18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Nicholas Cochin in 1755.
Signed on the plate.
Good conditions.
The artwork is depicted through confident strokes.
The etching was...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Lysias, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Lisia' (Lysias)
Copper-line engraving by Pietro Parrocol after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici.
Illustration of an Ancient Greek marble...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Cerf De Corse - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper.
The artwork belongs to the suite "Histoire naturelle, générale et parti...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Profile of the Woman - Original Etching after H. Fussli - 18th Century
Located in Roma, IT
Profile of the Woman is an original etching artwork realized after Heinrich Fussli for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint, Etching
Ancient Roman Frescoes - Original Etching by Nicolò Vanni - 18th Century
Located in Roma, IT
Ancient Roman Frescoes, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Nicolò Vanni in the 18th century.
Signed on the plate...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Composition with Angels - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
Composition with Angels is an etching realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-178...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category
French School 18th Century and Earlier Prints and Multiples
Materials
Engraving, Watercolor, Paper
Human Heads from Ancient Rome - Original Etching by Various Masters - 1750s
Located in Roma, IT
Human headsfrom Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th Century, made by Various Old Masters.
In very good cond...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Genesis 31 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 31 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork i...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Ancient Roman Fresco - Original Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good condi...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category
18th Century and Earlier Prints and Multiples
Materials
Mezzotint
Captain Cook's Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Library Case, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Case'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's styl...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Engraving
Architectural Roman Map - Etching by Vincenzo Scarpati - 18th Century
Located in Roma, IT
Architectural Roman Map from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Scarpati in the 18th Century.
Signed on the plate.
Go...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter.
This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition.
The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Sea Horses - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Sea horses is an etching realized by Giovanni Morghen, in the 18th Century.
Hand watercolor d'apres.
12x23 cm.
Good conditions.
Giovanni Morghen ( 1721- after 1789) , togethe...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
$359 Sale Price
25% Off
Ancient Roman Bas-Reliefs - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century.
Signed on the plate on the lowe...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Middleham Castle, Yorkshire. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Part of Middleham Castle, NW Riding, Yorkshire'
Engraving by T Woodyer after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Holy Family
By Fra Bonaventura Bisi
Located in Chicago, IL
The Holy Family, 1634
Etching after Parmigianino (Parma 1503 - 1540 Casal Maggiore)
305 x 230 mm.; 12 x 9 inches
References:
Nagler Monogrammisten II...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Harvest, Cherubs Disporting with a Goat, Fine Framed 18th Century Engraving
By Jean Jacques Lagrenée the Younger
Located in Cotignac, FR
Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame.
Very charming renditi...
Category
18th Century and Earlier Prints and Multiples
Materials
Paper, Printer's Ink
Genesis 14 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 14 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Duck Head Oil Lamp - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Duck Head Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Samuel Menasseh ben Israel, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Samuel Menasseh ben Israel, Year: Of Original 1636, Medium: Etching, Image Size: 6 x 4.25 inches, Size: 14 x 11 in....
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Hercules, Ancient Roman Statue - Etching by P. Campana - 18th century
Located in Roma, IT
Hercules, Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an etching on paper realized by P. Campana in the 18th century.
Signed on the plate, on the lower ri...
Category
Contemporary 18th Century and Earlier Prints and Multiples
Materials
Etching
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Bidet Shaving and Night Tables, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Bidet Shaving Table and Night Table'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These en...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Engraving
Regnum Hungariae - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Regnum Hungariae, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterdam in ca. 1...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Regni Hungariae et Regionum - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This triple-page etching with contemporary coloring, entitled Regni Hungariae et Regionum, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterd...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Turcicum Imperium - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Turcicum Imperium, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterdam in ca. ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Terra Sancta - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Terra Sancta, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterdam in ca. 1680....
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
18Th Century Botanical Engraving
Located in Lake Worth Beach, FL
Rare Botanical Hand Colored Engraving about 1737-1745
Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5 with the frame 23.5hx18.5x1
Johann ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Galileo, late 18th century science astronomy portrait engraving print
Located in Melbourne, Victoria
Galileo Galilei (1564- 1642) was an Italian physicist, mathematician, astronomer, and philosopher who played a major role in the Scientific Revolution....
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Boar - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
The Boar is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
Artist's signature engrav...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Profile of Man, Old Masters Lithograph after Andrea del Sarto
By Andrea Del Sarto
Located in Long Island City, NY
Andrea del Sarto, After by Alphonse Leroy, Italian (1486 - 1530) - Profile of Man, Medium: Lithograph, Image Size: 10.25 x 7.5 inches, Size: 19.5 x 14 in. (49.53 x 35.56 cm), Fram...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Lithograph
Corn-flag Copper coloured, Gladiolus securiger Plate 383
Located in Columbia, MO
Corn-flag Copper coloured, Gladiolus securiger Plate 383
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Etching
The Skeleton - Etching by Jacques Baron - 1771
Located in Roma, IT
The Skeleton is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Temptation of Christ by the Devil (2nd State)
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp)
Reference:
Le Blanc 6
Hollstein 6 II/III
Notes:
1. A very fine impression of the 2nd state (of three) of this majo...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Woodcut
Guardian Angel - Etching by Ferdinando Campana - 18th Century
Located in Roma, IT
Guardian Angel from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century.
Signed on the plate.
G...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Tempo di Minerva Medica" is an original engraving by Israel Silvestre, titled along the lower edge. This miniature print depicts the ruins of the Temple of Minerva Medica in the Rom...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving
Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant.
This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title.
This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition.
Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving.
Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers.
Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
Located in Roma, IT
The menace from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian.
This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva".
Good conditions except for minor decoloration stain.
Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence.
The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Map of Dordrecht - Etching by G. Braun/F. Hogenberg - Late 16th Century
Located in Roma, IT
Map od Dordrecht is an artwork realized by Braun and Hogemberg in the late 16th century.
Hand watercolored etching.
40x54 cm.
Good conditions.
Braun Hoghemberg (1541-1622) was a ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Faucon Hagard - Etching by Jacques Blanchon - 1771
Located in Roma, IT
Le Faucon Hagard is an etching realized in 1771 by Jacques Blanchon.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Self-Portrait, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self-Portrait, Year: of Original: 1634, Medium: Etching, Image Size: 5.5 x 4.5 inches, Size: 14 x 11 in. (35.56 x ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Anatomy Studies - Etching by Jean François Poletnich - 18th Century
Located in Roma, IT
Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755.
Good conditions with foxing.
The artwork is depicted through confident strokes.
The etching was realized...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Antiquities of Herculaneum-Letter B - Etching by Giovanni Mignani - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet B, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ferry in Front of the Stone Bridge
Located in Chicago, IL
a very fine impression
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Noce de Village - Original Etching by C.-M. Descourtis - 1785
Located in Roma, IT
Noce de Village is an original etching on paper applied on cardboard, realized by Charles-Melchior Descourtis in 1785, at the bottom left is written Tannay. The state of preservation...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Chiesa di S.Maria della Traspontina - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Chiesa di S.Maria della Traspontina is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions.
Giuseppe ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Letter B - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter B is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Animal Figures from Ancient Rome - Original Etching by Various Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old MastersIn very...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Capital letter M from the Antiquities of Herculaneum - Etching - 18th Century
Located in Roma, IT
Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters.
In very good condition, except for some st...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Letter V - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter V is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
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