$3,000
Contact Painting Twins Abstract Expressionist Diptych OIl Painting Rainer Gross
By Rainer Gross
Located in Surfside, FL
Rainer Gross (American, b. 1957) "Neal Twins" (in two parts)," 2000, Oil diptych painting on panel, signed, titled and dated verso, panel (unframed/each): 10.25"h x 9"w, overall 10...
Mixed Media, Oil
Summer Still Life I, Modern Lithograph by Rainer Gross
By Rainer Gross
Located in Long Island City, NY
Summer Still Life I by Rainer Gross, German (1951) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Size: 35 in. x 24 in. (88.9 cm x 60.96 cm)
Lithograph
Liberty, Pop Art Screenprint by Rainer Gross
By Rainer Gross
Located in Long Island City, NY
Artist: Rainer Gross Title: Liberty Year: 1986 Medium: Silkscreen, signed and numbered in pencil Edition: 400, AP 20 Image Size: 24 x 34 inches Sheet: 29.5 x 41 inches
Screen
Lilies, Carnations & Stones, Still Life Lithograph by Rainer Gross
By Rainer Gross
Located in Long Island City, NY
Lilies, Carnations & Stones by Rainer Gross, German (1951) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Size: 35.5 in. x 25.5 in. (90.17 cm x 64.7...
Lithograph
Liberty, Abstract Pop Art Screenprint by Rainer Gross
By Rainer Gross
Located in Long Island City, NY
Liberty by Rainer Gross, German (1951) Date: 1986 Screenprint, signed and numbered in pencil Edition of 400, AP 20 Image Size: 24 x 36 inches Size: 29.5 in. x 41 in. (74.93 cm x 104....
Screen
Television Baroque II, Lithograph by Rainer Gross
By Rainer Gross
Located in Long Island City, NY
Television Baroque II by Rainer Gross, German (1951) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP 5 Size: 26 in. x 36.5 in. (66.04 cm x 92.71 cm)
Lithograph
Sunshine Daydream.
By Philippe Huart
Located in Östermalm, Stockholms län
Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. The work of Antonio de Felipe is a constant source of fascination and surprises. It is ...
Screen
*A travers" portfolio 14 ex.
By Erró
Located in Östermalm, Stockholms län
A travers.Portfolio with 14 silkscreens. Publisher GKM. Unframed. Edition of 200 ex. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...
Screen
$3,800
H 43 in W 35 in D 1 in
AWH 214 - Original Abstract Expressionist Red Colorfield Oil Painting
By Bernhard Zimmer
Located in Los Angeles, CA
Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...
Canvas, Mixed Media, Oil
$5,050
H 48 in W 60 in
Cosmic Trigger V.2 - Large Contemporary Organic Shape Abstract Oil Painting
Located in Los Angeles, CA
Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...
Canvas, Mixed Media, Oil
$50,000Sale Price|20% Off
H 24 in W 30 in
Jacqueline Kennedy (Jackie II) (Feldman/Schellmann II.14), Andy Warhol
By Andy Warhol
Located in Fairfield, CT
Artist: Andy Warhol (1928-1987) Title: Jacqueline Kennedy (Jackie II) Year: 1966 Medium: Silkscreen in colors on wove paper Size: 24 x 30 inches Condition: Excellent Inscription: Sig...
Screen
David Hockney, Letter G, from Hockney's Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter G, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Lithograph
$376
H 19.69 in W 27.56 in D 0.04 in
Rural Landscape - Original Lithograph by Mario Rossi - 1970s
By Mario Rossi
Located in Roma, IT
Hand signed and numbered. Editions of 100 prints. Very good conditions.
Lithograph
Untitled (Airport Paris)
By Peter Fischli & David Weiss
Located in New York, NY
Peter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...
Lithograph
$4,354
H 21.07 in W 42.13 in D 1.24 in
Donna's Meadow Diptych with Early Purple Orchids, Nature, Floral, Meadows, Field
By Elaine Kazimierczuk
Located in Deddington, GB
This work comprises two panels showing an orchid meadow in full bloom. It has been created by allowing what was previously an ordinary cultivated silage field, which was effectively ...
Canvas, Oil, Mixed Media, Acrylic
She Lay Down Deep Beneath the Sea
By Tracey Emin
Located in London, GB
2012 Offset lithograph in colours on wove paper 80 x 60 cm Signed in black in by Tracey Emin Published by Turner Contemporary Accompanied by a gallery Certificate of Authenticity Tr...
Paper, Lithograph, Offset
$1,500
H 36 in W 24 in
2779494: The Olympic Runner (Limited Ed. Hand Signed with Olympic Committee COA)
By Jonathan Borofsky
Located in New York, NY
Jonathan Borofsky 2779494: The Olympic Runner Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph on Parson'...
Lithograph, Offset
$1,500
H 17 in W 22 in
Nan Goldin - Lydia Lunch at the Russian Baths, East 10th Street, 1985, poster
By Nan Goldin
Located in New York, NY
Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...
Lithograph, Offset
Summer Still Life I
By Rainer Gross
Located in Long Island City, NY
Summer Still Life I by Rainer Gross, German (1951) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Size: 35 in. x 24 in. (88.9 cm x 60.96 cm)
Lithograph
Sold
H 10.25 in W 18 in
Contact Painting Twins Abstract Expressionist Diptych OIl Painting Rainer Gross
By Rainer Gross
Located in Surfside, FL
Rainer Gross (American, b. 1957) "Neal Twins" (in two parts)," 2000, Oil diptych painting on panel, signed, titled and dated verso, panel (unframed/each): 10.25"h x 9"w, overall 10.25 X 18 inches RAINER GROSS (1951 - ) Rainer Gross was born and educated in Cologne, Germany. He came to the United States in 1973. At that time he worked with Howard Kanovitz and later with Larry Rivers He has exhibited with German galleries and last season at the Tower. His work is represented in numerous private collections. Mr. Gross' excellent draftsmanship and subtle color sense are evident in his acrylics on paper. His paintings and drawings interpret Americana charged with allegorical and classical allusions. The copying of re-rendering ot old masters has a long and venerable history. The Romans copied the Greeks, the Renaissance masters copied the Romans and the academicians of the 19th century copies the Renaissance masters. More recently, such stellar figures as Vincent Van Gogh, Paul Cezanne and Pablo Picasso were "borrowers" who in turn became "lenders" to countless modernists. The "Art about Art" exhibition at the Whitney Museum reminded us that the art of the past can still provide valid models, even in an age when the unique and objective statement has been valued as never before. A prominent figure in that show was Larry Rivers, perhaps the most consistent renowned "borrower" of his generation, who has spent the last 30 years quoting everybody from Rembrandt to Hiroshige. This is from his series “Contact Paintings – Twins” As their name implies, the compositions encompass two painted surfaces that the artist presents as a diptych, each panel imprinting on and mirroring the other. The artist sometimes selects one of the two panels and brings his personal touch by adding one or two brushstrokes. A deeper understanding of Gross’ paintings requires the viewer to consider the challenges entailed in becoming a painter in 1970s Cologne when the ideology of “The End of Painting” professed by Joseph Beuys at the Kunst Akademie Düsseldorf became dominant among the art world’s “elite.” Being a painter meant thinking about the specificities of the medium and new ways to push it forward. In 2017, Gross was included in the Beijing Biennale as a representative of Germany. In 2012, the Museum Ludwig (Koblenz, Germany) held a four-decade survey of his paintings. Other notable national and international exhibits include the Musée Cantonal des Beaux-Arts (Lausanne, Switzerland), Krannert Art Museum and Kinkead Pavilion (Champaign, Illinois, USA), and Kunsthalle Emden (Emden, Germany). Gross’ paintings are housed in numerous public collections, including the AT&T Corporate Art Collection, the Cohen Family Collection, the Hirshhorn Collection, the UBS Union Bank of Switzerland, and the Lowe Art Museum. His work has been reviewed by the New York Times, Art in America, ArtNews, The Brooklyn Rail, The Boston Globe, and others. GROUP EXHIBITIONS 2007 Marcia Wood Gallery, Atlanta, GA Katharina Rich-Perlow Gallery, New York Stephen Haller Gallery, New York, Galerie Koch, Hannover, Germany Gráficas Works on Paper, Tucson, AR Museum Tucson, Arizona 2006 "Abstrakt", Museum Morsbroich, Leverkusen, Germany Galerie Koch, Art Miami, and Cologne Galerie Stefan Röpke, Art Fairs, Pulse New York, Bologna, Brussels Galerie Benden und Klimczak, Cologne 2005 Galerie Benden und Klimczak, Germany; Galerie Graf und Schelble, Basel, Switzerland; Michael Schneider Zeitgenössische Kunst Bonn, Germany Galerie Stefan Roepke, Marcia Wood Gallery, Atlanta, GA and Art Chicago; Frankfurter Kunstkabinett: Hanna Bekker vom Rath, Germany, Elvira Bach - Rainer Gross - Stefan Hoenerloh - Alex Katz - Stefan Szczesny - Wanda Pratschke - Hans Steinbrenner Galerie Benden und Klimczak, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany 2003 Galerie Benden und Klimczak, Cologne; Marcia Wood Gallery, Atlanta, GA; 2002 Auftrag der Farbe,* Kunstverein, Wiesbaden, Germany and Kunstverein Trier, Germany; Marcel Sitcoske Gallery, San Francisco, CA DFN Gallery, New York 2001 Accrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; Museum Villa Zanders, Bergisch Gladbach, Germany; Achrochage, Gallery Inge Baecker, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Kunsthalle Darmstadt, Germany*; Galerie Benden und Klimczak, Cologne; Museum Viersen, Viersen, Germany; Marcel Sitcoske Gallery, San Francisco, CA; Galerie Klein, Bad Muenstereifel, Germany; 2000 Achrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Rainer Gross, Thomas Kemper, Peter Tollens Galerie Benden & Klimczak, Cologne; 1999 Portraits, Galerie Benden & Klimczak, Cologne, Germany; Still Life and Blick zurück nach vorn, Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Galeriey Holtmann, Cologne, Germany; Church of St.Gerion, Cologne, Germany; X-MAS , Kent Gallery, New York; 1998 Galerie Benden & Klimczak, "Art Cologne" fair, Cologne, Germany; Gallery OZ, Paris, Gallery Graf & Schelble, Basel, and Art Zurich, Switzerland; Galerie Holtmann, Art Basel, Switzerland and Art Cologne,Germany; 1997 Solo, Madrid Museo de la Cidad, Madrid, Spain; Schneider Contemporary Art, Bonn, Germany; Abstract , Galerie Benden & Klimczak, Viersen, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; 1996 The World is a Broken Mirror , Galerie Inge Baecker, Koln, Germany; Bundeskunsthalle, Bonn, Germany; Akademie der Künste, Berlin, Germany; Marquardt Ausstellungen, Munich, Germany; 1995 How Red Works, Art Gallery of Hamilton, Canada; Marquardt Ausstellungen, Munich, Germany; 1994 Gelb, Marquardt Ausstellungen, Munich, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, At Art Cologne, Cologne, Germany; Gallery Moos, Toronto, Canada; 1993 Gallery Baecker, Cologne, Germany; The Return of the Cadavre Exquis...
Mixed Media, Oil
"Shiffman Twins" Diptych
By Rainer Gross
Located in Surfside, FL
This is a 2 part piece each is 26X30 inches. RAINER GROSS (1951 - ) Rainer Gross was born and educated in Cologne, Germany. He came to the United States in 1973. At tnat time he worked with Howard Kanovitz and later with Larry Rivers He has exhibited with German galleries and last season at the Tower. His work is represented in numerous private collections. Mr. Gross' excellent draftsmanship and subtle color sense are evident in his acrylics on paper. His paintings and drawings interpret Americana charged witn allegorical and classical allusions. The copying of re-rendering ot old masters has a long and venerable history. The Romans copied the Greeks, the Renaissance masters copied the Romans and the academicians ot the 19th century copies the Renaissance masters. More recently, such stellar figures as Van Gogh, Cezanne and Picasso were "borrowers" who in turn became "lenders" to countless modernists. Last years "Art about Art" exhibition at the Wnitney Museum reminded us that the art of the past can still provide valid models, even in an age when the unique and objective statement has been valued as never before. A prominent figure in that show was Larry Rivers, perhaps the most consistent renowned "borrower" of his generation, who has spent the last 30 years quoting everybody from Rembrandt to Hiroshige. INDIVIDUAL EXHIBITIONS 1974 One Man Show, Gallery Witte, Cologne Exemplarische Ausstellung Kolner Kuost Kaleidoskop Neumark der Kunste, Cologne 1979 One Man Show, Tower Gallery Southampton COLLECTIVE EXHIBITIONS 1972 14 X Malere, Studio PHBK Cologne 1973 Kunst und Technik, Kunstpreis Junger Western, Museum Bochum Neumarkt der Kunste, Cologne 1978 lower Gallery, Southampton The XMAS Project Artists Kent Gallery Dennis Adams, Images Stephanie Arrignon Art in Ruins Jan Baracz Sean Bayliss Peter Bellamy Lynda Benglis, Images John Brill, Images Chicks on Speed R. M. Fischer Christine Franck Timothy Greenfield-Sanders Red Grooms Rainer Gross Ulrike Grossarth Kazumi Tanaka, Images Jos van der Pol Solo Exhibitions 2008 Katharina Rich-Perlow Gallery, New York, 2007 Galerie Graf und Schelble, Basel, Switzerland, Galerie Koch, Hannover, Germany 2006 Galeria Pedro Torres, Logrõno, Spain Galerie Benden und Klimczak, Cologne, Germany Galerie Stefan Röpke, Cologne, Germany Marcia Wood Gallery, Atlanta, GA 2005 Fundation Sala Robayera*, Miengo Cantabria, Spain; Simon Gallery, Morristown, New Jersey 2004 Axel Raben Gallery, New York; Galerie Graf und Schelble, Basel, Switzerland; Galeria Arnés y Roepke, Madrid, Spain; Galerie Koch, Hannover, Germany; 2003 Doppelgänger, Contact Paintings 1996-2003* (traveling exhibition) Leopold Hoesch Museum, Dueren, Germany; Städtische Galerie Villa Zanders,Bergisch-Gladbach, Germany; Museum Mülheim an der Ruhr, Germany; Staedtische Galerie in Park, Viersen, Germany; Frankfurter Kunstkabinett Hanna Bekker von Rath, Frankfurt, Germany; Axel Raben Gallery, New York; Marcia Wood Gallery, Atlanta; 2002 Galerie Benden und Klimczak, Cologne, Germany; Galerie Parade, Amsterdam, Netherlands; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany 2001 Marcel Sitcoske Gallery, San Francisco, California; Galerie Parade, Amsterdam, Netherlands; Galerie Graf & Schelble, Basel, Switzerland; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany, (Collaborations on Paper , Degenhard Andrulat) 2000 Galerie Egelund, Copenhagen, Denmark; Marcia Wood Gallery, Atlanta, Georgia; Marcel Sitcoske Gallery, San Francisco, CA; 1999 Galerie Graf und Schelble, Basel, Switzerland; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; 1998 Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt, Germany; Marquardt Ausstellungen, Munich, Germany; Twins 1997-98*, Galerie Benden & Klimczak, Viersen, Germany; 1997 Earl McGrath Gallery, New York; Galerie Graf und Schelble, Basel, Switzerland; Marquardt Ausstellungen , Munich, Germany; Galerie OZ, Paris, France; Galerie Holtmann, Cologne, Germany; 1996/7 Finger-tip-tingling, (traveling exhibition)* Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champain, Champagne, IL; I - Space, College of Fine and Applied Arts, Chicago, IL; Stadtmuseum, Cologne, Germany;* 1996 Marquardt Ausstellungen, Munich, Germany; Stadtmuseum, Cologne, Germany;* Michael Schneider Zeitgenössische Kunst, Bonn, Germany Art Gallery of Hamilton, Canada; 1995 Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; Galerie Inge Beacker, Cologne, Germany; 1994 Marquardt Ausstellungen, Munich, Germany; Galerie Steinmetz, Bonn, Germany; 1993/4 Without Words: Private Stories, * Ohne Worte, Persönliche Geschichten, (traveling exhibition) Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia; Staedtische Galerie im Museum Folkwang, Essen,Germany; 1993 An Inheritance Unequaled *, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia; 1992/3 On Paper, 1977-1992*, Staedtische Galerie Villa Zanders, Bergisch-Gladbach, Germany; Frankfurter Kunstkabinett Hanna Bekker vom Rath, Germany; 1991 Inheritance Unequaled*, (Eine Erbschsft Sondergleichen) BIS Art Space, Moenchengladbach, Germany; Ohne Worte*, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Germany; Without Words*, Ruth Siegel Gallery, New York; 1990 Galerie OZ, Paris, France; Gallery Inge Baecker, Cologne, Germany; 1989/91 Breast Exam, Paintings 1977-89 (travelling exhibition)* Kunsthalle Emden, Foundation Henri Nannen; Museum Gelsenkirchen, Germany; Bayer A.G., corporate headquarters, Leverkusen, Germany; Museum Holtegaard, Holte, Denmark; Kunstverein, Salzburg, Austria; Museum Gotha, Thuringia, Germany; 1989 Gallery Samuel Lallouz, Montreal, Canada; Orangerie, Schloss Rheda, Rheda-Wiedenbrueck, Germany; Luxus, Gallery Moos, Toronto, Canada; 1998 Luxus*, Gallery Moos, New York; 1987 Luxus, Gallery Inge Baecker, Cologne, Germany 1986 An Inheritance Unequaled, Galerie Inge Baecker, Art Cologne, Germany; 1985 Gallery Kief-Raymond, Paris, France; Gallery Karin Bolz, Muelheim an der Ruhr, Germany; 1984-85 A Collection Lives, * (traveling exhibition) Musée cantonal des beaux arts, Lausanne, Switzerland; Galerie Municipale d'Art Contemporain, Saint Priest, France; Museum Mülheim an der Ruhr, Germany; 1984 Freitagsgalerie Imhof, Solothurn, Switzerland; Gallery Yves Arman, Forum Zurich, Switzerland; 1983 The Democratic Paintings, Gallery Yves Arman, New York; Gabrielle Bryers Gallery, New York; Gallery Krief-Raymond, F.I.A.C., Paris, France; 1980 TV Paintings, Elizabeth Weiner Gallery, New York; Baroque Pinups, Tower Gallery, Southhampton, New York; 1979 Tower Gallery, Southhampton, New York; 1974 Gallery Witte, Cologne, Germany; Selected Group Exhibitions 2007 Marcia Wood Gallery, Atlanta, GA Katharina Rich-Perlow Gallery, New York Stephen Haller Gallery, New York, Galerie Koch, Hannover, Germany Gráficas Works on Paper, Tucson, AR Museum Tucson, Arizona 2006 "Abstrakt", Museum Morsbroich, Leverkusen, Germany Galerie Koch, Art Miami, and Cologne Galerie Stefan Röpke, Art Fairs, Pulse New York, Bologna, Brussels Galerie Benden und Klimczak, Cologne 2005 Galerie Benden und Klimczak, Germany; Galerie Graf und Schelble, Basel, Switzerland; Michael Schneider Zeitgenoessische Kunst Bonn, Germany Galerie Stefan Roepke, Marcia Wood Gallery, Atlanta, GA and Art Chicago; Frankfurter Kunstkabinett Hanna Bekker vom Rath, Germany 2004 V.I.P. 2 Museum Morsbroich, Leverkusen, Germany; Galerie Benden und Klimczak, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany 2003 Galerie Benden und Klimczak, Cologne; Marcia Wood Gallery, Atlanta, GA; 2002 Auftrag der Farbe,* Kunstverein, Wiesbaden, Germany and Kunstverein Trier, Germany; Marcel Sitcoske Gallery, San Francisco, CA DFN Gallery, New York 2001 Achrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; Museum Villa Zanders, Bergisch Gladbach, Germany; Achrochage, Gallery Inge Baecker, Cologne, Germany; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Kunsthalle Darmstadt, Germany*; Galerie Benden und Klimczak, Cologne; Museum Viersen, Viersen, Germany; Marcel Sitcoske Gallery, San Francisco, CA; GalerieK lein, Bad Muenstereifel, Germany; 2000 Achrochage, Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt; Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Galerie Benden & Klimczak, Cologne; 1999 Portraits, Galerie Benden & Klimczak, Cologne, Germany; Still Life and Blick zurück nach vorn, Michael Schneider Zeitgenoessische Kunst, Bonn, Germany; Galeriey Holtmann, Cologne, Germany; Church of St.Gerion, Cologne, Germany; X-MAS , Kent Gallery, New York; 1998 Galerie Benden & Klimczak, "Art Cologne" fair, Cologne, Germany; Gallery OZ, Paris, Gallery Graf & Schelble, Basel, and Art Zurich, Switzerland; Galerie Holtmann, Art Basel, Switzerland and Art Cologne,Germany; 1997 Solo, Madrid Museo de la Cidad,* Madrid, Spain; Schneider Contemporary Art, Bonn, Germany; in medias res ,* Marquardt Ausstellungen, Munich, Germany; Abstract , Galerie Benden & Klimczak, Viersen, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, Frankfurt, Germany; 1996 The World is a Broken Mirror , Galerie Inge Baecker, Cologne, Germany; Bundeskunsthalle, Bonn, Germany; Akademie der Künste, Berlin, Germany; Marquardt Ausstellungen, Munich, Germany; 1995 How Red Works, Art Gallery of Hamilton, Canada; Marquardt Ausstellungen, Munich, Germany; 1994 Gelb, Marquardt Ausstellungen, Munich, Germany; Frankfurter Kunstkabinett, Hanna Bekker vom Rath, At Art Cologne, Cologne, Germany; Gallery Moos, Toronto, Canada; 1993 Gallery Baecker, Cologne, Germany; The Return of the Cadavre Exquis,* (trav. exhibition) Drawing Center, New York; Corcoran Gallery of Art, Washington, D.C.; Fundacion para el Arte Contemporaneo, Mexico City; Santa Monica Museum of Art, California; Forum for Contemporary Art, St. Louis, Missouri; 1992 Galerie OZ, Paris, France; Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt, Germany; European Pop Art, Galerie Inge Baecker, "Art Cologne", Cologne, Germany; Das geteilte Bild, Museum Folkwang, Essen, Germany;* Exposition Camel, Musée des Arts Decoratifs de Paris, Musée du Louvre, Paris, France*; Proud Possessions: A Community Collects, Chrysler Museum, Norfolk,Viginia; 1991 State Portrait , Gallery Inge Baecker, Cologne, Germany*; The New York Show, Galerie Löhrl, Mönchengladbach, Germany; Private Stories, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia*; European paintings, Ruth Siegel Gallery, New York; Gallery Moos, Toronto, Canada 1990 Frankfurter Kunstkabinet, Hanna Bekker vom Rath, Germany; Free Spirits, Elaine Benson Gallery, Bridgehampton, NY; Gallery Moos, Toronto; 1989 Reality as conzept, Gallery Inge Baecker, Cologne, Germany; Rare Metallic, Gallery Burgis Geismann, Cologne, Germany; Working on paper, Gallery Moos, New York; 1988-89 Hommage-Demontage,* (trav. exhibition) Neue Galerie / Ludwig Collection, Aachen, Germany; Wilhelm Hack Museum, Ludwigshafen, Germany; Museum Gelsenkirchen, West Germany; Museum voor Hedendaagse Kunst, Utrecht, Holland; Provinciaalmuseum, Hasselt, Belgium; Museum for Twentieth Century Art, Vienna, Austria 1998 Gallery Inge Baecker, "Art Cologne" fair, Cologne, Germany 1987 Gallery Moos, New York 1986 Words, Joy Moos Gallery, Miami, Florida; "Liberty", New York Arts Academy and New York Academy of Science, New York My Art History, Gallery Inge Baecker, Cologne, Germany; New York-Paris-Berlin, Gallery Krief-Raymond, F.I.A.C., Paris, France; Seveen Cologne Artists in Nicosia, Famagusta Gate, Nikosia, Cyprus; 1984 Marlborough Gallery, New York; Gallery Yves Arman, New York: Paysages Singulairs, Maison Des Arts, Belfort, France*; Tel paintre-quels maitre, Gallery Christian Chaneau, Paris,France;* The Suitcase Edition, with Kolhoefer, Lambertin und Runge at Gallery Sander, New York and Gallery Klein, Bonn, Germany; Les Milles ET Une Nuit, Centre Culturel De Boulogne, Billancourt, France and Salon De Montrouge, Centre Culturel, Montrouge, France and Sousse, Tunis, Tunesia 1983 Self Portrait , (trav. exhibition) Linda Farris Gallery, Seattle, Washington; Municipal Art Gallery, Los Angeles, California New York Now,* (trav. exhibition) Kestner Gesellschaft, Hannover, Germany; Kunstverein München, West Germany; Musée cantonal des baeux arts Lausanne, Switzerland; Kunstverein for the Rheinland and Westfalia, Duesseldorf; 1982 "Instant Picture", Kestner-Gesellschaft, Hannover, Germany*, Marlborough Gallery, New York 1981 Homage, Danforth Museum, Framingham, Massachusetts* 1973 Art And Technique, Art Prize of the Young West,* Museum Bochum, Germany * catalog published for exhibitions Rainer Gross Selected Articles and Reviews Apex 12, Cologne. Uli Bohnen. "Die transkontinentalen Manieren des Künstlers Rainer Gross." April 1991. Art in America, New York. . Tony Towle, October 1980 Stephen Westfall. October 1983 Michael Amy, April 2005 Art News, New York. Grace Glueck. "The Artist's Artist." November 1982. Ronny Cohen. October 1983. Art Press, Paris. Annick Liot. November 1983. ARTIS, 43 Jahrgang. S.D. Saauerbier. "Eine Erbschaft Sondergleichen." December-January 1991-1992. Arts Magazine, New York. Michael Florescu. June 1980. Stephen Westfall. November 1983. Robert Pincus Witten. "Entries, November 24th, 1984." February 1985. Peggy Cyphers. February 1992. Atlanta Journal -Constitution. Jerry Cullom. "The verdict: Bright painting, in several meanings of the adjective." April 28th, 2000. Catherine Fox. "The verdict: Delectable and resonant abstractons". March 26th, 2006 Baseler Zeitung, Basel, Switzerland. Jacqueline Falk. "Twins." 16 June1999. RD. "Strukturen des Zufalls." 14 June 2001. Thadeus Pfeifer, " Sinnliche Doppelgänger" Sept. 9th 2004 Bonner General-Anzeiger, Bonn, Germany. Barbar Weidle. 10 October 1994. Christina zu Mecklenburg. "Die Sache mit Eddy." 5 May 1999. Christina zu Mecklenburg. "Kontaktbilder mit kosmichen Dimensionen." 2 April 2002. The Boston Globe. Chritine Temib. "Homage." 1 May 1981. Brooklyn Rail, November 2004 James Kalm, Rainer Gross at Axel Raben Gallery Chicago Reader. Fred Camper. "Lost in a Sea of Shapes." 19 September 1997, section one. Creative Loafing, Atlanta, Georgia. Cathy Byrd. "Simply Complex." April 2000 Le Devoir, Montreal. Claire Gravel. "Le . Rainer Gross." 18 March 1989. El Pais, Madrid, "Piel de Pintura", Javier Maderuelo, Sept. 18th, 2004 E.T.C., Montreal. Ihor Holubizky. "The Look of Art. The Paintings of Rainer...
Oil, Mixed Media