Brazilian Lounge Chairs

Bia Armchair by Samuel Lamas, 2022 Introducing the Bia Armchair, an imposing and elegant piece that epitomizes contemporary Brazilian design. Crafted from premium steel and natural ...

Bia Armchair by Samuel Lamas, 2022 Introducing the Bia Armchair, an imposing and elegant piece that epitomizes contemporary Brazilian design. Crafted from premium steel and natural ...

This armchair, produced in the 1960s, presents a solid Brazilian Rosewood structure and leather upholstery. The piece mixes straight lines and turned elements with gorgeous angles, a...

Original Costela Chair with matching ottoman, designed by Martin Eisler and Carlo Hauner for their joint venture known as Forma S.A. Móveis e Objetos de Arte. The name "Costela," mea...

The Costela armchair is an iconic Brazilian Mid-Century Modern piece. It was designed by Martin Eisler (1913 - 1977) in 1953 and manufactured by the companies Móveis Artesanal and Fo...

Sonia Armchair by Samuel Lamas, 2022 Experience the elegance of the award-winning Sonia Armchair, a minimalist masterpiece crafted from steel and leather. Designed with geometric an...

Moyses B. Klajn for Moveis Leal, pair of lounge chairs, Brazilian hardwood, iron, reupholstered in linen "Menerbes" by Pierre Frey, Brazil, circa 1968 These exceptionally rare armch...

Meticulously crafted from solid Brazilian hardwood, these chairs exude an air of elegance and sophistication. Recently reupholstered in a stunning yellow fabric, they offer a vibrant...

A pair of vintage rosewood lounge chairs designed by Sergio Rodrigues, made by Oca for Meia Pateca in Brazil, circa 1963. Modeled as "Tonico", these chairs were constructed with soli...

Martin Eisler designed this sculptural armchair in 1955. This piece is considered one of the most iconic armchairs of Brazilian Modern Design. The uniqueness of this armchair lies in...

This beautiful pair of armchairs designed by L'Atelier is a great example of the style of Brazilian midcentury furniture. The materials...

A beautiful example of the style and craftsmanship of Novo Rumo, a design ateliê extremely active during the 1950s and 1960s in São Paulo, Brazil. Made of Br...

This gorgeous "Lobby" lounge chair is a true masterpiece of mid-century Brazilian design, created by the renowned architect and designer Jorge Zalszupin in the 1970s. The chair's per...

Original Condition

Lounge chair designed by Julio Katinsky for Novo Rumo in a comfortable and unique design.

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

This exquisite pair of lounge chairs by Móveis Cimo has been meticulously renovated by our skilled craftsmen, who have taken great care to ensure that both the outer aesthetics and t...

Restored

This magnificent pair of lounge chairs consists of a metal and rosewood frame with camel leather straps and cushions. These pieces have exceptional details, such as the noble rosewoo...

A wood and green velvet lounge chair designed and produced in Brazil, c. 1960s. Overall Dimensions (inches): 43.25"H x 24.25"W x 24.5"D Seat Height (inches): 17.5" Arm Height (inc...

Folding and articulated bench in teak wood and rope, production of the 1960s from Brazil in the style of Zanine Caldas' creations.         

Pair of Lounge chairs in Wood and Fabric, Liceu de Artes e Ofícios, 1960's, Brazilian mid-century design This beautiful pair of armchairs was made of Brazilian hardwood in the 60s...

Stunning and comfortable ‘Concha’ (shell) lounge chair designed by Carlo Hauner and Martin Eisler and manufactured by Forma Moveis, Brazil 1950. This chair has a solid steel structur...

These armchairs, designed by the Brazilian company Casulo in the 1960s, are made of a solid rosewood base with beautiful grains. Nine pieces of wood connected to each other form the ...

Striking pair of armchairs designed and made by Lice de Artes e Oficios, Brazil 1960. These lounge chairs made by Liceu de Artes e Officios have a beautiful patina and are in a very ...

Beautiful and rare vintage Brazilian Costela chair by Moveis Pailar. Costela means "rib" in Portuguese, which perfectly describes this slatted sculptural...

Geraldo de Barros for Unilabor, armchair, fabric, iron, wood, Brazil, 1955 Crafted by the Brazilian modernist designer Geraldo de Barros, this lounge chair showcases the typical mat...

Rare pair of Safari leather armchairs and a matching coffee table. Designed in 1959 by Karl Heinz Bergmiller for Escriba Furniture Brazil. A co...

This rocking chair was one of the first pieces produced by Joaquim Tenreiro (1906-1992) when his Langenbach & Tenreiro store opened in 1947. Far beyond a designer and artist, Tenreiro was an intellectual and thinker of the Brazilian culture. The rocking chairs were part of the interior spaces in most Brazilian colonial...

The pi collection results from several sculptural essays with spherical volumes as their starting point, exploring possible variations from this initial form. These exercises were in...

A Donna teak wood lounge chair by Uultis with light beige fabric and natural cane back. *Please check availability prior to purchase*. The Donna chair exu...

Available now, these Brazilian Modern armchairs in white leather & iron, where designed by Carlo Hauner and manufactured by Forma Moveis in Brazil 1955 and are fabulous! The name of ...

Caviúna chair designed by Ernesto Hauner for Ernesto Hauner Decorações (E.H.D.) in 1968, a company that opened that same year after selling its shares in Móveis Artesanal...

A pair of ‘Sling Swinger’ lounge chairs in wood and leather Don S Shoemaker Brazil, circa 1970 made by Senal.

Martin Eisler, lounge chair, iron, leather, Brazil, 1950s Elegant and modern lounge chair by Brazilian designer Martin Eisler. A visually interesting contrast is created between the...

Original Condition.

This armchair in solid Caviuna with high backrests was designed by Giuseppe Scapinelli (1911-1982) in the 1950s. The piece has slatted backrests with thin vertical rods and comfortab...

Brazilian Bentwood lounge chair by Moveis Cimo Mid-Century Modern.

Canoa Lounge Chair by Wentz Dimensions: D 140 x W 95 x H 58 cm Materials: Steel, Wood, Upholstery. Weight: 28,5kg / 63 lbs WENTZ SILENT AND NATURAL LIVING DESIGNED IN BRAZIL Brazilian brand of furniture, lighting and accessories design. We live in silence, contemplating the environments, through pieces that welcome well-being. We seek to give naturalness to living, with harmonic and sensorial simplicities. We express Brazilian uniqueness through our lines, highlighting local materials and technologies. With a contemporary tropical aesthetic, designer Guilherme Wentz's creations reflect the contemplative personality of their creator, connected to nature and obsessed with design. His designs present a new look at living, where each piece conveys a perfect balance between simplicity and functionality. 1987 — Guilherme Wentz is born on July 17, in the city of Caxias do Sul, in Rio Grande do Sul, where he spent his entire youth. 2008 — Guilherme drops out of the Business Administration course to start a new creative life studying Product Design. 2010 — Begins his career as a designer at the Riva objects brand, where he works for two years. 2012 — Recently graduated, receives the IDEA Brasil award for his first product on the market, the Officer desk...

The Odilon lounge chair is a robust and elegant piece of furniture that embodies the distinctive design characteristics of the Brazilian furniture designer Sergio Rodrigues. It featu...

This armchair is made out of steel and solid Cumaru wood, a typical hardwood from the northern part of Brazil. Arthur Casas is surely one of the most prominent contemporary Brazi...

A dark-stained wood and red leatherette lounge chair designed and produced in Brazil, c. 1950s. Light scratching to wooden legs. Light staining, a couple small tears, and general we...

Ale Lounge Chair by Doimo Brasil Dimensions: W 72 x D 65 x H 73 cm Materials: Natural leather, Soleta, Veneer. With the intention of providing good taste and personality, Doimo de...

This beautiful pair of solid Imbuia (Brazilian Walnut) armchairs were manufactured in the 1960s by the Brazilian company Casulo, and the authorship is still unidentified by our team....

This pair of chairs with armrests made in solid rosewood and fabric was produced by Cantù Móveis e Interiores Ltda. in the 1960s. This model was manufactured with seats in cane or le...

An iron and brown cowhide lounge chair designed and produced in Brazil, c. 1950s. Overall Dimensions (inches): 39.0"H x 22.75"W x 35.5"D Seat Height (inches): 16.0" Arm Height (in...

The Orixá armchair is a masterpiece of design that showcases the unique style and creativity of Ronald Sasson. The armchair is an embodiment of comfort a...

Bruta Lounge Chair by Doimo Brasil Dimensions: W 74 x D 70 x H 70 cm Materials: Metal, Paint, Natural Leather. With the intention of providing good taste and personality, Doimo de...

Unique Caviuna Visceral bench by Gustavo Dias Visceral Bench Dimensions: 1.90 x 0.40, x 0.45 m Wood : santos palisander / caviuna Base: powder coated steel designer: Gustavo Di...

VOID ARMCHAIR "The mother noticed that the boy liked the void more than the full. He claimed that voids are larger and sometimes even infinite." (Manoel de Barros) Contrast generat...

This Soriana lounge chair is characterized by its substantial, bulbous form, enveloping the sitter in a voluminous, cushioned embrace. The use of soft, suede-like fabric in a rich, e...

These Rosewood Armchairs were produced in the 1960s by the Brazilian company Móveis Cimo, a pioneer in Brazilian furniture industrialization. Cimo...

This unique antique mechanical recliner lounge chair was made in the early 20th century in Brazil. This exceptional chair is expertly handcrafted from solid walnut wood and features ...

This elegant lounge chair, designed by Giuseppe Scapinelli, is an exquisite piece of modern furniture from the mid-20th century, showcasing the elegant intersection of fabric and woo...

This armchair is a rare version of Concha, one of the most iconic pieces designed by Martin Eisler (1913-1977), with a single seat and backrests made with braided leather strips. ...

Item No. AT Circa 1970s / Brazil Size W600 D850 H700 SH370 mm A vintage lounge chair from Brazil, 1970s.  

These two chairs have an amazing Italian style, with sexy curves contrasting with the boxy shell. Two-tone fabrics enhance the dynamics of the shell, creating a very exciting piece. ...

The research of Cross Cultural Chairs in Brazil, was conducted in Rio de Janeiro where Matteo Guarnaccia together with Brunno Jahara and designer Dimitrih Correa. This was the first ...

A pair of green velvet and black-painted wood lounge chairs designed and produced in Brazil, c. 1950s. Minor wear to wooden legs, mainly at bottom of legs. Reupholstered at some poi...

The M1 armchair was designed in 1953 by Carlos Milan and produced by Branco & Preto, an architecture and design firm that opened in 1952 in São Paulo. Branco & Preto was one of Br...