Horizontal Abstract Prints

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Larry Poons Cherry Bobalink Epson Inkjet print with HDX Ultrachrome inks Edition of 30 Hand-signed and numbered in pencil on the recto In mint condition Published by Triangle Arts A...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled L’arbre (The Tree), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 195...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Lis et glaieuls (Lilies and Gladioli), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from ...

Antoni Tapies, Spanish (1923 - 2012) - Invitation, Medium: Lithograph, signed in the plate, Size: 9 x 17 in. (22.86 x 43.18 cm), Frame Size: 16.25 x 24.25 inches, Description: An...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...

This original artwork by Antoni Tàpies is one of the 10 coloured lithographs of the “Berlin Suite”. Tàpies realized this portfolio in 1974, each lithograph is on Arches wove paper. ...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints Our mission is to connect art co...

Cecily Brown The 5 Senses, 2025 Ditone print on Hahnemühle Photo Rag 308 g/m² paper numbered and signed on the front 47 x 50 cm Edition 93 of 100 published by TEXTE ZUR KUNST Cecil...

Rare exhibition poster by Puerto Rican artist Carlos Osario. Una Gota de Sangre, 1963. Screen print on paper, 17.5 x 25 inches. Some wear and crea...

German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33. Claassen was born in Itzehoe in the state of Schleswig-Hol...

Joan Miró "M.1067" from Maravillas con variaciones acrósticas Original lithograph in colors on Vélin de Rives paper Hand signed by the artist and numbered III/XV from an edition of f...

Alexander Calder’s ‘Escargot’ lithograph showcases his playful yet sophisticated approach to abstraction, combining organic form with bold color and dynamic composition. The title, w...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette with warm yellow accents, and captures a landscape scene...

Howard Hodgkin In Tangier, 1991 Screenprint in 22 colours on huntsman velvet 300gsm paper Signed with initials HH, numbered (63/72) and dated ('91) in pencil 82 × 86 cm Edition of 7...

Color Abstract Expressionism aquatint etching. hand pencil signed limited edition. Don Fink (1923-2010) was a well known and well listed Abstract Expressionist who studied at the Art Students League and the Academie Julian. He was born in Duluth , Minnesota, but later moved to Europe where he established himself as an artist. He was first based in Paris where he was a member of the "Jeune École de Paris" (with Karel Appel, Debre, Friedensreich Hundertwasser, Antoni Tapies, Dumitresco, Messagier, Zanartu , etc.) and later moved to Barcelona. A large retrospective of his earlier works was held in Madrid in 1998 with the following promotion: Don Fink Returns to Madrid: American "action" painter Don Fink (b. Duluth, Minnesota, 1923) has a show at Galería Rayuela through September 25. The artist divides his time between Barcelona, Paris, and New York. This is his second exhibition in Madrid in four years. The works on view date from 1952 to 1970. Their "active" surfaces meld the arts of tattooing, calligraphy and three-dimensional terrain mapping, resulting in a meditative and rewarding experience for the viewer. The show was organized by Sebastià Janè of Barcelona and Carmen Muro of Madrid. Galería Rayuela is at Calle Claudio Coello...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1091 (After Painting Number 7, CR324), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Arman Boom Boom (unique variation from New York International Portfolio), 1965 Screenprint with pencil additions. Pencil signed and numbered 12/225 on the front Published by Chiron ...

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

From the estate of Jerry Opper and Ruth Opper Abstract Line Print c.1950's Stone Lithograph on Paper 25" x 19.5" Unframed Estate stamp lower left Came from ...

Edward Landon 'Salient in February', color serigraph, 1945, edition 40, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh col...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Forme (Form), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edit...

Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print. Diffused foxing.

This lithograph is part of my private collection. The artist name could not be translated, so artist is unknown. It has beautiful fall colors, with a boy of water in the background. ...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Recherche (Research), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), originates f...

This exquisite linocut by Henri Laurens (1885–1954), titled Sirenes (Sirens), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommair...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a vibrant green and blue palette and captures a scene of a field with lush fo...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

This artwork titled "Composition" 1967, is an original colors lithograph on Arches paper by renown Italian artist Alberto Magnelli, 1888-1971. It is hand signed and numbered 37/75 in...

This exquisite linocut after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originat...

Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

engraved Aguatinta. Arches paper 63x90, Arches filigree. Ed. Galerie Lelong. Paris. 50 ejs numbered 1/50 and 15 HC ejs numbered 1/15 catalogue raisonné image 801, 1981 ANTONI TAPI...

Screenprint in colours with metallic silver on wove paper Edition 62 of 150 (85 x 104.14 x 5.3 cm / 33.5 x 41 x 2 in) Signed and numbered on the front Condition on request Framed wit...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and green palette and captures a landscape scene with lush foliag...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact when they're placed next to each other. I experiment with intensity of colours and the different sensations colours evoke. Why a Circle? When I explore my fascination with this shape I discover that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. I use the latest digital technology as a medium to create my circles. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 179, 1969. Published by Aim...

Tracey Emin I Could Feel You, 2015 Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM 9 1/2 × 12 inches Plate signed Unframed Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out. More details about the original 2014 work are on the Tate Gallery's website as follows: Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Red Grooms "Expedition" (aka "EAT", aka "Stockholm Print"), 1973 Silkscreen on 100% rag paper Pencil signed, dated and numbered recto (front); Stamped in black on verso "© Copyright ...

Color etching entitled "La Dernière Porte or the Last Door." Signed "MC Havel" in pencil lower right. Numbered 11/12 lower left. Displayed on a white mat with a golden border and fit...

ROBERT INDIANA Hope Wall, 2010 Silkscreen on wove paper 24 × 25 inches Edition IV/IV (aside from the regular edition of 33) Hand signed, numbered IV/IV and dated on lower front Unframed Robert Indiana created Hope Wall, or Wall of Hope in support of future president Barack Obama in 2008, and the print was published in 2010. This is an extremely rare Artist's Proof - one of only four in the world. It is pencil signed, dated and numbered IV of IV on the recto. The regular edition is only 33. Extremely scarce. This print has appeared on the market fewer than a handful of times over the past decade. “I’d like to cover the world with hope,” said Robert Indiana, the artist whose iconic “LOVE” series became a global symbol of unity during the turmoil of the 1960s. In 2008, Indiana felt the world was ready for a new message, and designed “HOPE” for Barack Obama’s presidential campaign. “I wanted to help name and empower the next generation and I felt that HOPE encompassed the needs of our time,” he said. With its forward-leaning O, “HOPE” symbolizes perseverance, and pushing ahead toward a brighter future. To coincide with the artist’s 86th birthday, the first annual “International Hope Day” launched on September 13, 2014 and included the public display of Indiana’s “HOPE” sculptures...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Silkscreen realized by Alberto Burri in 1986. Artist proof out of an edition of 50. Image dimension 60x60 cm. Hand signed and dedicated. Excellent condition.

"Les Pyramides Grandes" framed geometric abstract lithograph of pyramids by Alexander Calder. Hand-lettered EA on lower left front. Hand-signed C...

Original serigraph by Sister Mary Corita Kent (1918-1986). Sheet size: 25"h x 30"w. Titled “Would You Go to Jail if it Would End the War? Quote by activist Daniel Ellsberg. Importan...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Etching realized by Fausto Maria Franchi in 2013. Edition of 55/200. Hand signed and numbered in pencil. Excellent condition.

"Le Lézard aux Plumes d'Or" is an original lithograph realized by Joan Miró in 1971, and part of the famous homonym series. Hand signed and numbered, it is an H.C. (out of commerce)...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the [Braniff International Airways] Flying Colors Collection, 1976....

This exquisite linocut after Pablo Picasso (1881–1973), titled Pique (Picador), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962 edition published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, 1962. This powerful composition embodies Picassos fascination with the bullfight—a recurring motif throughout his career—expressed here through the bold, reductive language of linocut that transforms motion, strength, and drama into pure visual rhythm. Executed as a linocut on velin paper, this work measures 12.5 x 14.5 inches overall, with an image size of 10.5 x 13 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Verlag Gerd Hatje, Stuttgart. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Pique (Picador), from the album Pablo Picasso, Grabados al linoleo (Linocuts) Medium: Linocut on velin paper Dimensions: 12.5 x 14.5 inches overall; 10.5 x 13 inches image size (31.75 x 36.83 cm overall; 26.67 x 33.02 cm image size) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne References: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the album Pablo Picasso, Grabados al linoleo (Linocuts), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris; printed by Verlag Gerd Hatje, Stuttgart, 1962 Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Publication: Grabados al linoleo (Linocuts), published in 1962 by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, stands as one of the most celebrated printed albums devoted to Picassos linoleum engravings. Supervised and printed by Verlag Gerd Hatje, Stuttgart, the album documents Picassos innovative mastery of the linocut technique—an approach he developed in the late 1950s and early 1960s while working closely with the printer Hidalgo Arnera in Vallauris. These works, created between 1958 and 1961, demonstrate Picassos ability to synthesize color, form, and movement within a single, reductive process that demanded precision and intuition. The album was issued in a limited numbered edition of DXX examples, accompanied by the publisher’s acknowledgment of Galerie Louise Leiris for facilitating access to the original blocks. As a historical publication, Grabados al linoleo reflects Picassos late-career vitality and his relentless experimentation with materials and printmaking methods, offering collectors and scholars an enduring testament to his inventive genius in graphic art. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Pique...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...