Panel Abstract Paintings

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

This 20 inch tall by 15 inch wide original mixed media artwork by Rebecca Klundt is an assemblage of found wood, finished with layers of acrylic paint, resulting in a geometric abstr...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

In this contemporary abstract painting by Elizabeth Gourlay in acrylic on linen mounted on a shaped panel, carefully ordered horizontal blocks of color in pale gray blue lavender, gr...

This abstracted portrait titled "Study for Rally III" is an original artwork by Brandon C. Smith made of oil paint on canvas. The piece measures 12”h x 12”w.

Brian O'Neill's "Summer 3" is a captivating original artwork created in 2024. This piece measures 48 x 12 x 1.50 inches (121.92 x 30.48 x 3.81 cm) and features a masterful blend of a...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

Nature-Inspired Minimalist Abstract Color Field painting on two wood panels in shades of light, icy blue, white and grey Acrylic on two wood panel, Each panel is 18 x 24 x 1.5 inche...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

Mixed composition on panel Time and Space are conceptually interconnected works. The relationship between the two is the driving force of our universe. Both pieces were created du...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

In his essay about David A. Dreyer's work, Philip Van Keuren writes: "He distills infinite visual and sensory stimuli he encountered while working in the field into the relatively...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Rooted in the tradition of improvisation and abstraction, Lee Seung Chul’s paintings serve as windows into the philosophical depths of human emotion, ap...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

A deep, bright cobalt blue encaustic (pigmented beeswax) painting with light purple and vibrant teal accents on birch panel. Signed, dated and titled on verso. Joanne Mattera’s paintings can be described as lush minimalism, the work is chromatically rich and compositionally reductive. Each painting in the ongoing Silk Road series is a small color field achieved by layers of translucent wax paint applied at right angles. The series, began in 2005, was inspired by the iridescent hues of slubbed silk, hence the title, but very quickly evolved into a more expansive exploration of color. In plying the richness of the encaustic paint against the austerity of a very subtle grid the artist sets in motion a dynamic in which color and texture jostle for primacy. A decade and almost 300 paintings later, the artist is still enthralled with this exploration. Mattera is the foremost expert in the field of encaustic painting and is the founder and former director of the International Encaustic Conference. Her artwork is in the collections of The New Britain Museum of Contemporary Art, US Embassies (Slovenia and Poland), US State Department, Bank of America, and Norwegian Cruise Lines, to name a few as well as numerous private collections. Mattera writes a contemporary art blog, she is a frequent guest speaker and curator and is a member of American Abstract Artists (NYC). The artist lives and works in MA and in NYC. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The word comes originally from the Greek word “enkaustikis” meaning to “burn in” and the process dates back to the 5th century. The liquid or paste is applied to a surface —usually prepared wood. Metal tools...

This is a vibrant red orange encaustic (pigmented beeswax) painting with light reddish orange and faint yellow accents on birch panel. Signed, date...

Medium: Cast resin and matte clear coat on panel Eric Moore's story doesn't start like many established artists. Unlike many of his artistic peers, Moore has not been drawing and cr...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Tasha Jentel is an abstract sculptural painter with a deep love for minimalism and thick textures. Guided by her passion for exploring spatial tension, Je...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Sharon Hockfield – "4 Heirlooms," Oil on Wood, 12 x 24 in – Contemporary Still Life Painting Celebrate timeless beauty with "4 Heirlooms", a stunning oil painting on wood by acclaim...

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

This painting features hues of yellow red, orange, and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

The Event V is abstract painting reminiscent of a landscape by contemporary artist Joachim van der Vlugt. Together with a voluntarily restricted palette of colors and sombre, black a...

"Night Watchers" is a collage / painting created from acrylic and collage on leather mounted on MDF panel with predominant red / pink / orange. The work itself is 24" x 22", framed to 24.5" x 22.5" in a narrow, simple black metal frame. It includes several photograph of Black figures. It is signed and dated along the lower edge. This is one of a series of five works -- see image gallery for additional works in the series. Each is listed separately on IstDibs, but I will combine shipping for multiple purchases. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, PA, Oct 2021 - Mar 2022 & "And the Beat Goes On," Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, PA, Sept - Oct 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

In this contemporary geometric abstract painting in acrylic on canvas mounted onto a shaped panel, carefully ordered horizontal blocks of color in yellow ochre, light lilac and light blue frame sections of gray with light lilac in the center. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

This is an abstract oil painting on wood. This piece relies on geometric forms in a playful manner. The colors that make up this work are reminiscent of water, land, and where they c...

Ann Marie Auricchio discusses the work comprising her series, Crescendo… My artistic practice originates from a raw visceral space where I create emotionally driven paintings captur...

Katrina Revenaugh Day Dream No. 5 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in Signed: On Verso COA provided Ref.: 924802-1937 *on Birch Pa...

This is a one-of-a-kind original textural abstract artwork by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x1.5". It is unframed. A Certificate of Authenticity wi...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

This wall-hanging artwork titled "FEVER" is an original artwork by Jim Houser made of acrylic on panel. This piece measures 5.5"h x 5.5"w. Jim Houser was born in 1973 in Philadelphi...

This wall-hanging artwork titled "OATHS" is an original artwork by Jim Houser made of acrylic on panel. This piece measures 8"h x 8"w. Jim Houser was born in 1973 in Philadelphia, P...

This blue, red, and white wall-hanging artwork titled "SHALLOWS I" is an original artwork by Jim Houser made of acrylic collage on canvas. This piece measures 6"h x 6"w. Jim Houser ...

'Freeway No. 12' oil painting on wood panel by artist Ryan Reynolds whose paintings are a response to the world as he experiences it. The places he inhabits and passes through serve ...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Nature-Inspired Minimalist Abstract Color Field Painting on 3 Panels in Sage Green Acrylic on 3 wood panels Each panel is 20 x 16 x 2 inches Suggested installation is 1-2 inches bet...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner is a sculptor a...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner is a sculptor a...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner is a sculptor a...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...