19th Century Sculptures

Striking impressive large 19th century Running Horse weathervane made into a freestanding sculpture. The horse has copper body, zinc head and beautifully detailed teeth, ears and ey...

"RECLINING GREYHOUND" BY CHRISTOPHE FRATIN (FRENCH, 1801-1864) Signed in naturalistic base "FRATIN", foundry cold-stamped mark along edge "A. DAUBREE EDITEUR"; circa 1860 Item # 102EWL26Q An exquisite sand-cast model of Levrier Couché cast circa 1860, the sculpture is typical of Fratin's vivid texturing and silky finish. It was executed in the foundry of Alfred Daubrée...

This is a 19th-century alabaster Italian sculpture depicting a foot wearing a classical sandal. During the 19th century, particularly in Europe, there was a strong Neoclassical revi...

The 1st century AD marble original of this bronze is now in the Vatican. That marble was excavated in 1865 near the Villa of Livia in the Prima Porta hills outside of Rome but there ...

Antique French Wall Shelf Corbel Carved Eagle Black Forest Statue Wood c1880. Direct from France, a stunning antique French solid wood corbe...

A beautifully patinated 19th century European stone statue depicting the Farnese Hercules, which is an ancient statue of Hercules made by Glykon in the early third century AD - one o...

An imposing English Parian unglazed Porcelain Standing Figure of Perseus firmly attributed to Minton and modelled by Victor Simyan, who was a French scu...

This large branch of Mediterranean coral, 'Corallium Rubrum' is mounted on a gilt bronze base. The creation of the amphora-shaped base involves various techniques: lost wax casting, ...

A charming pair of ebony elephants sculpted out of solid ebony, modelled in a striding stance,  also more unusual having the textured surface giving them better effect. In good condition with no breaks, nicely patinated surface and still retaining the original carved bone tusks...

Large Late 19th Century American Carved Giltwood Eagle Sculpture This majestic sculpture will add the perfect bit of Americana to your decor....

Pair of large branches of Mediterranean red coral (Corallium Rubrum), mounted on large octagonal alabaster bases with guilt bronze profile. Connection with a spherical bronze element...

ETIENNE-HENRI DUMAIGE French, 1830-1888 Classical Seated Woman with Treasure Spilling at Her Feet Burnished and patinated bronze over original polished black marble base signed in cast "H. Dumaige Sculpt" and cold-stamped 3750 circa 1875 Item # 309OXB09P This exquisite cast depicts a full-length seated female modeled with echoes of classical antiquity. Dumaige seeks to depict the young woman as a noble likely of the Roman Empire, her wealth an obscene display with pearls falling from her fingers almost as an afterthought over a chest of jewels with treasure spilling from the lid before her overstuffed throne with a richly decorated pillow...

Antique Roman style marble Sculpture of draped Roman Male Torso, Mounted. Sculpture is carved in the round and rising on a later marble b...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

All hand-carved, Victorian Era, Black Forest hiking bear and cub, liquor tantalus set. This finely carved Black Forest drinks set, dates from circa 1880 and it is both decorative an...

Important Bronze Moorish Rider, Return from the Hunt, Signed Barge Fils French work, end of the 19th century (1M) Rider returning from the hunt with game h...

Patinated bronze bust representing a bust of a young woman whose dress and hair are studded with flowers The bust rests on a bronze and red marble pedestal base Signature of the ar...

Superb Example of French lidded grand tour ormolu & bronze cast heavy duty model of a two handled Urn of Museum quality. First quarter of the Nineteenth Century, possibly Regency per...

On a round base is placed the nativity composed of the Holy Family with the ox and donkey, three cherubim fly to heaven. The seated Madonna and St. Joseph standing turn an adoring ga...

An exceptional pair English aesthetic movement porcelain pair of figurines portraying a farmhand and his belle by renowned potter and artist James Hadley (British, 1837-1903) dated 1...

Our very large (53.5 in, 136 cm) bronze statue by the French master, Jules Bertin (1826-1892), circa 1879, depicts the Roman goddess, Libertas (Liberty), standing upon a stylized glo...

This is a bronze statue Auguste Rodin Eternal Springtime reproduction. It is based on the couple, Paolo and Francesca, the passionate lovers from the fifth canto of Dante's Inferno. ...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

Serpentine Green Marble Sculpture, The Lion Of Lucerne After Bertel Thorvaldsen Circa 1880

Charming delft blue and white tile featuring a running rabbit. We see this piece displayed on a table or shelf and would make a wonderful addition to any collector of these desirabl...

Pair of antique Victorian quality Staffordshire dogs having brown and white coloured coats with gold collars, chains and padlocks unusual front leg In perfect original condition ...

French Victorian white pariam life size figure of rooster (signed: I. COJSOEPA? 1883) (as is-minor chips)

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

19th century Marble Bust Of A Young Girl in a graceful pose. The bust embodies the neoclassical ideals of the era, capturing the both youthful beautiful and refined elegance. The sol...

Antique Plaster Statue of a Breeding Stallion - by Max Landsberg 1899 Antique plaster statue of a stallion, made by Max Landsberg (1850 - 1906...

A very fine Grand Tour bronze study of the famous Venus de Milo with excellent rich brown patina and good hand finished surface detail. The casting is unusual in that it does not pretend to hide the many imperfections on the original. It is signed on the base with "Reduction Mechanique Ronald Collas, and for the foundry F.Barbidienne Fondeur. Foundry stamp on the base Considered by any to be the most beautiful Hellenistic statue to survive fro antiquity, the Venus of Milos...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Jean Antonin Carles bronze… signed on the rear of the base. Antonin Carles…Approximately 29 1/2 inches tall and 8 inches in diameter… A proud youthful Aquarius stands poised with a...

Hardwood wagon wheel from the state of Puebla, Mexico, circa early 19th century. The wagon wheel is from the colonial era. Most colonial wheels contain ir...

Rare and Unique Model From our Black Forest collection, we are delighted to introduce this rare example Swiss Black Forest Bear Tobacco Jar. The Bear Tobacco Jar carved from Linden ...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

French bronze retiary sculpture by Edmé-Anthony-Paul NOEL, known as Tony Noël, France, ca.1875. Height : 21.85"(55.5cm), Width : 19.5"(49.6cm), Depth : 10.6"(27cm). Signed "Tony Noël...

ANTOINE-LOUIS BARYE France, 1796-1875 Tigre Qui Marche Sand-cast bronze with medium-brown, black and coppery patination signed "BARYE" with gently raised edges, incised "F. BARBED...

Place this large bronze bull sculpture in an office or a desk. Crafted in France, circa 1860 and beautifully executed, the patinated bovine...

Large, exceptional quality bronze sculpture depicting The Education of Achilles by the Centaur Chiron, after the model by Francois Rude. Ear...

A set of two Grand Tour marble oval medallions depicting the portraits of Roman emperors, reclaimed from an ex private British collection. Dating to the 19th century, the detailed e...

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

This exquisite bronze sculpture of the Venus de Milo dates to the late 19th century and is a beautifully detailed representation of the iconic ancient Greek statue. With a rich brown...

Eliseo Tuderte Fattorini (Italian, 1830-1887). A very fine and life-size Italian, 19th century marble Life-size Orientalist Marble Sculpture...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

An exceptional late 19th century bronze figure by H. F. Moreau (1832-1917) and P. Lecourtier (1851-1924), 'Hunter with Hounds', depicting a finely dressed French huntsman...

Early 19th Century Italian, Neoclassical, fine hinged box. Containing a selection of various hard stones and specimen marbles. The lid with the inscription: 'Marmi Antichi D'Palazzo ...

Organic modern freeform wood sculpture signed C. Hubert. This piece is constructed of a single piece of wood (species unknown). The sculpture is unique from all sides and can be floa...

Hand carved Wood Model Sailing Ship model Margaret Sculpture Center Piece LA CA . A very large and rare 19th century painted wood model of the sailing ship "Margaret". Votive ship. Height 54" width: 61" and depth: 15". The scale is perfect as it had to be and the quality of work is evident. Further inspection reveals that no detail was too small, as evidenced by the carved small boats, the ropes, poles and fittings. 5 feet long. This stunningly beautiful and intricately carved ship model was created by the sailors when they were at sea for many years at a time and they created this amazing model using handmade tools using scraps of whatever was available for carving and bringing this piece of art to life. A votive ship, sometimes called a church ship, is a ship model displayed...

Late 19th Century Italian Arabesque Style Carrara Marble Sculpture Signed Pugi. Offered is a beautifully executed late 19th century carved Carrara marble seated Arab male on a thick ...

An antique Islamic brass celestial globe on a stand. The globe showcases intricate engravings and embossments that depict celestial patterns, constellations, and celestial bodies. The celestial globe serves as a representation of the Islamic world's deep understanding and exploration of the cosmos, blending scientific knowledge with artistic elegance. Dating back to the late 19th century. Antique Celestial Globes...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in.

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side.

Elevate your space with the timeless elegance of this Antique Italian Wooden Medallion, a true masterpiece of Old World craftsmanship. Intricately hand-carved, this exquisite piece features a symmetrical design of delicate leaves, petals and a floral rosette, embodying the refined artistry of classic Italian décor. Crafted from solid wood with a rich, aged patina, this medallion exudes authenticity and history, making it a perfect focal point. Whether incorporated into traditional interiors or as a statement accent in a modern space, this rare find brings warmth, depth, and European charm to any setting. A stunning addition for collectors, designers, or those who appreciate fine antiques, this Italian medallion...

Large, antique and very fine bronze sculpture. Striding, roaring lion. The sculpture is very heavy.

Stunning copper watering can with great green patina, France, circa 1850-1900. Weathered and small losses. Great to use as a decorative object in or outside. Might have leaks.