Asian Art and Furniture

This is a nice pair of bronze Foo Dogs with a male and female with baby. They would look great in a garden or entrance to your home or garden. Foo Dogs also known as Guardian Lions s...

Large colorful vintage Chinese export famille rose medallion porcelain bowl. Features classic oriental scenes with Chinese people throughout. Ov...

A fine and unusual carving of a mythical animal, possibly a pixiu, of celadon and russet nephrite jade, Ming Dynasty or earlier, China. The mythical animal masterfully carved as a...

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

Rare and well-preserved 16th century cupboard / cabinet. Detailed carved top section depicting a floral leaf design and people in polychrome lacquer. Front with red lacquer, pair of ...

For sale is a nice Chinese Qing Qianlong period Famille Rose porcelain Jardiniere, by superb painting skill, Famille Rose colors, 100 boys in parade with drag...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

If you love the look of De Gournay wallpaper but not the price, this is for you. The colorways in this sections present our latest colorways, which can be applied to any designs a...

A Classic image by renowned Japanese printmaker Utagawa Toyonobu from his newly selected history of Toyotomi Hideyoshi series. A very good impres...

A Chinese Ming dynasty style elmwood antique cabinet from the 19th century, with two doors, drawers and lower removable panel. Crafted in China during ...

Pair of Chinese black lacquered three-tiered glass and wooden cabinets decorated with landscape scenes and carved borders with brass hardware and detailed interior ( Early 20th Centu...

Large & Very Fine Chinese Export Punch Bowl, with Painted & Gilt decoration in the Mandarin palette. Jingdezhen region, China ca. 1780.

This buddha is a hand-carved from wood and once occupied a temple shrine in Northern Thailand. It has been lacquered in black and red and then gilded (covered with gold leaf). There ...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Japanese, Edo Period (1603-1868), likely late 18th century. Step into the rich tapestry of Japanese history with this exquisite 18th-century Edo Period Lacquer & Chain Mail Suit of Armor, a masterpiece that seamlessly blends martial craftsmanship with artistic elegance. Crafted during a period of unparalleled cultural refinement, this armor is a testament to the meticulous skill and dedication of Japanese artisans. The Gosuko armor, at the heart of this ensemble, embodies the traditional armor design of the Edo Period. Each meticulously lacquered plate, carefully adorned with ornate motifs, reflects not only the functional sophistication required for battle but also the aesthetic sensibilities intrinsic to Japanese art. The incorporation of chain mail adds a layer of flexibility and mobility, harmonizing the demands of protection with the fluidity required in combat. A crowning glory to this armor is the Kabuto Helmet, an iconic symbol of samurai identity and resilience. Its design not only provides formidable protection but also serves as a canvas for artistic expression. The helmet's form, combined with lacquer embellishments and a crest, creates a striking visual statement, a representation of the wearer's identity and lineage. To complete the ensemble, the armor comes with a brocade fabric, adding a touch of regality to this already magnificent piece. The interplay of textures and colors in the brocade further elevates the visual impact, turning the act of donning this armor into a ceremonial experience. For the discerning collector, this piece is presented in a lacquer armor box, meticulously crafted to safeguard and showcase the historical significance of the armor. The accompanying wood armor display stand serves as a stage, allowing this masterpiece to command attention in any setting, whether it be a private collection, museum exhibit, or a distinguished living space. Owning this 18th-century Japanese Edo Period Lacquer...

This is an old wooden work board called a “Kate-Kiri-Ban,” which was used in the Aizu region of Fukushima Prefecture, Japan, around the early 20th century. The name breaks down as fo...

Chinese blue-and-white ceramics have inspired ceramists worldwide since cobalt was first introduced to China from the Middle East thousands of years ago. This contemporary vase from ...

Oversized 3 feet tall Middle Eastern, Mughal Indian style brass decorative ewer. Very decorative handcrafted brass Moorish Arabian style coffee pot, wine or water pitcher. Hand-ham...

For the similar print see https://worcester.emuseum. com/objects/13667/landscape Condition Good condition: 12.8x7.8cm Period 19th century

Huge Japanese Bronze Bell Doubly Inscribed - a rare survivor from the 20th century. Rare inscriptions are dedications and patron names to the persons associated with the temple or s...

An exceptional example of Yanagi Gori — a traditional Japanese storage chest woven from koriyanagi (a type of supple willow). Produced in the early 20th century, this handcrafted box...

19th Century Window Lattice Screen. Very special Lattice Screen Window Panel from Shanxi China 19th century. Wonderfully assembled sculpted pieces of Cypress wood with each face ro...

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

Waling cane from the Meiji Period (1868-1912). This is a fabulous antique walking cane created in the imperial Japan during the Meiji period (1868-1912), circa 1880's. The cane was ...

Hand embroidered in Japan, this large framed silk embroidered wall art was made in Meiji era, approximated 1900s. Very detailed hand embroidere...

A Chinese late Qing Dynasty period side cabinet from the early 20th century with two drawers, two doors and custom reddish black lacquer. Created in China during the late Qing Dynast...

Antique embroidered mirrored horse blanket throw used in India for the wedding ceremonies. Large antique embroidered panel with floral patter...

Ripple is our love letter to indigo dye, detailed shapes ripple beautifully throughout the bold pattern, seen here in Silver. Pigment printed on 100% Belgian Linen. Designed in New Y...

Antique Meiji Japanese Cloisonne Charger Plate A fine Japanese Meiji style charger, plate or dish. Hand crafted, this charger plate is adorned with a polychrome scene with a beautiful yellow bird and a rose. There is also a blossoming flower and trees on the turquoise base made in the Cloisonne technique. The border features traditional foliage, and floral motifs made in the same technique. The backside is decorated with a swirl motif also made in the Cloisonne technique. Unmarked. Circa: Late 19th to the Early 20th Century. Antique and Vintage Asian Collectibles, Oriental Enamel Plates, Home Decor And Collectibles. This wonderfully hand crafted decorative Japanese Meiji Cloisonne charger...

A fine looking Chinese style aquarium or terrarium 20th century, A parcel gilt and green stained pine, custom built fish tank, in two parts. The upper section enclosing a 20 gallon...

Contemporary hand-forged bronze Brutalist-inspired figural sculpture depicting a wise person gazing into the future finished in an ebonized patina (PRICED EACH). ("THE SEER" - Limite...

Rare find!: 24 feet long Zen monk Mala Prayer Bead String plus original wooden alms bowl with its original attached triangular shaped stone ojime. A huge...

A good antique, 19th century (1863) granite stone Buddha - Shyaka Nyorai Sakyamuni- sculpture perched upon a square base. Signed lower Kanji front: Kaei 6 ( 1853) March 6. Good gar...

A LARGE JAPANESE SATSUMA BALUSTER VASE. MEIJI PERIOD (1868 - 1912) Signed by Kitamura of hexagonal form, decorated with a scene of Japanese saints surrounded by attendants, ano...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

Antique large quality Oriental Japanese chinese bronze champleve enamel Jardiniere planter bowl C1920. Would look amazing in the right location. Rare la...

This Chinese snuff bottle is a delicate and vibrant piece, crafted from milk glass and adorned with enamel painting. The bottle features a cabochon jade stopper, adding a touch of el...

A nice pair of Chinese ancestor family group portraits, 19th century, on paper, framed in teak frames under glass. Twelve characters total in per...

Fine Pair (2) Quails In gilt finish with original signed labels JAPAN Japan, a pair (2) of antique quail sculptures hand-cast, Taisho period. Fine old carvings with traces of aged...

A pair of antique Thai wooden finial Naga carved on both sides and decorated with mirror-tiles, used for decoration on top of the temple's roof. Age: Thailand, Late Ayutthaya Perio...

Remarkable Japanese Showa period four-panel byobu screen depicting blossoming autumn flowers and grasses. The screen features a dramatic silver gilt square background that lends a da...

Original Japanese Woodblock print by Hokusai Katsushika, ???? '1760-1849' Color woodblock print on paper by Katsushika Hokusai, 1760 to 1849, a Jap...

Mid-20th century hand-painted lacquered wood and heavy paper large decorative fan. Vintage Asian Extra Large Hand Painted Folding Fan Art. Stunning vintage Asian large hand-painted folding wall fan chinoiserie. In good vintage condition! This amazing Chinoiserie chic Hollywood Regency style wall fan would look fabulous anywhere to add those special vibes to any decor. Monumental Chinese folding fan that is extra large when fully opened. This is a vintage piece from the 1960s most likely. The colors are still incredibly vivid and the folding mechanism works. This makes a wonderful sculptural wall decoration. The fan is ready for installation with two threaded hooks on the reverse side This hand painted gilt monumental folded Chinese Export fan...

This gorgeous Vintage Chinese Rosewood Carved Long Bench, Sofa has about 70 years history and still has its original condition, very smooth to touch, full of patina. It was hand made...

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

Exquisite contemporary Japanese decorative porcelain vase, intricately gilded and hand painted in shades of puple, blue and pink on an ovoid shape body with an attractive scalloped ...

Treasures of Islam by Toby FALK, Hardback in the excellent pictorial dust-jacket. pp 400; 567 color illustrations. Catalogue of the immense exhibition of Islamic Art held at the ...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top i...

Six Japanese export style blue and white porcelain chargers, 20th century, China or Japan. The blue and white porcelain chargers decorated in the kraak style, and emblazoned with the VOC logo for the Dutch East India Trade Company (Vereenigde Oost-Indische Compagnie). The brilliant blue and white porcelain painted with a traditional pattern of long tailed birds and flowers, with the addition of a pair of pomegranates. The backs undecorated. Based on the original Japanese Arita ware...

This olive green urn captivates with its harmonious blend of simplicity and elegance. Featuring a circular silhouette, the urn is topped with a delicate, small lip that gracefully co...

Description Lovely and good quality dish of larger size. Visible is a garden pagode scene of two male and two female figures. The person on the chair obviously is the central p...

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

This is a type of rock that is produced in areas such as the Abe River in Shizuoka Prefecture, but it is also found in other regions such as Kanagawa and Chiba. These types of stones...

From the Ramakien a Thai Ramayana. A scene from Ramakian or Ramayan, the Indian epic Lakshman riding in a chariot along with Rama and Sita sitting in the back. After his victory over Ravana, Sri Rama prepares to leave for Ayodhya, Rama now told Vibheeshan that there was just one more day...

This vase is an exceptionally rare piece and likely the only known example of a Cong-shaped vase from the Jin Dynasty. While some experts may attribute this work to the Song Dynasty or later periods based on its form, it is, in fact, a much earlier creation from the 3rd to 4th century CE during the Jin Dynasty. It was imported from Hong Kong in the late 1990s and was acquired by our gallery as part of a collection that included other Jin Dynasty Yue celadon pieces. The vase features a cylindrical form with a square (方形) design and geometric incised patterns. While these design elements became more refined and sophisticated during the Song Dynasty (960~1279), their origins trace back much earlier, as evidenced by Cong-shaped jade artifacts dating as far back as 2,500 B.C.E. Examples of these ancient jade Congs...

This lacquer is decorated with deers in a lush environnement in lavish reds with a waterfall in silver leaf. It has a seal and is signed by the artist. Lacquer is an ancestral Viet...

Chinese pottery Hu jar decorated with bands of raised lines and a pair of monster masks on the shoulder. Age: China, Han Dynasty, 206 B.C. - A.D.220 Size: h...

Two-tier bento box in holder with carry handle, with gilded leaf decoration, 6 1/2" high, 6 1/2" x 5 1/2"

Japanese Four-Panel Floor Screen, Ink and Watercolor on Paper, mounted on board, depicting mountainous landscape scene with seaside village. Panel: 55.25" H x 24.75" W; whole: 99" W....