Kingwood Case Pieces and Storage Cabinets

An extremely high quality French 18th century Louis XV period kingwood, tulipwood and ormolu desk, signed ‘Bernard Ebeniste’. This most elegant desk is raised by slender cabriole leg...

Kingwood and marquetry commode, in Louis XVI transitional style, of serpentine bombe form, fitted three drawers above a shaped apron and tall angular splayed legs, inlaid with panels...

19th century Louis XV style marble top, serpentine, marquetry commode with bronze ormolu mounts. Features 2 drawers.

French pair of tulipwood and inlaid bedside cabinets, having serpentine marble tops above 2 flower inlaid drawers fitted with original brass handles and flanked by ormolu decoration, inlaid sides, and elegant cabriole legs with brass sabots. This attractive pair of bedside cupboards...

A lovely pair of French 19th century Louis XV style kingwood and tulipwood marquetry bombée chests. Each chest is raised by short cabriole legs with fine ...

We are delighted to this important, restored circa 1750 marble topped kingwood inlaid sideboard with polished silver fittings sideboard fully stamped for Germain Landrin, 1710-1785 ...

Sn5010 very attractive bombe commode in kingwood, having original veined marble top over three oak lined drawers with handmade dovetails, all fitted with original working locks and t...

A most elegant and high quality French mid-19th century Louis XVI style tulipwood, kingwood and charmwood two drawer writing desk with two pull outs. The desk is raised by slender sq...

A most exquisite and very high-quality French 19th century Louis XV style kingwood, tulipwood, ormolu, and leather desk. The desk is raised by elegant slender cabriole legs with fine...

Transition commode, France 1770. Exquisite satinwood and king wood veneer with delicate green colored wood inlays framing the satinwood parts. Ori...

Exceptional quality vitrine cabinet which works well as a display, having glass sides and a curved glass front panel which domes upward at the center. It has a mirrored back and mir...

French rare 19th century cabinet. Kingwood and parquetry with fine quality gilt bronze mounts. Clock on top. Signed Francois Linke      

Small French chest of drawers, full Louis XV period, fantastic wood texture, excellent quality, grains that highlight the beauty of this ...

Excellent quality commode with three drawers having beautiful bronze pulls And a lovely bronze doré plaque inset into the top drawer depicting Angels and a country motif. The cente...

A very good quality pair of 19th century Sèvres mounted amboyna credenzas, having wonderful ormolu mounts, cross banded in Kingwood, carved columns and mirror backed open shelves to ...

Pair of exquisite Louis XVI style commodes -- Demilune -- Original marble tops -- Neoclassical -- Kingwood, fruitwood and walnut.

We are delighted to offer for sale this exceptionally rare Alfred Beurdeley (1847-1919) Paris fully stamped Tulip and Kingwood with bronze mounts jewelry casket on stand This is one of the finest jewelry caskets I have ever seen, the quality is second to none, if you search works by Berurdeley you will see multiple pieces in the hundreds of thousands of pounds, these are some of the best and most collectable original handmade master craftsman pieces ever conceived. A Japanese lacquered cabinet of similar form made by Beurdeley which was larger sold in Sothebys in June last year for 216,125 Euros including fees The cabinet is made with bookmatched Tulip and Kingwood with gilt bronze mounts all-over, the leather top is the original which is nicely aged, there is also a functioning key which is needed to access the drop front Condition wise this piece has been cleaned waxed and polished, I have left the overall finish original however it can be fully restored to include a strip back and French polish should the new owners wish, this restoration would be completed at the new owners expense. On inspection I can see two panels which have timber shrinkage splits, there are some patina marks to the top and general patina marks Dimensions: Height 100.5cm Width 41.5cm Depth 31cm Please note all measurements are taken at the widest point Alfred Beurdeley, 1847-1919 Nationality: French Date of Birth: 1847 Place of Birth: Paris Place of Death: Paris Identity: Emmanuel-Alfred Beurdeley was a collector who came from a family of cabinetmakers, antique dealers and collectors. He was the illegitimate son of Louis-Auguste-Alfred Beurdeley (1808–82). His grandfather, Jean Beurdeley (1772–1853), who served in Napoleon's army, opened a small antique shop in the Marais district of Paris. In 1830 he bought the Pavillon de Hanovre, 28 Boulevard des Italiens, which became the Beurdeley firm's principal gallery until 1894. L.-A.-A. Beurdeley dealt in antiques and works of art and was also a cabinetmaker specializing in reproductions of seventeenth and eighteenth Century Furniture. His clients included Napoleon III and the Empress Eugénie. Life: In 1875 E.-A. Beurdeley took over his family's gallery and workshops and until 1894 concentrated on continuing the line of luxury furniture sold by his father. He was one of the most important Parisian cabinetmakers, and won a Gold Medal at the Exposition Universelle in Paris in 1878. He was appointed Chevalier de la Légion d'honneur in 1893 following the Universal Exhibition in Amsterdam. In 1895 he closed the Pavillon de Hanovre and retired to his hôtel in the Rue de Clichy. The rest of his life was spent acquiring and selling enormous collections of furniture, Chinese porcelain, paintings and drawings, including an extraordinary group of eighteenth century French drawings by François Boucher, Jean-Honoré Fragonard, Nicolas Lancret and Antoine Watteau in 1905. He also owned JW's La Dormeuse...

Beautiful marquetry work in kingwood and walnut, having three drawers Inside two doors. A beautiful cameo with bronze doré figure of woman And an angel decorate the center front of...

French Regence style bronze mounted marble top cabinet.

Exceptional display cabinet with center opening door to fitted interior with three glass shelves that are moveable. It has a mirror back and mirror on the bottom. Two doors open on ...

Pair of Louis XV buffets in kingwood standing on four cabriole legs opening by to leaf doors on a compartment with a shelf. Cabriole-shaped apron. Straight tray. Beveled angles. Cart...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

Louis XV dresser, France 1770. This unique dresser was made in the period between Louis XV and Louis XVI. It still has the graceful curves and the richly decorated bronze fittings...

Exquisite pair of French commodes with bronze dore mounts and marquetry inlay. Bombe form with graceful curved leg ending in sabots. The cabinets are made of Kingwood and have sati...

A fine quality late 19th century French Kingwood, marble topped Louis XVI style vitrine, having wonderfully fine gilded ormolu classical mounts, a single glazed door opening to revea...

A diminutive chest of drawers with a grand personality! Rich mahogany with kingwood banding around the drawers and top. Small reeded detail...

Presenting a beautiful and elegant 19th century French Boudoir vitrine in the style of Louis XV. From circa 1890 and made in France. This is a tall legged vitrine and has beaut...

A fine quality late 19th century French Kingwood Bonheur Du Jour, having a wonderful faded patina, white marble to the top, with three quarter...

A Regal pair of Louis XV style French ormolu-mounted marble top Bibliotheques with rosewood, Kingwood, Tulipwood, and mahogany veneers. These elegant French bookcases showcase the re...

An exquisite 19th century Rococo secretary in mahogany with bombe front & sides, with floral & foliate inlays in tulipwood, kingwood & satinwood on the top, front panels of the drawe...

A good quality late 19th century French Louis XVI style Kingwood vitrine, having gilded ormolu mounts, serpentine fronted with shaped glass panels, glass shelves within, foliate marq...

A gilt bronze mounted kingwood and tulipwood two drawer commode stamped Schlichtig of the late Louis XV period, (circa 1770). The commode also bears the JME stamp, (for jurande des menuisiers-ébénistes), which was added once a committee made up of elected furniture...

The French antique transformation furniture chest of drawers, originates from Paris and dates back to around 1800. The special feature of this...

18th century Louis XVI Cylinder Top Secretaire, Paris 1780. The secretaire stands out for its elaborate kingwood and satinwood marquetry. The inside is embellished with several dra...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

Beautiful pair of commodes having decorated fronts and Sides with leaf and floral motif satinwood inlays. Gilt bronze pulls and escutcheons. Contoured corners having Bronze mounts...

Pair of singed Linke bronze mounted and parquetry commodes in the Louis XV style. Parisian made cabinets are signed "F. Linke" on the bronze mounts. S...

A very fine Louis XV Style cabinet in the manner of Paul Sormani. This exquisite and very well proportioned cabinet is made of bois violette or kingwood, with well executed floral i...

Exquisite 19th century French Louis XV style bronze-mounted commode with marble top. Signed JVHD on bronze mounts. The serpentine-fronted mottled Breche d'Alep marble top is over two...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

This is an impressive 18th century Louis XV Tulipwood and Kingwood commode with a rouge variegated marble top over three long graduated drawers and overall embellished with ornate gi...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

19th century French kingwood bombe commode with red marble top in Louis XV style, with scrolling leaf ormolu mounts, the serpentine marble top with a moulded edge, above two deep dra...

Very high quality French, Louis XV period commode (sauteuse) stamped by the Ebeniste, "Sebastian Vie" (master, October 5, 1767), and the guild, JME ("Jurande des Menuisiers et Ebenistes", or Guild of Joiners and Cabinetmakers). The commode has been beautifully restored in France with a French polish finish over marquetry of bois de rose (tulipwood) and bois de Violette (kingwood), with light string inlay framing the drawer and side panels. Ornate gilt-bronze mounts in the rococo manner, including lavish key plates. Nicely-variegated burgundy and white (known as "rouge rance") marble top. The interiors of all three drawers are lined in an embroidered silk fabric.

A Very Fine and Palatial French 19th Century Transition Louis XIV-XV Style Kingwood and Ormolu Mounted Two-Door Vitrine Cabinet, the arched top surmounted with gilt-bronze moldings a...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). The Vernis Martin Panels signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

An imposing kingwood commode by de Jeune, the original rouge marble top set upon the shaped base with three wide serpentine drawers, decorated throughout with crossbanding and chevro...

This is an antique bureau. A French, marble top, kingwood, marquetry desk dating to the turn of the 20th century, circa 1900. An interesting and unusual antique bureau The kingwo...

A late 18th century Louis XV three drawer chest veneered in various types of wood; the top section sits on four scrolled legs;.

Exceptional French cabinet with floral and foliate marquetry inlay with gilt bronze mounts. two doors open at the front and interior has one shelf. Sides are shaped and floral mar...

This kingwood cabinet is an exquisite piece of antique French furniture, which is decorated with beautiful vernis Martin panels. Vernis Martin is a type of imitation lacquer, which f...

Fantastic quality French 19th century Louis XV parquetry and gilt bronze marble top commode stamped Durand.

Stunning Louis XVI Falltop Secretaire, made in France, circa 1780-1800, rosewood, kingwood and walnut veneer and beautiful flower marquetry. The kingwood veneer parts are framed by a...

French Louis XVI style Marquetry and parquetry inlaid bronze mounted tall marble-top commode . Inlaid with musical instruments and flowers motif.   

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

A very good quality late 19th century French parquetry inlaid vitrine / display cabinet. Having its original Carrera marble top, wonderful gilded ormolu mounts of scrolling foliate ...

A fine diminutive Louis XV three-drawer commode with Breche d’Alep marble conforming top in shades of pink and grey with molded edge and notched corners, surmounting a case with two ...