A White Marble Bust of a Gentleman by John Warrington Wood

Life size marble of a Girl Sewing. By Salvatore Albano. dated 1880. Salvatore studied under Sorbille in 1860. after studied at the academy under sc...

A Rare French Marble Relief of PuttiFragment Late 17th Century Century Height 14 in. Width 33 in. Carved throughtout with three putti figures Provenance: Private Collector, Bor...

A Bronze Figural Group of Rams Signed Jules Moignez The four figures standing on a naturalistic base having a golden patina Jules Moignez began...

An Important Pair of Terracotta Sphinxes On later Sienna and Porphyry Marbleized Plinths Stamped Enrico Vella Italian 19th/20th Century Archi...

A Fine Pair of French Bronze Classical Figures Now Mounted as Lamps By Louis Valentin Elias Roberts French 1821-1874 Signed. L.V.E. Robert, each a ...

A Pair White Lacquered & Brass Accents Cabinets by John Stuart Circa 1970’s Height 27 ½ in. Width 24 ½ in. Depth 17 in. Conceived by the renown furniture designer John...

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

English Marble bust of Parliament gentleman displayed on a circular plinth. Signed by maker John Graham Lough, London Mid 19th Century. Lough sculp...

This detailed solid lead sculpture by Charles Watson, 1974, is an impressive bust of a gentleman situated on a walnut plinth. The figure is strikingly imposing as an impressive figure.

This stately patinated bronze bust is a late 19th century figure of a gentleman presented with a classical drape.

A fine late Georgian marble portrait bust of 18th century barrister, politician and judge, Edward Willes. Signed by the artist, this superb bust was made by 18th century sculptor, John Bacon. It demonstrates his exceptional artistic skill and perfected sculpting technique for which he was much celebrated. We believe this bust was sculpted at the height of Edward Willes career, when he became a justice of His Majesty’s Court of King’s Bench...

A plaster bust of a Victorian gentleman by Boehm, this white plaster bust shows an authoritative gentleman with a moustache and whiskers wearing a high collar and bow tie with a wais...