Fine Bronze Bust of ‘Dougie’ by Vivian Mallock

This is the bronze maquette for a bas-relief portrait commissioned by the City of Winchester in honour of Queen Elizabeth II’s Diamond Jubilee. The final roundel is six feet in diameter and is shaped as a Winchester Rose with Queen Elizabeth II in the centre. She is wearing a three-strand diamond necklace and the Girls of Great Britain and Ireland tiara. Signed ‘VM 1’. English, 2012. The Girls of Great Britain and Ireland tiara was made by the House of Garrard...

A plaster bust of a Victorian gentleman by Boehm, this white plaster bust shows an authoritative gentleman with a moustache and whiskers wearing a high collar and bow tie with a wais...

A white Parianware bust of the Duke of Wellington by E W Wyon, the Duke is shown in classical draperies looking slightly to the left, the reverse impressed ‘E.W. Wyon & F,.  English,...

A marble and Ormolu bust by Marionnet, showing the white marble head and shoulders of a girl with her hair in a bun and ringlets framing her face, wi...

This plaster bust of Arthur Wellesley, 1st Duke of Wellington is a replica of the original marble portrait bust, commissioned, in 1852, by the Duke’s heir for Stratfield Saye, Hampsh...

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

Signed 'J. CLESINGER / ROME / 1860.' and with foundry inscription 'F. BARBEDIENNE. FONDEUR' Maker: Jean-Baptiste Clésinger (1814-1883) Origin: French Date: 19th century Dimensi...

The bust depicts Napoleon having a firm expression or a determined commander, wearing his bicorne hat, an eagle spreading its wings below him. Renzo Colombo (Italian 1856-1885), stu...

Philip Reeves, (Nairobi 1952) A Massai/Rendille tribe girl from Kenya Signed P Reeves and numbered 4/8 Foundry mark Luc Harzé, Brussels Bronze, H. 36 cm Philip Reeves, born i...

Fine patinated bronze bust of a Roman or Greek nobleman. Stock number: SC164.

This stately patinated bronze bust is a late 19th century figure of a gentleman presented with a classical drape.

A good quality patinated bronze bust of Chopin rained on a square, stepped black wooden base. Well executed with good detail and rich brown patination. Measures: (Base is 7cms by 7c...