shevlino's Skull with crown created with a minimal range of colors, and features the artist's sensuous application of paint and controll...

sbc 242 (Abstract painting) Acrylic on wood panel — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her pro...

"Sunrise Over Money" is an acrylic painting of an abstracted, dream-like landscape with collaged found objects and photographs. It is an homage to Emmitt Till, who is pictured at ce...

A kiss, a kiss, still another kiss 1 is an original painting realized by the Italian artist Salvatore Travascio in 2000-2003. This is a modular piece, made up of 9 oil paintings on ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

Ellen Hackl Fagan is an interdisciplinary abstract painter who believes that synaesthesia can be taught. Through interactive tools and crowd sourcing, Fagan is developing a correspo...

Metal, textiles & acrylic paint on wooden panel, box framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scien...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

"Peconic Bay" is an impressionist painting of water under a sweeping cloudscape. Sail boats glide across the horizon from the right of the composition fra...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Artist: Paul von Ringelheim Title: Abstract in Purple, Green and Red Year: 1974 Medium: Airbrush and Mixed Media on Panel, signed and dated verso Size: 53 x 41.75 in. (134.62 x 106...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...

Orange and gray abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a ...

Painted en plein air in Sag Harbor, New York, a small sketch of the classic charming architecture. Painted from underneath the Sag Harbor Cinema, Fen...

This is a smal, abstract oil painting in gradations of pink with hints of gold undertones by professional artist Keith Breitfeller. Breitfeller’s peaceful, meditative color studies b...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Sandra Cohen’s “the Landing” is a 20 x 16 x .25 inch acrylic painting on tempered hardboard, in red, orange, yellow, pink, purple, and white. A crooked staircase at bottom left mixes...

Ricky Hunt’s mixed media minimalist paintings are influenced by his tumultuous past that led to a paradigm shift in his creative practice. His works evoke the many layers of his life...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Abstracted realist gridded landscape showing the change of seasons with a blooming yellow forsythia bush in front of the artist's home "Forsythia Blooming" by Hudson Valley based art...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

William Stephens Shields, Jr., 1925 - 2010 "Saturday Night Live" 1996 Oil on canvas 36"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

Sandra Cohen’s “the separation of isotopes” is a 12 x 12 x 1 inch abstract acrylic painting on cradled wood, in bright tones of pink, blue, orange, yellow, white and black. A simplif...

16 x 16 x 2 inches encaustic on square wood panel HOSTESS is an abstracted painting in rich encaustic (pigmented wax) on wood panel. A dark, cross-hatched pattern is overlaid with ...

"Naviglio", White, ochre, and blue. Constructivist, abstract landscape. Mixed media on wood panel. Measures: 84.5 x 74.5 x 3 cm. In inches: 33.27" x 29./33". x 1.18" "Navigl...

Matt Magee Red Oracle, 2009 Oil on panel 32 x 22 in (81.3 x 55.9 cm) JPHB 1931

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Colorful shapes and patterns -- pinstripes, marbling, chenille spots in pink, yellow, orange and green -- intersect in this dynamic tondo by Sylvain Louis-Seize. When success came u...

Textiles, varnish and metal on wooden panel, Framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in In...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 x 8 inches A native New Yorker, Christie Owen...

Jennifer Bricker-Pugh Signal 1 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...