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Joe Colombo Chair No. 4801, Black Plywood, Kartell, Italy, 1960s, One of Four For Sale
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Joe Colombo Chair No. 4801, Black Plywood, Kartell, Italy, 1960s, One of Four


One of four "interlocking" lounge chairs designed by Joe Colombo for Kartell, Italy, manufactured in midcentury. Joe Colombo's iconic 4801 armchair was designed in 1963-1964. A modern chair with striking visual appeal by the master of Italian Space Age design. A limited number of wood 4801 chairs were produced in the 1960s, when the technologies did not exists to produce Joe Colombo's design using Kartell's material of choice. The original chair was crafted with a bent pressed plywood seat, back and frame fitted together without any metallic parts or glue, painted in of-the-era hues of white, green, orange and black. The chairs are in very good original condition with minor wear on the edges. Please see images for details. The price is per chair. They will be sold individually, as pair or as set of three or four chairs.


  • Period
  • Materials and Techniques
  • Condition
  • Condition Details
    Very good original condition with minor and losses of lacquer.
  • Wear
    Wear consistent with age and use. Minor losses.
  • Dimensions
    H 23.23 in. x W 27.56 in. x D 25.99 in.H 59 cm x W 70 cm x D 66 cm
  • Seat Height
    13.78 in. (35 cm)
  • Seller Location
    Vienna, AT
  • Reference Number
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About Kartell (Maker)

The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.

They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.

Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.

Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.

Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers. Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.

About the Seller

5 / 5
Platinum Seller
1stdibs seller since 2014
Located in Vienna, AT
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