16th Century Wall Decorations

Antique map titled 'Westmorlandia, Lancastria, Caernvan, Denbigh, Flint, Merionidh, Dalopia cum issulis Mania et Anglesey'. Original antique map of England...

Description: Antique print, titled: 'CXLVI. Virgo Neapolitana in Italia' - This rare early plate shows a virgin woman from Naples, Italy in 16th century costume. From: 'Habitus praec...

Antique print titled 'Leodium'. View of Liège / Luik, Belgium with surrounding hills and the city wall. With text explaining the origins of Liège, a cartouche expressing thanks to th...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A Brussels historical tapestry from the late 16th century, featuring several armed figures in the foreground about to engage in battle, as other figures on horseback draw closer from the distance; within a wooded forest setting. Wool with silk inlay. Measures: 8’0” H x 5’7” W. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...

Antique map titled 'Tabula Asiae XI'. Based on the interpretations of Solinus and Munster, this Ptolemaic map covers the region roughly of Thailand and Malaysia. An oddly shaped (Mal...

The antique print titled 'Francenbergum, vel ut alij Francoburgum Hassiae Opp', published by Braun & Hogenberg around 1599, is a remarkable historical ...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

Oil on panel titled Welcome Refreshment' byBelgian artist Gerard Portielje 1856-1929. Born in Antwerp, the son of a painter Jan Portielje. He has pro...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Venetian School, second half of the 16th century Tobiah and Sarah led to Nineveh by the archangel Azariah Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm The present canvas, made w...

A Flemish historical tapestry from the second half of the 16th century, depicting Tomyris’ victory over Cyrus the Great, with Tomyris, the leader of a ...

16th Century Antique Flemish Silk And Wool Biblical Scene Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 8 in x 11 ft 3 in (3.25 m x 3.43 m)

Fantastic old master painting of a women, 16/17th century With frame: H. 107 W. 90 D. 10 cm H. 42.1 W. 35.4 D. 3.9 in Without frame: H. 80 W....

Important German Tabernacle Museum Piece 16th-17th century IMPORTANT GERMAN TABERNACLE IN MUSEUM 16TH-17TH CENTURY EXCEPTIONAL SOUTHERN GERMAN TABERNACLE...

A very striking 16th century statue - head of a nobleman - crafted from Roman concrete - opus caementicium. Roman concrete is durable due to its incorporation of volcanic ash, which...

Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could b...

Late 16th century-early 17th century Flemish tapestry.

16th C. Portuguese Renaissance Painting “Our Lady of Navigators” Dutch Ripple frame. Very early and extremely rare Old Master Painting from the 16th century Portuguese School depict...

Often when centuries-old trunks did not survive the passage of time, 19th-century menuisiers (French woodworkers) would salvage the surviving wood and carve new furniture such as desks and similar trunks. The facade was typically the most ornate section of these antique trunks, making intact frontages highly valued antiques. Hand-carved from oak in Picardie, France, circa 1550, this period Gothic architectural is a beautiful example of an antique trunk facade that was not incorporated into a more recent furnishing. Picardie is a former administrative region in northern France that is home to many Gothic cathedrals. The Amiens Cathedral (mid-13th century) is the largest standing cathedral in Europe and is truly a masterpiece of Gothic architecture. Our trunk frontage has five vertically oriented inset panels embellished with various forms of Gothic tracery, including high-arching niches...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

This is an exceptional original drawing by world famous Camillo Procaccini (born in the Renaissance era in 1561 in Parma and died in Milan in 1629,...

A fine example of a 16th century Spanish silk floss textile fragment from the Avila, Spain region, with embroidered angels, grotesques, and mythological animals. This textile is moun...

Brussels Circa 1750-Probably woven by Francois Van Der Borcht 1720-1765-Tenier's Style-A placid harbor with a perspectival weighted fortified city scape to left and a stone quay in t...

An exquisite and very rare 16th century renaissance Silk brocade fragments mounted and artistically displayed in the Glas case on the antique linen. Both fragments are greatly preserved and originated by its design from famous Palazzo Pitti in Florence. The ornaments contain flowers, jaguars, birds and Fleur De Lis- the symbol of royalty. The colours remain vibrant and parts of golden embroidery/ threads are in very good condition considering the age. Both fabric...

An exceptional and rare 16th century Venetian textile, richly embroidered with 1.2 kilograms of gold metallic thread on deep red silk velvet. This beautifully preserved fabric exempl...

A pair of handcarved mid 16th century renaissance style oak wall panels depicting portraits of noble people. Each are of an expert quality after more than 450 years and well-carved ...

16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520) Madonna of the Carnations Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm The Madonna dei Garofani made b...

Pair of decorative Renaissance oak wooden reliefs depicting two man with curly hair and a moustache. The reliefs were probably part of a piece of furniture or architectural element. ...

A handsome pair of antique 16th century English oak wall panels, carved during the reign of Henry VIII with an enriched parchemin design. More than 500 years old, these panels are originals of the period offering a glimpse into 16th century England...

English Renaissance embroidery of a crest having a crown top mounted on a red velvet background in an ebonized wood frame.

Old master painting, unsigned, 16th century.

The Martyrdom of Santa Barbara Wool and silk tapestry Bruges, 1530-50 270 x 198 cm Expertise by Professor Guy Delmarcel This Flemish tapestry is a remarkable example of 16th-century craftsmanship, distinguished by its exceptionally well-preserved color palette. The medaillon-shaped center stands out against a background of dark blue roses and acanthus leaves. It depicts the martyrdom of Saint Barbara, identified by the tower where she was imprisoned. According to legend, her father, Dioscorus, is about to behead her with a scimitar, while an angel descends from the heavens to strike him with lightning. At the bottom, beneath Saint Barbara, two fantastical creatures. On the left is a griffon depicted with the body of a lion and the head and wings of an eagle. On the right is a creature with the body of a leopard, the head of an elephant adorned in a fancy blue cloak. Both animals face each other standing either side of a green hill top in the middle of the tapestry. The lavish scene of the tapestry is framed by a border which is embellished with foliage, flowers and fantastical elephant heads in blue and white on a red background. The corners and center of the edges display goldsmith-objects. The vibrant brick-red colour and striking bluish-green leaves create a stunning visual impact, showcasing the outstanding state of conservation. Professor Guy Delmarcel connects this tapestry to a series of textiles produced in Bruges after 1530, characterized by their fantastical nature scenes populated with imaginative creatures. Most feature similar roses and acanthus-leaves as well as other vegetation, with wild animals appearing ready to attack. Two almost identical pieces preserved at the Art Institute of Chicago (Bruges, 336 x 599 cm) and the Rijksmuseum in Amsterdam ("Tournai," 285 x 490 cm) serve as prime examples. The entire surface is filled with greenery, along with birds and fantastic animals. This tapestry exemplifies the rich decorative style of the time, merging naturalistic and poetic elements with exotic animals that spark the imagination. Other works of this type follow the theme of the "Closed Garden." In the lower register, fantastical creatures occasionally appear, as seen in the exquisite Bruges Tapestry displayed at the Museum of Decorative Arts in Paris, and in the example from the Burrell Collection in Glasgow. The Parisian tapestry from Bruges features a mythical animal in the lower register, dressed in blue fabric, which closely resembles the animal in our tapestry. If Enghien or other centers produced similar pieces, several elements suggest a stronger connection to Bruges for two formal reasons: The overall colour-palette of our tapestry fabric characterized by pronounced brick-red colours and bluish-green leaves, aligns more closely with Bruges than with Tournai or Enghien. The intricate border design with the warm brick-red background, adorned with floral motifs, goldsmith-inspired elements such as incense burners and small bells, can be traced back to Bruges around 1530. This style, often associated with heraldic imagery, underscores the tapestry's connection to the city's rich artistic heritage. A comparable example is the tapestry featuring the Arms of Paolo Giovio, now part of the Prince of Liechtenstein's collection in Vaduz. This piece, set against a brick-red background, depicts arms and armors, cornucopias, boys riding grotesque dolphins, as well as various flowers and leaves. All available literature dates this group of tapestries to the second quarter of the sixteenth century. A key formal element further supports this dating: the executioner, depicted preparing to behead Barbara, wields a Turkish scimitar, a reference to the frequent Ottoman incursions into Central Europe beginning with the 1529 siege of Vienna...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

"Fantastic Beasts Hunt" Period : Late 16th century Materials : Wool and silk Dimensions : 400 x 300 cm ; 13 x 10 ft Manufacture : Flemish (Audenard...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Suiboku is a style of ink painting that is reminicent of the way calligraphers paint. Masterfully painted Muromachi Period (1336-1573) painting, unique in style and strength for the period with very bold lines. Sesshu Toyo...

Allegory of Time. Oil on panel. Circle of Jacob de Backer (act. Antwerp, 1571-1585). Exhibition: “Reality, time and artifice. Still life and vanitas in baro...

Pair of reliefs; grutescos or candelieri. Carved, polychrome and golden wood. 16th century, and later Pair of reliefs made of hand carved wood, gilded ...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Elegant pair of oil paintings on wooden panels, depicting Jesus and the Madonna in their youthful physiognomy. Originally part of a larger wooden altarpiece, these two works are now ...

Oil on poplar panel portraying the Holy Family. Tuscany or Umbria, circa 1500-1520. The Holy Family is the name given to the family formed by Jesus of Nazareth...

Pair of reliefs, San Juan and San Mateo. Polychrome wood. Possibly, Burgos school, 16th century. Pair of carved and polychrome wood reliefs that each show a seated human figure wri...

Antique map titled 'Westfalia cum dioecelsi Bremensi'. Original antique map of Germany. Published by Mercator/Hondius, circa '1620' 17th Century antique detailled map of Westphali...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Renaissance relief depicting two female figures dressed in a chiton Italy, probably Rome, 16th century Marble, wooden frame (provenance label on the back) 28 x 20 x 5 cm This beau...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Very ancient and very important portal in walnut wood, richly carved by hand with bambocci and columns typical of the time, built entirely by hand by Italian artists in the 16th cent...

Antique print titled 'Sit ferns exardet in circo tarus aperto, Cum sua terribili petit irritamina cornu'. No. 18 by A. Stradanus depicting a bull fight in Spain. Published in 1576.

Vanitas. Oil on panel. Surroundings by Vincent Sellaer (c. 1500-Mechelen, before 1589). Oil on canvas that shows, on a background with trees and hills, a child figure sitting on a ...

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

Amazing and Rare 16th Century Panel Moorish composition 28cm x 28cm good condition

A rare engraving titled “IN ADAM OMNES MORIUNTUR” (All die in Adam) by Johann Sadeler after a work by Maerten de Vos, depicting Adam taking the forbidden fruit from Eve. Signed and...

Amazing and Rare 16th Century Panel Moorish composition 0.81 x 0.81 good condition

Attr. to Girolamo Siciolante known as da Sermoneta (Sermoneta, 1521 - Rome, 1575) Adoration of the Shepherds Oil on copper, 39 x 29.5 cm Frame 47 x 39 cm The refined taste, the refined poses, the definition of the anatomies, the vibrant light, allow us to identify for this painting the hand of a Mannerist painter active during the sixteenth century. In particular, the composition and stylistic research allow us to attribute the panel to Girolamo Siciolante, known as da Sermoneta (1521 - 1575). His first training took place under the guidance of Leonardo Grazia known as da Pistoia (1502 - 1548). Later he settled in Rome where he was able to see the painting of Raphael and Michelangelo from life and where he was first a pupil and then a collaborator of Perin del Vaga...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

This 16th century French engraving illustrates an episode in the Trojan War – although the actual one illustrated is in question. According to recent scholarship, it depicts the corp...