19th Century Sculptures

This important and unusual pair of life size French 19th century Blue Herons are realistically depicted with the two birds foraging in their natural environment. One large Heron is h...

This bronze figure of Spinario also known as Boy with Thorn and Fedele is a classical figure. It is beautifully cast with very fine detailing and dates to the 19th century, circa 187...

An antique 6-inch olive green majolica glazed tile by Minton & Co. (stamped) depicting a profile portrait of a bearded neoclassical figure in a regal headdress. Formerly used to deco...

Buddha Hand Fragment on Walnut Stand from a 19th Century Bronze Buddha Statue

A Kisii Nomoli carved stone figure, a male with his hands wrapped around his knees, on a base; from the Kissi people of Sierra Leone. Greyish brown patin...

An antique Carrara marble sculpture “Venus Italica” after Antonio Canova (1757-1822) Made in Italy during the 19th century. When the Medici Venus was forcibly removed from the Tribuna of the Uffizi by Napoleon’s forces, King Louis I of Etruria commissioned Antonio Canova to replace the figure. True to nature, Canova submitted a wholly original figure to rival the antiquity, despite originally being asked to sculpt a copy. Canova’s Venus...

An antique Islamic brass celestial globe on a stand. The globe showcases intricate engravings and embossments that depict celestial patterns, constellations, and celestial bodies. The celestial globe serves as a representation of the Islamic world's deep understanding and exploration of the cosmos, blending scientific knowledge with artistic elegance. Dating back to the late 19th century. Antique Celestial Globes...

A spectacular matched pair of large and extremely rare Emile Louis Picault cold painted bronze sculptures from the late 19th century. Exquisitely handcrafted in France, circa 189...

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

A superb antique Italian Grand Tour patinated bronze sculpture of St Peter seated on a bronze throne, circa 1880 in date. This patinated bronze sculpture of St. Peter is after the original by Arnolfo di Cambio (1245-1302) in St. Peters basilica in Rome. It features St. Peter seated upon a carved marble throne...

This wonderfully playful French animaliers study of two pheasants eating wheat has a nice golden patina and finely finished hand chased surface detail, r...

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

This large Swiss masterpiece wall plaque with clock is in perfect condition. The realistic and detailed carving consists of a pair of pheasant, a bird's nest, fine leafs and branche...

Large Pair of antique Victorian quality Staffordshire dogs having lovely red and white coloured coats with collars, padlocks and chains In lovely original condition, no cracks or c...

Important Bronze Moorish Rider, Return from the Hunt, Signed Barge Fils French work, end of the 19th century (1M) Rider returning from the hunt with game h...

Pair of 19th century French bronze marly horse statues after the original models by Guillaume Coustou (1677-1746).

Large patinated bronze sculpture depicting a naked Narcissus by Michele Amodio, based on the ancient original discovered in 1862 in Pompeii in the House of Narcissus and currently ho...

This antique sculpture was done by the well known P.J. Mene of France, and dates to approximately 1875, but may date slightly later to after his death, and done in the period late Vi...

Finely sculpted each with a mane. Each with rings for hanging. Old gilded surface.

Antique Mantel Clock with Eagle and Chamois Family, ca. 1900 A large Black Forest wooden carved mantel clock with an eagle on top and a chamois defending her child. The clock is embedded in a handcarved wood pile. A masterpiece of Brienz woodcarvings which brightens up any chimney piece. The clockwork is cleaned and overworked by a clockmaker - working order. Soberly considered mantel clocks are small pendulum...

A spectacular and extremely high quality Italian 19th century Alabastro Fiorito and Ormolu statue. This striking statue is raised on a most impressive rectangular Alabastro Fiorito m...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

~ Direct from Europe This listing is for a stunning pair of carved Black Forest “chicken” candleholders/epergnes. In the summer, the glass inserts were used and fresh cut flowers wer...

A Rare and Important American White Marble Sculpture of Thomas Jefferson Holding The Declaration of Independence. Circa 1870, in the Manner of Horatio Stone (1808 –1875). Inscribed on scroll: 'The Declaration of Independence, It becomes necessary for one people to dissolve the political bands which have connected them with another. etc. etc. T. Jefferson. The present work is unsigned but is reminiscent of Horatio Stone's life-size marble figure of John Hancock...

This famous statue always brings a smile, as a young boy with hands in pockets is whistling and is titled "Mousse Siffleur". Nicely cast, and signed by the Polish artist Victor Szcze...

Originally used as a butcher's trade sign. With mounting hooks on back. This head was previously mounted on the carriage house of Buatta's country house in Connecticut.

This is an antique Mr. Punch doorstop. An English, cast iron figurative door keeper, dating to the Victorian period, circa 1880. Originating in the c...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

French Alabaster Sculpture, France, Late 19th Century – Monkey Smoking a Pipe. This delightful French alabaster sculpture, created at the end of the 19th century, depicts a monkey leisurely smoking a pipe. The sculpture is crafted in alabaster, with intricately detailed features that capture the playful yet thoughtful expression of the monkey. Notably, the eyes are made of glass, adding a unique touch of realism to the piece. Dimensions: Height: 9.8" (25 cm), Width: 6.7" (17 cm), Depth: 4.4" (11.2 cm). The sculpture is in good condition, with only slight scratches and small chips on the base, which are consistent with age. A whimsical and charming example of late 19th-century French sculpture, this piece would make an intriguing addition to any collection of animal-themed art or antique stone...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...

Antique, mint and rare bronze statue of Jeanne D'arc, Frances most famous patron saint. 25 years after her short lived & heroic life, Joan of Arc, who had wrongly been sentenced to ...

Large antique 19th century English Staffordshire porcelain figurine depicting a white roc bird / oriental pheasant perched on a stack of mossy rocks. Dimensions: 6" x 3.5" x 13" (Wi...

Decorate a shelf or desk with this fine antique bronze sculpture. Created in France circa 1880 and built of bronze, the farm animal stands on a flat brass base and depicts a sow snif...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

Egyptian carved and painted life size sarcophagus figure (19/20th Cent)

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

A pair of antique 19th century game animal horns mounted on metal stands. Created during the 19th century, each of this pair of mounted objects features ...

A natural specimen from Wunderkammer: a crocodile skull. The wooden column base is decorated on the upper edge. A metal bar supports the crocodile skull. Italy circa 1870.

Serpentine Green Marble Sculpture, The Lion Of Lucerne After Bertel Thorvaldsen Circa 1880

Extra large and extremely rare, antique sculpture of Mephistopheles from the Faust Opera. This striking and famous historical work of art depicting Mephistopheles is another one of ...

Large French Neoclassical sculpture of Androcles and the Lion. Exceptional quality casting and patina. Mid 19th century. The runaway slave Androcles became friends with a wounded lion...

Jean Jacques Pradier (1790-1852) Bronze Napoleon Bonaparte James Pradier (born Jean-Jacques Pradier, 1790–1852) was a Genevan-born French sculptor best known for his work in the neoclassical style, one of the primary artists of Napoleon's tomb, Les Invalides.  This exceptional 19th-century French bronze full-length portrait of a standing Napoleon Bonaparte bronze...

On offer is a vertical Chinese scholar rock balanced on a carved wood display stand. The specimen is a wonderful example of Ying (or Yingde) stone, one of the four famed stone types known to Chinese literati and a less common type than Lingbi or Taihu. Gray in color, it has an extraordinary upright form rising from a small stem, like an "Avatar Mountain" peeking out of the mist. Visually it feels impossible for the stone to balance on its thin stem and the wood base. The illusion is due to the thickness of the depth which is not immediately visible from front or back. This type of exotic form was highly desired by the collector. The surface is remarkable with pronounced schisms, gullies, folding lines, with several formation of openings that give it a grotto and airy feel. Different sceneries are revealed when viewed from different angles, making this one of the most intriguing stones in Tishu Gallery...

Our very large (53.5 in, 136 cm) bronze statue by the French master, Jules Bertin (1826-1892), circa 1879, depicts the Roman goddess, Libertas (Liberty), standing upon a stylized glo...

Large, antique and very fine bronze sculpture. Striding, roaring lion. The sculpture is very heavy.

A charming pair of ebony elephants sculpted out of solid ebony, modelled in a striding stance,  also more unusual having the textured surface giving them better effect. In good condition with no breaks, nicely patinated surface and still retaining the original carved bone tusks...

A mid 19th century plaster portrait bust of 3rd century BC Roman general and politician, Marcus Claudius Marcellus (270-208 BC), ex. Holkham Hall, Norfolk. Inscribed to the front of ...

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

They are in Miami. We offer free shipping in Florida. They were exhibited at Palm beach "American International Fine Art Fair (AIFAF)" In the photos you can see a pair of lions of...

This is a 19th-century alabaster Italian sculpture depicting a foot wearing a classical sandal. During the 19th century, particularly in Europe, there was a strong Neoclassical revi...

Victorian carved whole conch Shell c1880. Beautiful and rare item to find! This was hand carved in Italy, likely a souvenir of a Grand Tour. The subject of the carving is of St Georg...

This stunning table-top display features a large cameo created by the talented artist Raffaele Pernice. The cameo is set in a beautifully engraved gold mount, which adds a touch of l...

Pair of Chinese bronze Foo dogs, 19th century.

Chinese Famille Rose Porcelain Figure of a Phoenix, circa 1875

A charming pair of victorian era Staffordshire porcelain Spaniels. These beloved 19th century mantel dogs feature finely painted detai...

A Vienna Oriental manner cold painted cast bronze and natural materials figural group. The figural group depicts a scene with two arguing Arab boys, one sits on a wagon drawn by a donkey, made in the manner of Franz Xavier Bergman, Austrian, 1861 to 1936. Unmarked. Franz Xavier Bergman was the owner of a Viennese foundry who produced numerous patinated and cold painted bronzes, Oriental, erotic, and animal figures, the latter often humanized or whimsical, humorous objets dart...

Sculpture in patinated bronze by Ferdinand Barbedienne, 19th century, Napoleon III period. A 19th century patinated bronze sculpture, Napoleon I...