Prints

Leonor Fini, rare original serigraph on Rives paper, circa 1970 Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art...

A precisely composed, darkly hued woodblock print by famed Japanese printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contempo...

Antique print of various gold pendants with gems. Chromolithographed plate. This print originates from 'Deutsche Goldschmiede-Werke der Sechzehnten Jahrhunderts' by Dr. J.H. von Hefn...

These two lithographs are part of a series depicting Aboriginal people from Australia, originally drawn by the artist Nicolas-Martin Petit during the expeditions of French explorer N...

Three original hand-colored plates from the sixth edition of 'A History of British Butterflies' by Morris, which date back to 1890. A closer look at each of the species depicted: ...

Antique map titled 'Carte du Brésil'. ?Beautiful map of Brazil extending south to the mouth of the Rio de la Plata and Buenos-Aires in Argentina. Published by Tardieu, 1821. Pier...

Ito Takashi Landscape Woodblock: Mt. Fuji from Susono. Beautiful Japanese woodblock with good colors; under glass with 1960s era matting and framing. The b...

This hand-colored woodcut engraving titled "Tahiti — Pointe de Faré-Uté" is from "La France Illustrée" by V.-A. Malte-Brun. It depicts a scene at the Pointe de Faré-Uté in Tahiti, wi...

Antique portrait titled 'Abbot Arch Bishop of Canterbury'. George Abbot (29 October 1562 – 4 August 1633) was an English divine who was Archbishop of Canterbury from 1611 to 1633. He also served as the fourth Chancellor of the University of Dublin, from 1612 to 1633. This print originates from Thomas...

This 1601 engraving by Theodore de Bry, a master engraver and publisher of the late Renaissance period, depicts the flora of India with a remarkable degree of detail and artistry. The print is titled "DE ALGA SEV ARVNDINE INDICA, BAMBVS DICTA, ITEM DE arbore radicosa: & tandem de arbore Duryeons," which translates to "About the Seaweed or Reed of India, called Bamboo, also about the root tree: and finally about the Duryeons tree." In the illustration, we see a lush depiction of a bamboo grove, with its characteristic tall and slender form, showcasing the plant's extensive root system and dense foliage. To the left, there is a tree bearing large, round fruits, likely the durian, labeled here as "Duryeons." The durian is known for its distinctive size, unique aroma, and spiky husk. The image captures both the exotic appeal and the utilitarian value of these plants, which were of great interest to European audiences unfamiliar with such tropical vegetation. The visual composition conveys the tropical abundance and biodiversity of the Indian subcontinent. De Bry's engravings like this were highly sought after in Europe for their exotic subject matter and served to educate and fascinate the European public about the natural wonders of the world beyond their borders. As a historical document, this engraving provides insight into the botanical knowledge and the artistic conventions of the period, making it a valuable piece for both its historical significance and its aesthetic beauty. De Bry's work is renowned for its attention to detail, and this print is a testament to his ability to capture the essence of exotic lands and their natural abundance. His engravings were among the first visual records to reach Europe from the New World and the East, fueling curiosity and fascination with distant lands. This particular piece is not only a work of art but also a historical document, offering insight into the botanical wealth of India as seen through the eyes of early modern Europeans...

The clip is from the German newspaper "Die Gartenlaube," a popular 19th-century illustrated magazine. The style of the illustration is characteristic of this publication. "Die Garten...

"Indostan People's Traditional Attire Depicted in Auguste Wahlen's 19th Century Prints" This lithograph represents a man from the common people of Hindustan, captured in his traditi...

An authentic antique engraving titled "The NATCHE: a Ceremony in Honour of the KING'S SON, in TONGATABOO." It is likely from a work related to the voyages of Captain James Cook miss...

Large antique print of the seven sacraments. Published by Mosella-Verlag, 1913. This print originates from a series titled 'Kathol. Schulbibelwerk von Dr. Ecker'.

This image is lithograph by Karl Joseph Brodtmann, showcasing a comparative portrait of two Japanese men ("Japannezen") and two Chinese men ("Chinezen"). The work is part of Brodtma...

François-Xavier Lalanne (1927-2008) Pegasus, 2005 Techniques : etching and soft varnish heightened with coloured pencil , hand signed in pencil by François Xavier Lalanne, in perfe...

Title: "Elegant Tartar Woman from Tomek: 19th-Century Hand-Colored Portrait" This captivating print, entitled "Femme Tartare de Tomek," illustrates a Tartar woman from Tomek, Asia, dressed in traditional attire that highlights her cultural heritage. The Tatars are a Turkic ethnic group native to Eastern Europe and Central Asia. Historically, they have been associated with the Tartar regions within the Russian Empire, particularly in areas like Crimea (Crimean Tatars...

The Brooklyn Bridge Over the East River, Between Long Island and New York Published in The Illustrated London News, June 1883. The engraving from The Illustrated London News, is from June 1883, shortly after the bridge's completion. The Brooklyn Bridge was completed and opened to the public in May 1883, and engravings and illustrations like this one typically followed soon after its opening. Description: This hand-colored engraving, published in June 1883 in The Illustrated London News, commemorates the completion of the Brooklyn Bridge, which opened in May 1883. It captures the newly finished bridge spanning the East River, linking Long Island (Brooklyn) to Manhattan, New York City. The detailed panorama shows the urban landscape with buildings and streets leading to the grand suspension bridge, symbolizing one of the greatest engineering feats of the 19th century. The bridge's enormous stone towers and suspension cables dominate the skyline, with a picturesque twilight sky framing the background. The engraving emphasizes the bustling waterfront, teeming with ships and ferries, highlighting the role of New York's waterways in commerce and transportation. The scene offers a glimpse into New York's rapidly growing cityscape, depicted with remarkable clarity from a rooftop perspective. The caption below the engraving reads: The Brooklyn Bridge Over the East River, Between Long Island and New York. This print, issued in *The Illustrated London News*, reflects the magazine’s dedication to visually documenting historic achievements in architecture and engineering. --- **About the Publication and Technique:** *The Illustrated London News*, founded in 1842, was the first illustrated weekly news magazine. Its pages were filled with engravings and illustrations that provided readers with vivid, detailed imagery of major events and landmarks from around the world. In the 19th century, the publication became known for its depictions of architectural and engineering triumphs, like the Brooklyn Bridge. The engraving was produced using the wood engraving technique, in which artisans carved intricate designs into woodblocks, allowing for mass reproduction in magazines. This specific print is hand-colored, adding a vibrant, artistic quality to the precise wood engraving. Keywords: Brooklyn Bridge June 1883, Brooklyn Bridge opening engraving, Illustrated London News Brooklyn Bridge, 19th-century New York illustrations...

Antique world map titled 'Northern Celestial Hemisphere - Southern Celestial Hemisphere'. Old map with two charts of the celestial hemispheres. This map orginates from 'General Atlas...

This print is a striking example of German Renaissance metalwork designs, highlighting the elaborate ornamentation typical of the period: Features: - Intricate Motifs: The print showcases various pieces of metalwork, each richly decorated with intricate, intertwined floral and faunal designs, mythological creatures, and human figures. - Decorative Panels: Each panel features a different aspect of metal craftsmanship, from armorial bearings to elaborate vessel designs, indicating the high level of skill and artistic expression achieved during the Renaissance. Visual Appeal: - Monochrome Elegance: Rendered in black and white, the contrast emphasizes the detail and complexity of the designs, making them both striking and educational as representations of historical metalworking techniques. - Artistic Complexity: The detailed engravings capture the opulence and the meticulous attention to detail that were hallmarks of the era, reflecting the metalworkers' mastery over their craft. Historical and Artistic Significance: - Cultural Representation: These designs not only serve decorative purposes but also reflect the cultural and symbolic values of the time, often imbued with meanings related to power, status, and mythology. - Preservation of Craftsmanship: Prints like these document the sophisticated techniques and artistic visions of the past, providing inspiration and insight for both historical study and contemporary craft. This print, from Heinrich Dolmetsch's "Der Ornamentenschatz," published in 1884, remains a valuable resource for understanding the depth and diversity of German Renaissance art and metalwork. When searching for prints like the German Renaissance metalwork designs from Heinrich Dolmetsch's "Der Ornamentenschatz," people might use the following keywords: 1. **German Renaissance Art** 2. **Metalwork Engravings** 3. **Renaissance Ornamental Designs** 4. **Antique Metalwork Prints** 5. **Heinrich Dolmetsch** 6. **Der Ornamentenschatz** 7. **Historical Art Prints** 8. **19th Century Art Reproductions** 9. **Decorative Arts Prints** 10. **Renaissance Craftsmanship** 11. **Black and White Art Prints...

Antique print of a Panhard et Levassor torpedo car. This print originates from a rare catalog of the exclusive French brand Panhard & Levassor from 1914. Panhard was a French motor vehicle...

Portrait of Feodor Iwanowitsch, a Kalmyk, by Karl Joseph Brodtmann, Zurich 1836 This lithograph, created by the Swiss artist Karl Joseph Brodtmann in 1836, depicts Feodor Iwanowitsc...

Antique map titled 'Plan der Stad en 't Kasteel Batavia'. A very rare late 18th century detailed plan of Batavia, Indonesia, with an alpha-numeric key showing the main areas and buil...

Victor VASARELY (1906-1997) Printed in 1970s. Signed bottom left. No. FV 18 / 40. High quality framed. - incl frame: 62.5 x 62.5 cm // color print: 40 x 40 cm

Description: Antique map titled 'Plan van de Haven van Acapulco (..) - Plan du Port d'Acapulco (..)'. Original antique map of the Port of Acapulco on the coast of Mexico in the South...

The image is an original antique print titled 'The Colocolo, F. Colocolo of Molina', an original work with hand coloring depicting a Pampas cat. The scientific name provided, F. Colo...

Title: "Courtly Refinement: A Lady-in-Waiting to the Dauphine of Auvergne in 'Costume du Moyen Âge'" Description: This delicate lithograph from the "Costume du Moyen Âge" series, pu...

This hand-colored woodcut engraving is from "La France Illustrée" by **V.-A. Malte-Brun, a well-known geographical and historical series that focused on various regions and colonies ...

This original antique print shows the Mountain hare, Lepus timidus 1, mythical jackalope or horned hare, Lepus temperamentalus 2, northern white hare, Lepus timidus 3, snowshoe hare,...

This lithograph, titled Omai, by Karl Joseph Brodtmann, is an example of the artist’s ethnographic studies, showcasing a portrait of Omai, a notable figure from Polynesia who visited Europe in the 18th century. This work highlights Brodtmann’s interest in portraying individuals from distant lands, focusing on their unique cultural attire and expressions. Description: The portrait represents Omai, a Polynesian man who gained historical significance during the 18th century as one of the first Polynesians to travel to Europe. Omai (also known as Mai) was a central figure in the encounters between Polynesian and European cultures, having been brought to England by Captain James Cook in the 1770s. - Clothing: Omai is depicted in an elegant wrap of flowing fabric, draped around his shoulders and tied in a loose, elegant fashion. His head is adorned with a large turban, a stylistic interpretation that may have been influenced by European artistic conventions when portraying foreign dignitaries or exotic figures. The fabric's folds and shading add a sense of depth and texture, showcasing Brodtmann’s mastery of lithography. - Expression: Omai’s expression is poised and dignified, with his gaze directed slightly off to the side. The sense of serenity and composure in his face is typical of the European portrayals of him as an "exotic noble savage," a term that reflects the European fascination with non-Western peoples during the age of exploration. The lithograph highlights both the individuality of Omai and the cultural significance of his travels to Europe, where he became a symbol of cross-cultural exchange and curiosity during the 18th century. Maker: Karl Joseph Brodtmann (1787–1862), the Swiss lithographer, was known for his detailed illustrations of people from various cultures, natural history subjects, and scientific studies. His ethnographic works were part of a broader effort in 19th-century Europe to document the physical and cultural characteristics of peoples encountered through exploration. Brodtmann’s portraits often struck a balance between realism and the romanticized European views of non-Western cultures. Technique and Style: Brodtmann created this portrait using lithography, a technique that allowed him to achieve fine details and subtle gradations of light and shadow. His style in this portrait combines realism with the romanticized ideal of the "exotic," particularly in the way Omai is dressed in flowing garments, which may not be entirely representative of traditional Polynesian dress...

Antique print titled 'Egyptian - Egyptien - Aegyptisch'. Chromolithograph of Egyptian Outfits. This print originates from 'Le Costume Historique' by M.A. Racinet. Published, circa 18...

Antique print titled 'Der Jordan an der Stelle des Uebergange der Israeliten unter Josua'. View of the Jordan River. Originates from 'Meyers Universum'. ...

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

Rare antique portrait (proof/proefdruk c.1750) titled 'Amelia, Gravinne van Solms, gemalinne van Frederik Hendrik, Prins van Oranje enz enz.'. Engraving of Amalia, Princess of Orange...

Neoclassical Splendor: Exploring Ionic, Doric, and Corinthian Porticos in 'Recueil Élémentaire d’Architecture' by Jean-Francois de Neufforge. Description: Embark on a journey throug...

A wonderful monochrome lithograph from famed Spanish artist Pablo Picasso (1881-1973) from his portfolio collection "Les (Mes) Dessins D'Antibes" done in 1958 consisting of 16 loose ...

The image is a hand-colored copperplate engraving of "Parmelia parietina," commonly known as the common orange lichen or wall lichen. This detailed botanical illustration shows the l...

The posters and prints may display signs of aging, such as paper discoloration, tears, folds, and other imperfections. These pieces were part of an art collection owned by a German ...

Antique print titled 'Spain - Espagne - Spanien'. Chromolithograph of Spanish Costumes. This print originates from 'Le Costume Historique' by M.A. Raci...

Antique portrait titled 'Iacobus V'. Portrait of James V of Scotland. This print originates from 'Tooneel der keyseren ende coningen van christenryck sedert de...

Box framed geometric print by Victor Vasarely, signed. Original brushed stainless steel frame.

The lithograph titled "Mingrelien" depicts a man from Mingrelia (historically part of Western Georgia), showcasing traditional attire and daily activities typical for the region. Here are some insights: This 1844 handcoloured lithograph captures a Mingrelian man engaged in daily activities, part of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde." Published in Paris, the print vividly illustrates the traditional dress and lifestyle of Mingrelia, a region known for its rich cultural heritage within Georgia. The man is depicted carrying a basket of grapes, suggesting involvement in viticulture, which is a significant aspect of Georgian agricultural practices. His outfit is practical yet colorful, with a combination of a red tunic...

Magnificent Botanical Chromolithographs from Revue Horticole, Circa 1885 Artist and Lithographer Details: - Artist (Del. - Delineavit): The mention of "Godard del." signifies that ...

Antique print titled 'Élégant sous Henri IV'. Lithograph of a man under the reign of Henry IV. Source unknown, to be determined. Artists and Engravers: Anonymous. Condition: G...

Vintage Snaffles WWI Military Print, Anzac. A good Snaffles WWI military print entitled 'Anzac'. The main center colour-piece image is mounted onto the printed remarque board. The Sn...

Antique map titled 'Carte des l'Égypte'. Large map of Egypt. This map originates from 'Atlas de Géographie Moderne Physique et Politique' by A. Levasseur....

Title:"17th-18th Century Luxurious European Decorative Arts" Description: This print is part of the "Ornamentenschatz" collection by H. Dolmetsch, published by Jul. Hoffmann in Stut...

Title: "Striking 19th-Century Lithograph of a Cochin Soldier by Auguste Wahlen" This colorful lithograph, part of Auguste Wahlen's renowned work "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners and Dress of All the Peoples of the World), depicts a Cochin soldier standing guard. Dressed in a vividly colored uniform with an ornamental hat, this image captures the unique military attire and stance, highlighted against a backdrop of traditional architecture. The lithograph was skillfully created by an unknown engraver, published in 1843 in Paris by the collaborative efforts of publishers Poiree, Pilout, Duterte, and Martinon. Utilizing handcolored lithography, the technique vividly portrays the textures and colors, making the figure nearly lifelike. These prints are sought after for their artistic quality and their detailed portrayal of historical costumes and settings, which appeal to collectors and historians alike. Keywords: 19th-century lithographs, Cochin soldier, military prints, Auguste Wahlen, cultural heritage, antique military uniforms...

Antique map titled 'Turkestan or Independent Tartary'. Original antique map of Turkestan or Independent Tartary. This map originates from ‘The Imperial Atlas of Modern Geography’. Pu...

Antique print titled 'Page de Madame la Maréchale de Guebriant'. Lithograph of a page (servant) of the wife of Louis XIII. This print originates from 'Costumes Cvils et Militaires de...

These prints are exquisite examples of 19th-century botanical illustration, showcasing the vivid and diverse foliage patterns found in plants. They are from "Les Plantes à Feuillage ...

Antique map titled 'Bingen'. Bird's eye-view of Büdingen, Germany. The view shows a city surrounded by vineyards and well fortified with walls and moats. On the right is the castle w...

This hand-colored engraving titled "Madagascar - Incendie d’un Village de Chahary" (Burning of a Village in Chahary, Madagascar) depicts a dramatic and intense scene in which a villa...

This illustration features an owl labeled "Hibou Leschenault," which is the Brown Fish Owl (Ketupa zeylonensis leschenaulti), a subspecies named in honor of the French naturalist Jea...

Antique map of part of the United States showing Alabama, Georgia, North Carolina, South Carolina, Tennessee, Kentucky, Virginia and part of Florida. With inset maps of the southern ...

Antique map titled 'Dania Regnum'. Large, attractive map of Denmark, Sleschwig-Holstein and southern Sweden. Good detail throughout. Embellished with a title cartouche with the Danis...

Exhibition poster - Joan Miró - " Cardinal point " Editor Maeght 1963 Measure: 50 x 65 cm.

Antique costume print titled 'Le Progrès'. Old fashion print of various men and women illustrating the fashion trends of June, 1878. Artists and Engravers: Published for 'La Gazet...