More Prints

This original 1987 exhibition poster was created for an exhibition of works by Marc Chagall which travelled Japan (Tokyo, Yamagata, Nagoya and Gunma). It was printed in Paris by the ...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Best Choice in Downtown, captured by Richard Heeps in Kowloon in 2016, this piece perfectly captures the layers of Hong Kong. As a photographer Richard is always looking at what trul...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

Pablo Picasso (1881-1973) - Scene de familie Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the pu...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

In this playful gicleé print, the viewer is presented with two golf balls adorned with Christmas-related imagery. The golf ball on the right features Santa ...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

Color lithograph, Edition 30. The artist describes this project: “In early September, I made my second trip to Shark's Ink in Lyons, CO. It was wonderful to be invited back to crea...

A very good impression of this color lithograph on Somerset white wove paper. Signed, dated and numbered 2/90 in pencil by Baldessari. Printed by Derriere L'Etoile Studios, New York....

Franz Graw Reclining Female (Surreal, Colorful, Vibrant, Modern) Color Offset Lithograph Year: 2021 Size: 16.53 x 11.73 inches (42 x 29.8 cm) Edition: 100 Signed and numbered in penc...

Ex Libris Konyve is an original Contemporary Artwork realized in the mid-20th Century. Original colored woodcut on ivory-colored paper. Hand-signed in pencil on the lower right...

Edition of 30, sold unframed. This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

Barbara Takenaga has had fun embellishing the last prints in the editions – Switchback State I and State II from 2011 – with extensive hand coloring. She has inverted and rearranged ...

No Parking, urban architecture photograph from Richard Heeps' series, A Short History of London. The stark Brutalist architecture has sense of beauty as the hypnotic symmetry draws y...

Original poster: . Come On!, By more Liberty Bonds. Artist: Walter Whitehead. Professional acid-free archival linen backing. A- condition. Small ...

Hand signed and numbered. Edition of 15 prints. Original title "Piccolo cavaliere". This work is a plate from the Portfolio "Marino Marini Gravures" published by Crommelynck in 1970....

Fine Art Giclée print on Hahnemühle German Etching 21 x 29. 7 cm Edition of 100 Accompanying certificate of authenticity with the artist's digital signature Patrick Hughes is a ren...

Fascinating artwork titled Le Vieux manusrits (old writings Seoul Korea) by Paul Jacoulet. (French-Japanese 1896-1960) finely crafted with lovely graduating background color blue to light green. Depicts a figure seated on a pink pillow wearing a Korean hat...

London Calling Tailor-made for TASCHEN by Paul Smith For die-hard lovers of Paris, Berlin, London, Los Angeles, and New York, TASCHEN introduces the Portrait of a City Art Edition series. For each edition, limited to only 500 copies, a legendary local fashion designer is invited to design a bespoke fabric to line the cover, and a large signed and numbered print of one of the images from the book is included. Limited to 500 numbered copies Comes with a fine art print on archival paper, signed by Elmar Ludwig Packaged in a special cover and clamshell case designed by legendary British fashion designer Paul Smith Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent co...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came o...

"The Gates VIII, from Project for Central Park, New York" offset lithograph in colors on wove paper. Signed Christo in pencil on front lower right. Sheet size: 39 x 27 1/2 inches (99...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

Da Non Cacciare (Not to be Hunted) is an original colored lithograph realized by Antonio Fomez between 1950 and 1974. Hand-signed in pencil on the lower right. Artist's proof (handw...

Santiago Calatrava is a world-renowned architect, structural engineer, sculptor, and artist. From the Athens 2004 Olympic Sports Complex to the World Trade Center Transportation Hub in Manhattan, he exhibits a remarkable twin prowess for aesthetics and engineering, a simultaneous sensitivity to both the appearance and the anatomy of a structure. His influences are wide-ranging: Auguste Rodin’s approach to sculpture and architecture, principles of classicism and Greek Cycladic...

Framed colour map of the West Indies published 1936 w/ border design motif adapted from native West Indian handicraft and indigenous tropical fruits Colorte...

Robert Longo (American, born 1953) Black Palms, 1989 Medium: Lithograph on rag paper Dimensions: 169 x 127 cm (66½ x 50 in) Edition of 35: Hand-signed and numbered Condition: Excellent

A fine vintage reproduction of Le Frou Frou French poster originally created by WEILUC (Lucien-Henri Weil, 1873-1947). Le "Frou Frou", which in French mea...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Artist: Joan Miro Title: Plate XI Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

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Pablo Picasso (1881-1973) - Jacqueline en espagnole Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Color lithograph. Edition 30. Claire Sherman is a painter who made her first lithographs at Shark’s in the summer of 2018 including the prints Underbrush and Tree and Water. Her p...

Pablo Picasso (after) "Picasso Linocuts 1958-1963" Museum of Fine Arts, Boston, 1969 Exhibition poster 28 x 20 inches Unsigned

RENÉ CARCAN (Belgian, 1925-1993) “Gravures”, 18 Mai-14 Juillet 1982, Galerie Pierre Hautot, Paris Poster 29.5 x 19.5 in. Unframed Publishing Information: E...

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Original Lithograph by Jean Cocteau Title: Reflections Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

"Theatre Antoine La Gitane De Richepin" is a Lithograph (XXXI) featuring artwork by Henri de Toulouse-Lautrec. The print measures 14.5 x 10.25 in...

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Georg Baselitz (German, b. 1938) Serpentine (Blue), 2022 Medium: Etching with sugar lift aquatint on wove paper Dimensions: 53 × 39 cm (20 9/10 × 15 2/5 in) Edition of 50: Hand-signe...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Bitter Campari, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November ...

This artwork titled "Acrobats" c.1990, is an original colors lithograph by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 283/300 in pencil by the art...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Tim Engelland (American, 1950-2012) Snowy Night - Hitchcock, 1993 Woodcut 8 1/2 x 9 in. Titled, numbered, signed, and dated bottom: A/Proof, "Snowy Nigh...

It Is What It Is By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage imager...