Mamluk Elegance: Military and Ceremonial Attire in Egypt, 1801

This engraving portrays three distinct figures: an Egyptian Mamluk, an Egyptian lady, and an Almee or dancing girl, representative of Egypt's social diversity. The Mamluk stands prom...

Various Articles Implements And Used By The Savages Of New Caledonia In The South Sea Description: This 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" displays various tools and clothing of the indigenous people of New Caledonia in the South Sea. Items depicted include a mask, a basket for containing feathers, a warrior's cap, instruments for tattooing, a club, a spear, and other artifacts integral to the daily and ceremonial life of the New Caledonian people. The engraving provides a visual documentation of the cultural artifacts encountered by explorers like Captain James Cook during their voyages. The print includes various items used by the indigenous people of New Caledonia: 1. A mask, likely used in rituals or ceremonies. 2. A basket for containing feathers, possibly for storage or transport of valuable items. 3. A cap worn by warriors, part of their traditional attire. 4. Tattooing instruments for marking the skin with cultural or status symbols. 5. A club, which could be a weapon or a symbol of power. 6. A spear, used for hunting or as a weapon. 7. An adze, a tool for woodworking...

The title for the provided engraving could be "Ceremonial Rites: A Human Sacrifice in Otaheite," capturing the gravity of the depicted event. This print likely illustrates a solemn a...

The two engravings illustrate the regional dress of inhabitants from Kaluga, Russia, highlighting the unique characteristics of their traditional attire: 1. **A Woman from Kalouga i...

Engraved plate by John Webber, titled "A Young Woman of Otaheite, in the dress they assume when bringing a Present." This work was included in the published account of Captain Jame...

"Dame du XIIIe Siècle" (Lady of the 13th Century) Description: This delicate hand-colored engraving from the 1847 "Costume du Moyen Age" series depicts a lady from the 13th century....

Great image of a stag Copper-plate engraving Published by Bunny and Gold . Dated 1801 Unframed.

Great set of 5 fishing prints Copper-plate engravings Published by Bunney & Gold, London Unframed The measurement give below is for one print. Free shipping.  

Great set of 12 sporting prints Copper-plate engravings after the original drawings mainly by Gilpin Published by Bunney & Gold, London Unfra...

Vintage Snaffles WWI Military Print, Le 75. A good Snaffles WWI military print 'Le 75', the main center colour-piece hand coloured lithograph is mounted onto the printed remarque boa...

An antique Japanese woodblock print from the 19th century depicting a ceremonial tassel. Created in Japan during the 19th century, this woodblock print attracts our attention with it...

This dramatic Revolutionary War engraving of the Battle of Bunker Hill is after the famous 1785 oil-on-canvas by John Trumbull. Capturing the intensity of the battle, the engraving centers on Major John Small restraining a “lobster-back” from bayoneting Major General Joseph Warren. Warren lies mortally wounded in the midst of chaos around him. In the background, British forces are seen cresting the last defenses of the brave, yet green army of Colonial soldiers. The Battle of Bunker Hill was fought on June 17, 1775, in the early stages of the American Revolutionary War. The battle is named after Bunker Hill in Charlestown, Massachusetts. Although it was the original objective of both the Colonial and British troops, the area was only peripherally involved in the battle. Rather, the majority of the combat took place on the adjacent Breed’s Hill. The battle pitted a more organized British force against a young and inexperienced American militia. Although considered a tactical victory for the British, it came at the cost of considerable casualties, including a large number of officers. The battle demonstrated that the inexperienced American militia was able to stand up to the British army troops in battle. The battle results discouraged the British from any further frontal attacks against well-defended front lines. American casualties were comparatively fewer, although their losses included Gen. Joseph Warren. During the battle, the patriot-turned-painter John Trumbull (1756-1843) was stationed in Roxbury on the far side of Boston, where he could hear the sounds of fighting. In late 1785, Trumbull decided to devote himself to the depiction of Revolutionary War scenes, a series of eight epic pictures. From the beginning, Trumbull intended for the paintings to be later engraved for sale. Trumbull began the oil-on-canvas of The Death of General Warren at the Battle of Bunker’s Hill and The Death of General Montgomery in the Attack of Quebec, in the studio of Benjamin West in London. Bunker’s Hill was completed in March 1786; Trumbull started Attack of Quebec in February 1785 and finished it before he brought it to Paris in 1786. He then started The Declaration of Independence at Thomas Jefferson's house in Paris. As soon as Bunker’s Hill was completed, Trumbull searched for a suitable engraver in London. He was unsuccessful, as many British engravers were nervous about engraving an American battle...