Pop Art Figurative Prints

Serigraph in colors on paper. Hand signed lower right by Peter Max. Hand numbered HC IV lower left. Published by AMX Art Ltd., NY and printed by Joseph Kleineman, NY. Printworld D...

A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.

Lisa Takahashi Echelon Limited Edition Linocut Print Edition of 100 Image Size: H 41cm x W 56.5cm Sheet Size: H 50cm x W 71.2cm x D 0.1cm Sold Unframed Please note that in situ image...

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Artist Peter Klasen is a master of contrasts. Of fragment and entirety, of hard plat...

Artist: Robert Indiana, American (1928 - 2018) Title: Gertrude Stein from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 150...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Catman Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 31 x 15 inches Size: 36 x 21 in. (91.4...

Artist: Rainer Gross Title: Liberty Year: 1986 Medium: Silkscreen, signed and numbered in pencil Edition: 400, AP 20 Image Size: 24 x 34 inches Sheet: 29.5 x 41 inches

Noshi & Meg on Earth, Year 2036 (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist 58 x 51 cm 22 4/5 × 20 1/10 in Edition 151/300

Crazy Eight Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching with Aquatint, signed and numbered in pencil Edition of 300 Size: 31 x 20.5 in. (78.74 x 52.07 cm)

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Offset lithograph with hand-coloring, on wove paper. From an edition of unknown size. Estate of Andy Warhol and Andy Warhol Art Authentication Board Inc. stamps on verso. With ini...

Artist: Gianni Bertini, Italian (1922 - 2010) Title: Senza Titolo Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 35/75 Paper Size:...

Joe Zucker, American (1941) Date: 1982 Lithograph, signed, numbered, and dated in pencil Edition of 82/100 Image Size: 30 x 20.5 inches Size: 33 x 23 in. (83.82 x 58.42 cm)

Ed Ruscha (American, b.1937) Various Small Fires and Milk, 1964/1970 Medium: Artist’s book (48 pages), glassine dust jacket Dimensions: 17.8 x 14.2 cm Second edition (1970): 3000 unn...

Portfolio with 5 silkscreens in a wooden box. Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

"Marilyn Monroe Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Digital print on canvas. Stretched on wooden bars. Signed and numbered by the artist. Marilyn is ...

Vintage Keith Haring Record Cover Art, 1982-1987. Set of 4 individual pieces including their respective albums. Haring illustrations appear on front and back covers, plus illustrate...

Artist: Steve Kaufman Title: George Washington: Father of Our Nation Medium: Screenprint on Canvas Size: 20 x 20 Inches Edition: 97 of 200 Year: 2000-2010 Notes: Hand Signed and ...

Artist: Larry Rivers Title: Carnegie Hall Year: 1990 Medium: Lithograph, signed and numbered in pencil Edition: 4/60 Paper Size: 57 x 40 inches

Artist: Ronald Stein Title: Lessons of the Camp Year: 1967 Medium: Serigraph, signed in pencil Edition: Proof Size: 26 x 40 inches

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inche...

With private collectors like, Elton John, Rod Stewart, Pete Davidson, Grant Cardone and Hugh M. Hefner, Ceravolo's Large scale paintings have received in...

"PLACEBO MARILYN MONROE" Plexiglass Print 55' x 39' in Ed. of 50 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back with a mounting rail for ...

Ten Past Ten, Big Ben By Michael Wallner [2018] limited_edition Brushed aluminium Edition number 15 Image size: H:110 cm x W:110 cm Complete Size of Unframed Work: H:110 cm x W:110 ...

Artist: Mel Ramos, American (1935 - ) Title: Miss America Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 36 i...

Hypha will cover the world, little by little. "We should be able to get our hands on that door to the alien world soon. Wait till we get there!" 2009 by Takashi Murakami Offset pri...

Hand signed, dated and numbered in black marker by the artist. Littmann p.61. Artwork size 31 x 23.5 inches. Image size 25.25 x 12 inches. Co-published by Galerie Bernd Klüser, ...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Mel Ramos Cat Woman #1, 2011 Lithograph in colors 23 1/5 × 23 1/5 in 59 × 59 cm Edition of 199: Hand-signed and numbered

Colorful Pop Art screenprint by Mel Ramos from a limited edition of 100. Signed by Ramos and numbered in pencil. Printed by Accent Studios, Los Angeles. Published by Robert Bane...

Artist: John Hardy Title: Bride Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 275, AP Image Size: 20 x 28 inches Paper Size: 22.5 in. x 30 in. (57.15 c...

The print is Diasec® framed. This mean the print is mounted between acrylic glass (UV-resistant) and a dibond (aluminum) backside, with an attached frame for easy hanging. Depth of t...

A New York City street scene by Lester Johnson circa 1980. Artist: Lester Johnson, American (1919 - 2010) Title: Street Scene Year: circa 1980 Medium: ...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Red Sonja Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199, LX Image Size: 30.5 x...

Raymond Pettibon, 'Black Flag Live ‘85 Loose Nut': Folding double-sided merchandise flyer illustrated by Raymond Pettibon for SST Records advertising...

Serigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...

Artist: Gianni Bertini, Italian (1922 - ) Title: Accidentale Year: 2002 Medium: Screenprint, signed and numbered in gold ink Edition: I/XX Paper Size: 3...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Swordslady Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 23.5 x 18 inches Size: 30.5 x 22....

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Marilyn Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 180 Image Size: 17.5 x 24 inches Size: 23 x 31.5 in. ...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Leger Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 100 Image Size: 18 x 24 inches Size: 23 x 31.5 in. (58....

Screen print in colors on paper. Hand signed and numbered 'HC 27' by Peter Max. Frame size approx 31 x 40 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Artist: Mark Kostabi, American (1960 - ) Title: Two Cultures - Red Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: AP 2/5 Size: 42 x 30.5 in. (106.68 x 7...

Artist: Richard Martin Ash, American (1943 - ) Title: Uncle Sam Medium: Lithograph, signed and numbered in pencil Edition: AP Image Size: 26.75 x 17 inches Frame Size: 33 x 23 inches

James Rosenquist (1933-2017) THE GLASS WISHES (Glenn 161) Color lithograph, 1978-1986, on wove paper, hand signed, dated, titled, dedicated for Jack Martin...

Future daily morning routine (2020). Archival pigment print, silkscreen by Aya Takano Numbered and signed by the artist Image 24.7 × 17.2 cm (9¾ × 6¾ in.) Sheet 31.2 × 22.5 cm (12¼...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 10/04/16 Run: 450 Technique: Screen Print Paper: Cream Speckle Tone with Gold Leaf Size: 18 X 24 Markings: Sig...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Astroboy from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dus...

An original signed silkscreen by American Pop Artist, William Copley (1919 - 1996). In a fine black contemporary frame measuring 33 x 26.5 inches. Artist: William Copley, American (1919 - 1996) Title: American Girl...

Maurizio Cattelan (Italian, b. 1960) Fondation Beyeler exhibition poster, 2013 Dimensions: 128 x 90 cm Edition of 100: Hand-signed and numbered in black felt-tip pen Condition: Mint

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

America-La France Variations VII (B. 303; E. & Ba. 335). Lithograph on white Arches cover paper in 11 colors with black German etching paper, blue TGL handmade paper with multicolor...

Bardot Blur Purple 2022 by BATIK Signed and numbered by the artist on front limited to only 5 this size Paper size 44 inches height x 40 inches width / 112 x 101 cm Paper Type : ...

Twenty Flight Rock. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 cm Diameter Edition 22/300

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...