English Sculptures

Geoffrey Dashwood: A striking bronze model of a Red-billed Hornbill, showing a hornbill with head and long tail raised, perched on a pyramidal base, patinated with a brownish beak, pale grey breast and front section of the wings with darker grey wing tips and tail. Edition size: 12. Signed ‘Dashwood AC’. English, 2000. Published: Geoffrey Dashwood Sculptor, Sladmore Gallery...

An enchanting early 19th century marble group of a seated child playing with a Greyhound puppy. After; Joseph Gott (1785–1860) was a 19th century English ...

A pair of Royal Worcester, bone china, Scissor Tailed Flycatchers by Dorothy Doughty .These are very difficult to find in great condition, and very rar...

Small Bronze Golfer. Signed “J.F” & dated 1977. Anatomically correct golfer mid swing. Interestingly, wearing flares (trousers). Slight wear on patination and golf club has sligh...

John Warrington Wood English, 1839-1886 The gentleman wearing a moustache and sideburns Signed on verso of truncated shoulders J.Warrington Wood, Sculpt.Rome 1874

A fine bronze bust of ‘Dougie’ by Vivian Mallock depicting the head and smiling face of a Vincentian calypso singer with a dark patination becoming lighter at the end of his dreadloc...

A delightful and highly decorative set of six coloured tinplate sports figures. As they have a kicking action we think they are possibly English or American footballers. If anyone kn...

A vintage carved wooden pub sign representing the bishops mitre carved from pine and decorated with glass cabochons. Circa 1950.

A fine biscuit porcelain gorilla skeleton naturalistically cast. James Webster 2014 Measures: Height 16in, width 20in, depth 9in. Raised on a steel base and concrete plinth...

A fine Victorian alabaster figure of Arthur Wellesley, Duke of Wellington, powerfully modelled with one arm across his chest holding a scroll and the ...

Large pair of Staffordshire stone cupids.

Contemporary Sweetheart Cabbage - Marcia Bennett-Male. Marcia Bennett-Male is London born and based, with a workshop at Thames-Side Studios in SE18. A stone carver who uses all thi...

Contemporary Chalk Pit Cauliflower - Marcia Bennett-Male. Marcia Bennett-Male is London born and based, with a workshop at Thames-Side Studios in SE18. A stone carver who uses all ...

Folded Paint by Lina Rincon Dimensions: H 100 x W 100 cm Materials: Acrylic Paint on Canvas. Lina Rincon finds inspiration from the characteristics and limitations of materials; "B...

Natural Stripes Ziggurat boxes by Oeuffice Edition: 12 + 2AP 2012 Dimensions: 25 x 25 x 55 cm Materials: wood box, acrylic, solid stained wood The Natural Stripes edition is a...

Patinated Bronze model of a huntsman and a stag, possibly Hercules and the Ceryneian stag by Holme Cardwell. Depicting a Classical figure wearing a flow...

A fascinating 20th century painted plaster life face cast of an unidentified male actor from the collection of British make-up artist, Christopher Tucker. This is just one of many fa...

A large antique patent clay tile of the Meeting of Ulysses by R. Davies & Co. The perfect decorative piece for a period property looking to add eleganc...

A fascinating 20th century painted plaster bust of Sam Heller from the collection of British make-up artist, Christopher Tucker. This is just one of many face casts and plaster bust...

Striking, sculptural ceramic piece Technically complex to make a piece of this form The delicate, slender neck and thin, pie crust top seemingly float and balance with the circular...

1960’s Very large industrial casting foundry mould (2310) 1960’s Very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the...

1960s pair of very large industrial casting foundry moulds (2306) 1960s pair of very large industrial casting foundry moulds – We recently cleared the Victorian warehouses of Derwen...

1960s Very Large Industrial Casting Foundry Mould (2302) 1960s Very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

1960s very large industrial casting foundry mould (2299) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

1960s very large industrial casting foundry mould (2298) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

Dated 1904, this stoneware bust was made by late 19th century Doulton sculptor John Broad. It depicts Lewis John Eric Hooper, descendant of John Doulton who was founder of the famous Doulton & Co. of Lambeth, London. A barrister at the time, Hooper became Managing Director of the ceramics company from 1919 and subsequently Chairman from 1925. Here he is depicted in his barrister dress by the talented hand of Broad, giving us a glimpse into the character of Hooper as well as Broad’s artistic talent for statuary. The bust is in good condition, made in stoneware and sits on a wooden plinth detailed with plaque. This bust is likely a one-off commission. Broad was one of the most prominent artists of Doulton & Co. during the late 19th and early 20th centuries. Specialising in large works, he had a talent for producing vases, statuary and portrait medallions. This stone bust of Lewis John Eric Hooper...

Dress it up or down and take it home.

1960s very large industrial casting foundry mould (Mould 1080.12) 1960s very large industrial casting foundry mould (Mould 1080.12). We recently cleared the Victorian warehouses of ...

1960s Very large industrial casting foundry mould (Mould 1080.3) 1960s Very large industrial casting foundry mould (Mould 1080.3). We recently cleared the Victorian warehouses of ...

A pair of mounted antique carved wooden moulds from the Tucker collection. This pair is one of many moulds we are selling from this vast collection assembled by British make-up artis...

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

A Victorian carved walnut figure of Mark Tapley from the novel ‘The Life and Adventures of Martin Chuzzlewit’ by Charles Dickens’, wearing a soft top hat, a tailcoat and a buttoned w...

Pair of white Victorian Staffordshire dogs with black and gilded gold details. No restoration. Excellent condition with age appropriate wear on gold details.

Heike Brachlow "Counterpoise", 2017 Glass; unique.