English Sculptures

Pair of English pearlware deer, Staffordshire, circa 1820. Figures of a stag and a hind.

An antique Neoclassical carved limestone fragment. Dating to circa 1780, this fascinating, intrinsically worked antique, would be a brilliant display piece for a traditional home own...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

A reclaimed Carter & Co of Poole Pottery tile featuring a stylised heraldic lion rampant. Although this tile is unmarked, a similar example is on display in the collection of the Cleveland Museum of Art, Ohio, and was purchased from Carter & Co in 1926. Detailing a hand painted stylised blue lion within a green wreath before an off-white background, this 5 inch collectors tile is a stunning decorative interior piece for display or part of a collector’s cabinet. Carter & Co Carter Tiles, later Carter & Co, was founded in 1873 by Jesse Carter, a builder’s merchant and ironmonger from Surrey, who bought James Walker’s brick and tile business on the East Quay at Poole. By the 1880’s Carters...

Staffordshire, England, circa 1745 – 1760 This charming and unusual figure depicts a seated cat, its body marbled in tones of buff, grey, and warm brown, the patterns flowing like fur beneath a translucent salt glaze. From the crown of its head rises a small candleholder—an enchanting, functional variation that transforms the cat into a decorative light for the Georgian home. The salt-glazed surface has a gentle satin sheen, enlivened by a cobalt wash brushed across the ears and shoulders, a subtle touch of color that draws the eye. The figure is compact and beautifully balanced, exuding both humor and grace: a work of wit and craftsmanship meant to charm and amuse as much as to illuminate. As a pair, this cat with candleholder and its companion cat carrying a mouse form a dialogue of light and life—one playful, one practical—representing the Staffordshire potters’ genius for turning everyday subjects into artful curiosities. Attribution and Significance Within the history of English ceramics, agateware animals represent the marriage of experimentation and domestic charm. They were objects of conversation—proof of a potter’s technical mastery and a household’s refinement. This cat, with its delicate candleholder, captures that artistic playfulness and innovation. The glaze’s clarity, the elegant pose, and the subtle marbling make it not only an artifact of mid-18th-century Staffordshire but also a small masterpiece of whimsy and craft. Scholarly Analysis and Authentication The figure is made from laminated clays of contrasting colors, known as laid agate, a technique perfected in Staffordshire workshops during the 1740s and 1750s. Strata of buff, pale grey, and iron-bearing brown clay were rolled together, pressed into a two-part mold, and luted along the spine before firing. The cat’s body thus shows true through-body marbling: the veining continues through the thickness of the clay, not merely applied on the surface. The candle socket, made from a single buff clay rather than agate, was luted to the head before glazing. This practical choice prevented distortion during firing and was a typical workshop economy seen in other mid-18th-century functional animal forms. The piece was salt-glazed in a wood- or coal-fired kiln into which common salt was introduced near peak temperature. Sodium vapor combined with the silica of the clay to form a thin, glassy coating. Here, the glaze is smooth and even, suggesting the cat was fired within a protective sagger. The underside of the figure is open, revealing the pressed-clay interior. Two or three very small stilt contacts are visible on the bottom ledge, confirming that the figure rested on kiln props during firing rather than being supported from beneath a closed base. The cobalt wash was brushed under the glaze before firing. It fuses permanently into the surface, creating soft haloes of blue wholly consistent with decoration on salt-glazed figures from the Whieldon circle circa 1750-1760. Later 19th-century reproductions employ overpainted enamels that sit atop the glaze. The open underside, authentic stratified body, integrated socket, and original cobalt staining collectively identify this as a genuine product of Staffordshire’s mid-18th-century agateware tradition, most plausibly from the orbit of Thomas Whieldon at Fenton Vivian or a closely related potter. The measured height, modelling, and marbling correspond closely to examples in the Burnap Collection (nos.. 362–363, Nelson-Atkins Museum) and Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Provenance / Condition: Current Condition: Excellent, with one ear repaired at the tip and restoration at the top of the candleholder; the glaze remains bright and continuous across the body and socket. References: Burnap Collection, English Pottery 1675–1825, nos. 362–363. Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Christie’s, London 2010, lot 82. 1stDibs “Staffordshire Agateware Pottery Saltglaze Figure of a Cat,” item ref LU95812370442 Price: $3100 Chipstone Foundation, Marbled Agateware: Techniques and Identification, 2005. Henry Sandon, Staffordshire Pottery, 1970, pp. 52–54. John Howard Antiques, Antique Agateware...

A pair of mounted antique carved composite floral moulds from the Tucker collection. These are some of the many moulds we are selling from this vast collection assembled by British m...

An antique 19th century heraldic style encaustic 5-inch tile by English makers Godwin of Lugwardine; one of 6 similar we have available. Dating to circa 1870, this antique tile feat...

A mid-19th Century well-cast Model of the Sphinx of Giza mounted on veined marble base.

A pair of striking Victorian era brass monopedia dragons mounted on contrasting sienna marble bases, circa 1880. Once decorative or supporting brackets for furniture or architecture...

A handsome pair of large reclaimed newel post oak finials with a wax finish. Dating from the mid-19th century, these wooden finials could be used as decorative pieces either side of ...

A 6 inch antique tile inspired by Persian style, designed by William De Morgan, stamped Merth Abbey. Dating from the late 19th century, this tile is embossed with a stylised persian...

Pair of English Silver Elephant Pin Cushions with Velvet Tops, Early 20th Century Charming pair of antique English silver elephant pin cushions featuring sculptural elephant forms wi...

Plaster sculpture of a naked young boy holding fishes aloft. This charming sculpture is believed to be a maquette of John Hodges' fountain sculpture in Braintree, Essex. A maquette is a three-dimensional object made as a preparatory study...

A mounted antique carved wooden floral mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Chri...

An antique English porcelain figurine. By Bow. In the form of a boy clothed in 18th century garb and holding a flute. We've noted losse...

A pair of mounted antique carved composite dragon moulds from the Tucker collection. These are some of the many moulds we are selling from this vast collection assembled by British m...

A mounted antique carved wooden floral mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Chri...

Date / Origin: Staffordshire, England, circa 1745 – 1760 A salt-glazed seated cat with upright ears and grounded paws, holding a small brown mouse in its mouth. The figure is formed ...

A superb mid-19th century 6-inch glazed encaustic tile depicting the Bull of Saint Luke, designed by A. W. N. Pugin and manufactured by Minton & Co. (stamped). Similar tile depicting the Lion of Saint Mark also available under Stock No. 37042. Dating to circa 1850, this antique tile is an excellent example of 19th century Minton works, depicting a winged bull bearing the name ‘St. Luke’ in buff tones before a terracotta background. The reverse is equally as impressive, clearly bearing the Minton name and marked '21'. Steeped in history, this antique English tile...

A set of sixteen reclaimed encaustic W.Godwin tiles. Dating from the mid 19th century, these reclaimed encaustic tiles were produced in Lugwardine, Herefordshire. They are of a neo-...

A set of sixteen reclaimed encaustic W.Godwin tiles. Dating from the mid 19th century, these reclaimed encaustic tiles were produced in Lugwardine, Herefordshire. They are of a neo-...

19th century bronze bird of prey fighting a serpent mounted on a white marble pedestal. Dimensions: Height 15.75? x width 13? x depth 8?.

A vibrant group of 25 arts and crafts glazed ceramic 6-inch tiles, circa 1890. This colourful set comprises of 25 identical tiles decorated with yellow glazed scrolling foliage in c...

A set of sixteen reclaimed encaustic W.Godwin floral tiles. Dating from the mid 19th century, these reclaimed encaustic tiles were prodcued in Lugwardine, Herefordshire. They are of...

Black Alongside Out Hand Crafted Sculpture by Rachael Heritage Each Piece is Unique Dimensions: D 28 x W 24 x H 24 cm Materials: recycled card, fibre-cement, black burnished plaster....

A late 19th century Renaissance style terracotta tile decorated with two rampant heraldic lions. It is spuriously marked with the date ‘1598’, more likely dating between 1875 and 190...

A large natural pyrite of an unusual form sourced from the ex UK private collection. This native British mineral has a lustrous exterior that catches the light beautifully. Natural...

A 19th century blue and white Delft 6-inch tile of a bull manufactured by Ravesteijn of Utrecht; one of two similar themed tiles we are selling. This original fireplace tile was recl...

17th century pewter charger with hallmarks. Good patina

White Direction I Hand Crafted Sculpture by Rachael Heritage Each Piece is Unique Dimensions: D 26 x W 26 x H 38.5 cm Materials: recycled card, fibre-cement, white burnished plaster....

An antique Lipscombe & Co. (stamped) glazed terracotta keystone of a Green Man mask, reclaimed from a British private home, mounted on a bespoke steel stand for interior display. T...

Antique Staffordshire Pearlware Bocage Figure Ca. 1820 depicting a girl with basket of lowers with the colorful dressing.

A sculptural bronze of two figures on horseback – titled ‘Riders’ – first shown in 1989 by the late British sculptor, Terence Coventry (1938-2017). Coventry’s works were exhibited several times at Gallery Pangolin, including posthumously following selected exhibitions after the sculptor’s death. This bronze sculpture is one of these such pieces. The sculpture is pictured in a press release from Gallery Pangolin exhibiting Terence Coventry’s works from April 2019. Although unsigned by the artist, there is an accompanying Certificate of Authenticity from Gallery Pangolin. It is a limited-edition piece, edition 5 of 7 similar made. Depicting two horse riders, this three-dimensional figural sculpture will make a fantastic display piece in an interior, ideally situated on a plinth so that it’s beauty can be observed from every angle. Price includes Artist’s Resale Rights (ARR) at 4%. Terence Coventry (1938-2017) Terence Coventry was a British figurative sculptor...

Unusual Hand Carved Clown Motif Umbrella, Paragon, S. Fox & Co

This exceptional example of an English 19th century Encaustic Tudor rose tile is presented in a rare blue colourway. Produced by W. Godwin circa 1870, this very clean, possibly unus...

This Greek bust depicts the legendary poet and author Homer who is presumed to have penned the two of ancient Greece’s most epic poems: the Iliad and the Odyssey. Scholars are uncertain whether or not Homer actually existed but if he in fact did exist, Homer would be regarded as one of the greatest literary artists of his time. This is an iconic statue for an interior and looks particularly impactful when placed on a column or plinth. Please note the blue plinth...

Set of 10 Estate English Staffordshire Porcelain Musical Pig Band Statues.

An antique heraldic style encaustic tile by English makers Godwin of Lugwardine; one of 5 similar we have available. Dating to circa 1870, this 5-inch antique tile features a post-m...

A mounted antique carved wooden cartouche mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, C...

Hand carved Marble Bust of Sarah Siddon with original pedestal. United Kingdom, late 19th century.

A charming antique Victorian Staffordshire pottery flatback figure titled Highland Jessie. Beautifully modelled and hand painted, the figure depicts a Highland lady standing beside a...

A large natural pyrite specimen. Originating from 5/15 level Wheal Jane Mine, Cornwall, this native British pyrite has a lustrous exterior that catches the light beautifully. Natura...

A natural cabinet scale pyrite specimen. Originating from 5/15 level Wheal Jane Mine, Cornwall, this native British specimen has a lustrous exterior that catches the light beautiful...

An antique Tudor revival decorative encaustic tile by Godwin of Lugwardine; one of 8 similar we have available. Dating to circa 1865, this antique tile is inspired by earlier Gothic...

John Willis-Good (British, 1845 - 1879) ‘After The Race’. A Silvered Bronze Equestrian Group Cast By Elkington & Co, Birmingham. Depicting a racehorse with jockey up, at the dynam...

A mounted antique carved wooden floral mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Chri...

A large cabinet mineral specimen of natural galena from Greenlaws Mine, Weardale, England, ex. private collection of Eric Holland. This stunning example comes presented on one of our...

Antique World War 2 British flare gun mounted on custom made museum quality steel stand. Nice original color. Bakelite grips in great shape with no cracks. Very graphic piece. Measur...

An expressive biomorphic sculpture executed in warm terracotta, its abstracted female form reduced to a sequence of flowing curves and sculptural voids. The composition is characte...

A varied set of English Lower Cretaceous fossil specimens collected in Sussex. Ex. private collection of Raymond Henry Wells (1921-1993). This fascinating collection of over fifty ...

A mounted antique carved wooden leaf mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Christ...

A set of seven antique carved wooden floral moulds from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist...

A mounted antique carved wooden leaf mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Christ...

A mounted antique carved wooden cartouche mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, C...

A superb collection of naturally-occurring minerals, curated from private British collections to create a unique set. This varied group showcases seven individual small cabinet spec...

A superb collection of naturally-occurring minerals, curated from private British collections to create a unique set. This varied group showcases seven individual small cabinet spec...

A superb collection of naturally-occurring minerals, curated from private British collections to create a unique set. This varied group showcases seventeen individual small cabinet ...

A set of eleven antique carved wooden cartouche moulds from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up ar...

Wer are delighted to offer this exceptionally rare pair of King James 1st 1615 English Heraldic Lion Newel Finials with period Polychrome paint Where ...

This antique terracotta brick was reputedly found in the garden of a Tudor manor house in Surrey near London, UK. It details Queen Elizabeth I...