Late 20th Century Abstract Paintings

SIBYL EDWARDS (Canadian b. 1944) "Rainbow Egg Tray" 1973 Watercolor on Pressed Pulp Cardboard Egg Tray Filler Hand signed and dated verso in ink, "Sibyl Edwards, 1973." Dimensions: 12" x 12" Provenance: Collection of Roy H. Van Horn, Houston, Texas Sibyl Edwards was born in Canada, she was a Texas artist who taught at the Dallas museum of Art in the 1940's along with well-known Dallas artists including Octavio Medellin, Otis Dozier, Merritt Mauzey, and Roger Winter. She was also a avid collector. Her collection included works by Max Bill, Herbert Distel, Hansjorg Glattfelder, the Belgian sculptor Paul Van Hoeydonck...

Richmond Burton’s works are known for their kaleidoscopic color, undulating patterns, and lyrical handling of expressionistic mark making. His Visceral, seductive, and organic compositions play with decorative patterning without compromising a conceptual backbone. Their intensity of vision allows for transcendent thought, experience, and connection while challenging any preconceived norms or rules defining abstract painting. “Structure is never absent; it’s just uninsistent, even accidental. The paintings are built up in stages, but never give the impression of being hard-worked. They have a fluid, textural presence, like luxury fabrics printed with overlapping, off-register layers of patterning.” — Holland Cotter, The New York Times (1999). Richmond Burton (b. 1960, Talladega, AL) obtained a BA in architecture from Rice University Houston, TX (1984). He lives and works in Woodstock, NY. Burton has shown extensively both domestically and internationally and has work in the collections of The Art Institute of Chicago, Chicago, IL; The Broad, Los Angeles, CA; Dallas Museum of Art, Dallas, TX; Fogg Museum at Harvard University, Cambridge, MA; The Metropolitan Museum of Art, New York, NY; Museum of Modern Art (MoMA), New York, NY; and National Gallery of Art, Washington DC, among others. Recent solo exhibitions include venues such as Sarah Moody Gallery of Art at University of Alabama, Tuscaloosa, AL (2015); Silas Marder Gallery, Bridgehampton, NY (2014); Philip Slein Gallery, St. Louis, MO (2013); and George Lawson...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Pa...

Lynne Drexler Twilight Imagery, 1976 Signed and dated on the reverse Oil on canvas 30 1/2 x 22 1/2 inches Southern-born Lynne Mapp Drexler found her ar...

Bold abstract composition by an unknown artist, "Moriarty". Signed on verso. Presented flush mounted to a wood frame.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Pierre Coquet – Abstract Composition Reference number A85 Framed with a natural oak floated frame 55 x 70 cm frame included (50 x 65 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

Cotton Candy Crackle - Abstract Expressionist Composition in Acrylic on Canvas Vibrant and colorful composition by California artist Charles "Dave" Francis (American, 1951-2018). Br...

Orange Portal - Vintage Latin American School Original Abstract Bright and bold abstract painting by Latin American California-based artist, Ric...

"Crescent Rose" Mixed Media Handmade Paper Watercolor Abstract by Bruce Weinberg Soft lavenders, magentas and gray tones highlighted with purple thread and sheets of gold leaf mingle to create a soft and lovely abstract on handmade paper by California artist Bruce Weinberg (American, 1942-1994). Image is floated on a silk background. Pencil signed and dated "Bruce Weinberg 1980" lower right. Pencil signed title "Crescent Rose" lower left. Displayed in a giltwood frame with spacer. Image size: 24"H x 35"L. Framed size: 31"H x 43"W x 2"D. Bruce Weinberg was a long time resident of the San Francisco Bay Area. He studied Interior Design at the Philadelphia College of Art and Architectural Space Planning at Temple University. During the 1970s he studied printmaking and drawing at San Francisco's Fort Mason...

Vibrant abstract of Berkeley Hills overlooking the city of Oakland, California by Erle Loran (American, 1905-1999). Presented in a wood slat white frame. Signed lower right "Loran." ...

"Fantasy Bay", Large Scale Modern Abstract Geometric SF Salt Ponds Landscape Gorgeous large-scale abstract geometric landscape inspired by the San Francisco Cargill Salt Ponds, titl...

Modernist orchid flower still life oil painting by Abraham Pariente. Oil on canvas, circa 1980. Signed. Displayed in a modernist frame. Important large and impressive work!

Wonderful large abstract painting by Betty Weiss. Oil on canvas. Signed with her married name "Betty Perez". Measuring 40 by 48 inches. Artist Bio: Betty Weiss has been a Ne...

"Abstract Composition" by Roger Herson (French 1922-2008) signed lower right hand-side on card, gouache and crayon on card, unframed painting: 12.5 x 9 inches Superb original abstr...

Lou Fink The Patriot Oil on canvas, 1970 (mixed media with iron lock) Provenance: Collection of The Southampton Hospital Association, Southampton, New York. This abstract expressionist painting entitled "the Patriot" is done in patriotic shades of red, white and blue in a color field pattern reminiscent of Mark Rothko. It has an assemblage, collage, lock installed at its center, with great color and texture. This piece has a sculpture quality to it. Louis R. Fink (1925 - 1980) American modernist artist. He lived in Staten Island, New York. Lou Fink is known for abstract painting, collage and assemblage Education Art Students League (studied with Harry Sternberg, Louis Bosa, and John C. McPherson) Solo Exhibitions: 1955 Wagner College Studio-Gallery, Staten Island 1960-1980 Environment Gallery, N.Y., seven one-man shows 1981 Elaine Benson Gallery, Bridgehampton, N.Y., Memorial Exhibition Group Exhibitions: 1949 Art Students League (works by disabled GI Bill students) 1952-54 Art Institute of Chicago, International Exhibition of Contemporary Drawing (traveling exhibition) 1955 Pennsylvania Academy of the Fine Arts, Annual Exhibition 1956 National Academy of Design, 131st Annual Exhibition 1956 Museum of Modern Art, "Recent Drawings— U.S.A." (along with Andy Warhol, Josef Albers, Louis Schanker, Larry Rivers, John Levee, Varujan Boghosian, Morris Graves and Herbert Bayer.) 1957 Staten Island Museum, Annual Spring exhibition 1959 Columbia (South Carolina) Museum, Audubon Artists exhibition 1969 Environment Gallery Louis Fink, Frank Manuela, Richard Banks, Phillip Lloyd Powell 1980 Gallery Kyoto, Japan, 1987 Elaine Benson Gallery, Bridgehampton, “Remembering” Lou Fink made Christmas card designs for Tiffany...

When Red Meets Yellow - Original Abstract In the Style of Diebenkorn and Rothko Substantial abstract expressionist oil painting depicting the conjoining of red and yellow by America...

Abstract Expressionist painting by Southern California artist Chris Hamamoto (American, 20th century). Image, 40"H x 30"W. Unframed. Chris, a native of Southern California, has enjoyed creating artwork since childhood. After trying various media, he decided to specialize in painting on canvas and paper with acrylic paints. He is inspired by the works of Monet, Van Gogh, Sergeant, and Diebenkorn. Chris displays and sells his paintings in art festivals throughout California, Arizona, and Nevada. Education: Los Angeles Valley...

José González Veites (Mexican, born Mexico City 1957) Works in the collection of the Metropolitan Museum of New York City. Born in Mexico City, w...

Rare early work by important American modernist Donald Traver. Oil on canvas. Signed. Image size, 20H by 14L.

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

Multicolored abstract by Aptos, California artist Sandra Marie Lobue-Erba (American, 1945-2007). Signed "S. LoBue" lower right. Presented in a metal frame. Image size, 24"H x 30"L. ...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

William Stephens Shields, Jr., 1925 - 2010 "Saturday Night Live" 1996 Oil on canvas 36"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Dedication to Picasso. 1993, assemblage, cardboard, wood, acrylic, 68 x 47 cm Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of Latv...

original acrylic paper painting. framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. The Spani...

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

Abstract Colors is an artwork realized by Giorgio Lo Fermo (b. 1947) in 1983. Original Oil On Canvas. Hand-signed and dated by the artist on the back of the canvas: Lo Fermo 83. ...

Boldly colored geometric abstract expressionist painting by California artist Michael Mercado (American, 20th Century). Signed lower right "M. Mercado '90" and Michael Mercado on ve...

Artist: Ian Hornak (1944-2002) Title: Friedrich‘s Window: Variation # 4 Year: 1981 Medium: Acrylic on canvas Size: 36 x 48 inches Condition: Good Provenance: Fischbach Gallery, New Y...

Abstract expressionist landscape created with jewel tones portraying architectural elements is this early and important mixed media: acrylic, dry pigment, ink, pencil on archival boa...

Larry Zox (1936-2006) American, Des Moines, IA - Colchester ,CT “Untitled” 1981 Acrylic on canvas 50 3⁄4 x 88 3⁄4 in. unframed 51 x 89 in. framed Artist stamp, signed L. Zox, 1981, 5...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

'Sailing at Kennebec, Maine' by Jason Schoener. Framed Abstract, Whitney Museum, Mills College, ASL, CCAC ---- Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997...

Saint Clair Cemin (Brazilian-American) Double Sculpture, 1987 Graphite and watercolor on paper Hand signed, dated and titled on the back of the sheet ...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

An abstract beach scene with vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1982 with sail ...

William Ray McCauley, Untitled, Abstract Seascape, 15.63 x 19.63 , 1972 Colors: White, Blue, Green, Red Framed Dimensions: 23 x 27

Reticulum is an original artwork realized by the artist Giorgio Lo Fermo in 1995. Oil on canvas; perfect conditions. This gorgeous painting represents a grid that covers its entire ...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 1981. Matted dimensions: 20 x 30 inches. Robert Inman first...

A grey-earth tinted boat shape trailed by a dark triangular shape on a atmospheric ground of cool white pierces a band of brown and black in this acrylic painting by Rick Rivet. The ...

Wonderful large abstract painting by Betty Weiss. Oil on canvas. Signed with her married name "Betty Perez". Measuring 60 by 72 inches. Artist Bio: Betty Weiss has been a Ne...

Gray, pink, red, and yellow toned abstract contemporary painting by Chicago-based artist, Richard A. Johnson. Painting depicts various shapes and lines that appear to be floating above the canvas. Dimensions Without Frame: H 49.75 in. x W 55.88 in. Artist Biography: "There is something about the ocean that is so entwined with our makeup, that I can't help but be drawn to it. There really is nothing more powerful or hypnotic. The movement is ever changing and the attempt to capture that moment of change is what has engaged me in these pieces. There is something so ephemeral about all life that is perfectly captured in a wave. It only exists for a moment, but it's beauty and dynamism is so powerful that for that brief amount of time, nothing else matters. And yet, there is a subtlety, a moment of expansive calm, the monochrome of the colors and yet the exquisite and diverse play of tones. All of this captivates me and compels me to try and capture it all that on canvas." - Richard Johnson The luminescent beauty and lyrical quality of Richard S. Johnson's work is what captivates collectors today. "Old Masters" technical virtuosity, pre-Raphael romanticism, and contemporary expressionism and abstraction all combine to create his unique works of touching depth and artistry. Born in Chicago to an artistic family, his earliest reminiscences are of pouring through Charles Dana Gibson, N.C. Wyeth, and John Singer Sargent books on rainy afternoons. While still in grade school he won a scholarship to the prestigious Art Institute of Chicago. He later attended the American Academy of Art and upon graduation began a very successful career as an illustrator. Turning his attentions to fine art after winning a competition in International Artists Magazine, Rick was invited to Japan where his one man show was so successful that he has been invited back numerous times and has developed an international base of collectors. He has also won many awards in competitions here in the United States including the Award of Excellence, in the Oil Painters of America Midwest regional Juried Competition and People's Choice Award at the International Museum of Contemporary Master's of Fine Art in San Antonio, TX. Perhaps the term that best describes Rick's work is "Poetic Intimacy". His sure brush strokes, bold use of color and impasto, and delicate rendering of the human face and form all work together in a harmony that refuses to draw attention to themselves for their technical virtuosity, but rather to draw their viewer into the awareness that they are sharing one, serene, contemplative moment; that the light that pours over the subject's skin also caresses theirs. Rick's expressive skill for capturing the human form has brought him numerous commissions: - John F. Kennedy at the JFK Memorial Library in Boston. - A commemorative painting of the presidents from Eisenhower to Bush currently hanging at the President's Council on Physical Fitness in Washington D.C. - Rear Admiral Richard S. Truly, USN, the first commander of the NASA Space Shuttle...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

Sonia Gechtoff The City at Twilight: Twin Towers II, 1985 Acrylic and pencil on paper (held in original frame with Gruenebaum Gallery, NY label) Signed and dated on the front; also b...

Michael Vonbank is an Austrian artist known for his experimental and colorful art. This special work shows a surreal and expressive pictorial world. Invented creatures, fantasy and ...

Harbor Scene French Pointillist, second half 20th century Signed oil on canvas, unframed Canvas : 16 x 13 inches Provenance: private collection, Paris Condition: very good condition ...

Cheryl Warrick (American, b. 1956), "Both Sides" 1998, acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. Dimensions: 13 x 12.75 ...

"Pillars of Light" Abstract Galactic Composition in Acrylic on Canvas Bold abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Four large pillars...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

'Abstract in Orchid and Jade' by Kevin Keaney. San Francisco Art Institute, Large Bay Area Oil ---- Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This S...

Artist: Ian Hornak (1944-2002) Title: Primeval Landscape Year: 1985 Medium: Acrylic on double layered Masonite Size: 16 x 19 inches Condition: Good Provenance: Estate of Ian Hornak, ...

Modernist Boats - Abstract Monterey Seascape in Oil on Canvas Vibrant abstracted landscape of colorful boats in a Monterey harbor by California artist Virginia Sevier Rogers (Americ...

Great, fun oil on canvas! Wonderful colors and textures. Dated January 1974 and signed illegibly. Canvas is in great condition, could use a light cleaning, would be perfect if framed...

"Attention" Heavily Textured Abstract Expressionist Composition in Oil on Canvas Bold, textured, impasto composition of a nude female by California artist Harald "Harry" Dry Schmidt...

Abstract composition is a contemporary artwork realized by Leo Guida in 1970s Mixed colored oil on canvas. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements...

Calvert Coggeshall Untitled, circa 1975 Oil on canvas 50 x 40 inches Calvert Coggeshall worked as an abstract painter and interior designer primari...

Yellow, Orange, and White Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright col...

Metamorphosis is a contemporary artwork realized by Leo Guida in 1975. Mixed colored oil painting Includes frame: 117.5 x 78 cm Leo Guida (1992 - 2017). Sensitive to current iss...