Building and Garden Elements

Originally used in a French brasserie during the late nineteenth century, this white enameled cast iron bistro table or cafe table features a solid white oval marble top with grey ve...

Enormous Mid-Century Modern Brass & Handblown Glass Chandelier, Art Deco Style, 1950s. A breathtaking and rare monumental chandelier from the 1950s, masterfully handcrafted with tim...

A set of two Mid-20th century glazed terracotta garden stool plant stand or seat, flower pot seat or side table. Handmade of terracotta. Vintage garden seat in the shape of an elepha...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Beautiful, timeless bentwood plant stand or flower tub made by the famous company of Thonet Vienna. A unique shaped piece from the renowed company in Austria around 1915. Superbly de...

Janus et Cie Amalfi lounge chairs, circa 2000s. - SET of TWO - Iconic iron garden loungers after Mario Papperzini for John Salterini and inspired b...

Mid-20th century glazed ceramic elephant garden stool, flower pot seat or side table. Handmade of ceramic. Nice addition to your home, patio or garden. A nice addition to any room, p...

An exceptional chaise lounge by J-Art Iron Co located in Los Angeles, CA, blending artisan craftsmanship with stylistic influences reminiscent of Diego Giacometti. The wrought iron f...

Our signature experimental resin casting is now available as hardware for any cabinet, drawer, or door. Each resin piece we make is non-repeating and completely individual. We have ...

Rare fireplace screen designed by Bertil Vallien in the mid 1960s and produced by Boda Smide. Hand forged iron with well crafted and perfectly proportioned details. Whole length: 8...

An alluring French brasserie table, from the late 19th century with a removable white marble top on a cast iron frame of exotic ornamentation. This classic French bistro table has th...

An Exceptionally Fine Quality English Georgian Polished Brass Fire Screen of traditional form. First quarter of the Nineteenth Century. Of square form with curved upper front. S...

Fire Screen in Patinated Brass Late 19th Century. A very elegant and beautifully patinated fire screen in brass - late 19th century / early 20th century. A simple yet stylish design...

Art Deco Wooden Plant Stand by André Groult, in Good conditions. Designed 1920 to 1949 This piece is designed in the style of the selected designer and/or manufacturer. Additional i...

Our signature experimental resin casting is now available as hardware for any cabinet, drawer, or door. Each resin piece we make is non-repeating and completely individual. We have ...

Hand forged cauldron with handles, copper, Spain, 1930-1940 Rare find This handcrafted copper cauldron is heavily adorned by the hammer marks thorough and it has a dramatic aged pati...

Beautiful vintage weathered bust of the Greek god Apollo, large and heavy garden statue made of cast stone, circa mid 20th century, marked on the back. Very impressive garden statue...

Special Antique Lighting Emits Glow of Light Japan, a fine large vintage hand crafted lantern with exquisite details from the Showa (1940s) period. May be suspended from its loop handle or placed on any surface as it includes heavy cast feet. This handsome large Lantern was enhanced with new interior paper and a new electric light for dramatic visual enjoyment. Dimensions: 18 inches high to top of loop handle and 15 inches diameter The striking and well proportioned older lantern is fashioned in bronze as roof kasa and light chamber or base Hibukuro or kiso all with patina from good age. Notice the lovely flying crane bronze...

Mid-Century Modern pair of patinated iron garden chaise lounges or daybeds designed by Mario Papperzini for John Salterini. The lounges feature an aged patina with an iconic design ...

A stunning contemporary iron garden armillary sundial USA, Late 20th Century Measures: 19"W x 10"D x 15"H Very good vintage condition.

Experience the unique aroma of scented cedar with this bench, sculpted from a single piece of wood. Its graceful arched base below the seat magnifies the exquisite wood grains and na...

Roof Enhances Buddha A handsome single stone seated Shrine Buddha in meditation and who complacently sits under the shrine roof with Kanj to each side of this sculpture- a rare form...

Elevate the contemporary ambiance of your home with the addition of a reclaimed English pine door, boasting a 2-lite over 2-panel design. Beveled trim accents highlight the door’s ha...

A reclaimed raised 3-panel configuration French door with grooved and beveled trim detailing. With its wonderful weathered patina and layers of old paint, this door will instantly ad...

Bring timeless sophistication and global charm to your home with this exquisite vintage blue and white Chinoiserie ceramic garden stool. A striking example of Asian-inspired design, ...

A complimentary pair of rattan arm chairs in natural finish with colored trimming, American,C.1920s. This style of furniture was incredibly popular in the 1920s into the 1930s and re...

An antique 3-panel French door featuring raised beveled trim and grooved details. Instantly add authenticity and old-world charm by installing this door in your modern home. Salvage...

An elegant 18th-century French fireplace mantel, finely carved from solid oak. The shaped apron is adorned with delicate foliate and floral motifs, showcasing the artisanal craftsman...

A reclaimed raised 3-panel configuration French door with grooved and beveled trim detailing and old weathered paint. Instantly add unrivaled character and charm when installing in a...

Early Paolo Soleri Bronze Bell Wind Chime for Cosanti, 1970's. Stunning patina and Cosanti cypher with original kite. Comes with a chain, so it is ready to hang!

Introduce a touch of timeless character to your home with this pair of antique salvaged French doors, showcasing an 8-lite over-panel construction. Retaining their original cremone b...

Alvar Aalto originally designed this door handle for the National Pensions Institute in Helsinki (1948-57) and, because it was such a successful form, reused in on many of his subseq...

Iconic neoclassical style Amalfi tuxedo sofa bench or daybed attributed to Janus et Cie, Los Angeles, CA. Designed in the mid-century by Mario Papperzini for John Salterini. The gard...

Classic antique serpentine form wire fender, having cast brass paw feet, finials, and trim. This example is in very good, original, clean and ready to use condition, showing only lig...

This timeless beautiful Italian classical sink is cut from one single block of Carrara marble, these designs have not changed since Greek and Roman times, it carries superb artistic ...

Inspired by a key fashion trend, Fringes features a delightful double fringe that adds a lively and flirtatious touch to outdoor spaces. This continuous fringe detail completes its c...

Large 1960s Gainey Matte White Glazed Ceramic Planter. Executed in matte white glazed ceramic. A very clean and increasingly rare example attributed to iconic ceramics manufacturer ...

Italian classical sink Basin This timeless beautiful Italian classical sink is cut from one single block of white marble, these designs have not changed since Greek and Roman times, ...

A set of two door handle sets with oval lock/key covers in patinated brass (photo 1 and 2 of each set). The solid brass spindles are thick and rounded of softly due to excessive use ...

As a tribute to his wife Colly Soleri, Paolo Soleri has created a unique commemorative bell. The windbell is split up into two sides and has a rich tone. To complete the piece, the b...

An original, vintage French rustic hand cart in dark green-black paint, in good condition. The sides have metal panes with glass inserts, and the front and back have a sunburst desig...

Willy Guhl Monumental Chalice Style Concrete Planter, Switzerland, 1960s. This is a monumental mid century concrete planter by Willy Guhl. This chalice like design is one of his bes...

This exquisite bathroom sink is hand-carved from rare Italian Calacatta Viola marble, renowned for its dramatic violet veining and timeless elegance. A true statement piece, this bas...

Standing an impressive 36 inches tall, each urn features classic Art Deco styling with bold, sculptural lines and elegant vasiform bodies. The double-handled design adds a sense of symmetry and grandeur, while the weathered surface patina enhances their historic character. A striking statement for gardens, terraces, or interior spaces, these urns showcase the high-quality craftsmanship and design innovation associated with early 20th-century American ironwork. The Kramer Brothers Foundry was based in Dayton, Ohio, USA. Founded in the late 19th century, the company became well known for producing high-quality cast iron architectural elements...

Classic Japanese Garden Lantern This beautifully hand-cast lantern sculpture in a classic Japanese form, would make an exceptional visual statement and substantial conversational c...

Crafted from elegant Green Guatemala marble, this deluxe bathroom set is designed to enhance both the beauty and functionality of your bathroom, spa, or hotel. The set includes a so...

Very nice cast Bronze Door Knocker .In the shape of a Lions head . 19th century .

Pair of Mid-Century Brass and Black Iron Andirons, 1950s, Jacques Adnet & Jean Royère Style Description: This elegant pair of small andirons from the 1...

Mid Century Vinatge Woodard Sculptura Iron Garden Patio Table and 4 Chair set. Great set in good vintage condition has been painted white a few times all chairs and table are structu...

Crafted from elegant Green Guatemala marble, this deluxe bathroom set is designed to enhance both the beauty and functionality of your bathroom, spa, or hotel. The set includes a re...

Antique spanish door fence pediment / crest in iron, hand forged, Spain, Early 20th century. This eye-catching wall fence was entirely made by hand in forged iron. A master work of t...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique Victorian Cast Iron Adjustable Plant Stand C1868. Measures - 40"H x 21"W x 18.75"D. ...

Sculptural planter designed by Willy Guhl, a famous Swiss designer and then edited by Eternit in 1950. In the 1950s, marked by designers' growing interest in innovative materials, Wi...

This timeless beautiful Italian classical sink is cut from one single block of white marble, these designs have not changed since Greek and Roman times, it carries superb artistic me...

Vintage garden, patio, poolside rocking chaise lounge constructed of wrought iron, and metal mesh. The chaise lounge features a mesh seat and backrest, which are mounted to the wroug...

More information coming soon… Presented on classic pedestals adorned with several layers of ogee molding and geometric carvings on all four sides, this pair of large limestone stags...

A gorgeous character ceramic figural gnome statue. This character statue has been made by a unknown Company in Germany, in the 1910s or older. Absolutely gorgeous item with lots of c...

Weathered patio and garden dining suite made in the style and manner of Brown Jordan's Florentine collection. The set was designed by Richard Frinier for Brown Jordan and has become ...

Mario Marenco Pair of 'Marenco' Outdoor Lounge Chairs for Arflex. New, current production. The iconic 'Marenco' series, but then for outdoors and in wonderful new fabrics. The unmistakable design and wide modularity still make the Marenco sofa a must-have in contemporary furniture. Designed by Mario Marenco in 1970, it is still a great classic of Italian design. With this large-rounded cushions sofa, Mario Marenco has combined strength and comfort. In 2007 the Marenco collection won the Wallpaper Design Awards Best Reissues. The Sofa is available in a wide variation of fabrics. Please ask us about the possibilities. Designed by Mario Marenco (1933-2019) 1957 degree at Naples University. 1957/1960 he gained 5 awards for research at Stockholm and Chicago universities. 1960 he formed the DEWG Studio in Rome : community buildings. 1970 designer for arflex, Artemide, Bernini, B&B, Comfortline 1982 collaboration with FIAT, LANCIA, ALFA ROMEO for display stands. 1985 watches...

Classical Hand Carved Marble Sink Basin This timeless beautiful Italian classical sink is hand cut from one single block of white marble, thes...