Norman Rockwell Lithographs Boy And Dog Signed

Norman Rockwell is among the most revered painters of the 20th century. His figurative and portrait paintings reflect an innocent and idyllic America described by the artist as "life as I would like it to be." For nearly 50 years, he illustrated the covers of The Saturday Evening Post in a rich and emotive style that gave distinctive personalities to his imagined characters. In total, Norman Rockwell created more than 4,000 works of art over the course of his life.

Rockwell was born in 1894 in New York City. His artistic aspirations took shape early on, and when he was 14 years old, he took classes at the New York School of the Art, which is now the Parsons School of Design. Later, he attended the Art Students League of New York, where he studied under influential painters Thomas Fogarty and George Bridgman. While still a teen, Rockwell became art director of the Boy Scouts of America publication Boys' Life.

At 21, Rockwell moved to New Rochelle, New York, and opened a studio with fellow illustrator Victor Clyde Forsythe. He created illustrations for magazines like Literary Digest and Life before his first cover for The Saturday Evening Post was published when he was 22. In 1939, after moving to Arlington, Vermont, Rockwell pivoted to making the nostalgic paintings of small-town and iconic America for which he is best known — scenes of Christmas dinner, children playing in the street and national treasures like Ruby Bridges and Rosie the Riveter.

In 1943, a speech previously given by President Franklin Roosevelt inspired Rockwell to create his most famous series, “The Four Freedoms,” which was exhibited all over the United States. The series included four pieces entitled Freedom of Speech, Freedom to Worship, Freedom from Want and Freedom from Fear.

Rockwell moved with his family to Stockbridge, Massachusetts, in 1953, where he spent the rest of his life. My Adventures as an Illustrator — the autobiography Rockwell wrote with the help of his son, Thomas — was published in 1960. In 1963, Rockwell ceased working with The Saturday Evening Post and started drawing illustrations for Look magazine.

The world’s largest collection of original Rockwell art can be found at the Norman Rockwell Museum in Stockbridge. The artist was awarded the Presidential Medal of Freedom in 1977, and he passed away peacefully in his home the following year.

On 1stDibs, find a collection of original Norman Rockwell paintings, prints, drawings and other works.

A direct challenge to Abstract Expressionism’s subjectivity and gestural vigor, Photorealism was informed by the Pop predilection for representational imagery, popular iconography and tools, like projectors and airbrushes, borrowed from the worlds of commercial art and design.

Whether gritty or gleaming, the subject matter favored by Photorealists is instantly, if vaguely, familiar. It’s the stuff of yellowing snapshots and fugitive memories. The bland and the garish alike flicker between crystal-clear reality and dreamy illusion, inviting the viewer to contemplate a single moment rather than igniting a story.

The virtues of the “photo” in Photorealist art — infused as they are with dazzling qualities that are easily blurred in reproduction — are as elusive as they are allusive. “Much Photorealist painting has the vacuity of proportion and intent of an idiot-savant, long on look and short on personal timbre,” John Arthur wrote (rather admiringly) in the catalogue essay for Realism/Photorealism, a 1980 exhibition at the Philbrook Museum of Art, in Tulsa, Oklahoma. At its best, Photorealism is a perpetually paused tug-of-war between the sacred and the profane, the general and the specific, the record and the object.

“Robert Bechtle invented Photorealism, in 1963,” says veteran art dealer Louis Meisel. “He took a picture of himself in the mirror with the car outside and then painted it. That was the first one.”

The meaning of the term, which began for Meisel as “a superficial way of defining and promoting a group of painters,” evolved with time, and the core group of Photorealists slowly expanded to include younger artists who traded Rolleiflexes for 60-megapixel cameras, using advanced digital technology to create paintings that transcend the detail of conventional photographs.

On 1stDibs, the collection of Photorealist art includes work by Richard Estes, Ralph Goings, Chuck Close, Audrey Flack, Charles Bell and others.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.