Prints

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

This antique print of Alnwick Castle, Northumberland, is a colour woodblock country house view from Morris's Picturesque Views of Seats, printed by Benjamin Fawcett circa 1870. It sh...

Alexander Calder "Merging Curves" Unsigned Abstract Color Lithograph "Merging Curves" is an abstract color lithograph by American artist and sculptor Alexander Calder (1898-1976). ...

These are a set of FOUR digitally remastered prints of Parrots, hand coloured framed prints, originally from Circa 1800s. Prints of this style we...

Great image of seals. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Great image of a Blue Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Wonderful pair of prints of architectural drawings by Lutyens Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Engraving published by Stinson & Co. , Portland, Maine, 1869, entitled "Good Morning". Behold the radiant smile of love The darling's face adorning As nimble Fido gaily bounds...

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Title: Exquisite Depiction of Butterflies and Caterpillars: A Hand-Colored Natural History Engraving Description: This beautifully hand-colored copperplate engraving offers a deta...

Rococo Floral Garland Design – 18th-Century French Ornament with Doves, Plate C This exquisite 19th-century chromolithograph, Plate C from *L'Ornement Polychrome*, showcases the vib...

The Roman Colosseum by Luigi Rossini. Signed and dated in the plate 1821. Unframed. Etching from Luigi Rossini's (Italy, 1790-1857) "Le antichita romane; ossia, Raccolta delle piu in...

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Title: "Kaart van 't Eyland Groot Java: Antique Map of Java, Indonesia" Description: This antique map, titled "Kaart van 't Eyland Groot Java," offers a rare and valuable depiction ...

Great map of Ancient Greece. Showing the region of Boeotia, including Thebes Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F T...

Constantinople Harbor View with Ottoman Boats by Rouargue Frères, c.1860 This atmospheric mid-19th century engraving presents a refined panoramic view of Constantinople, modern-day ...

The hand-colored plates from the sixth edition of "A History of British Butterflies" by Morris are exquisite examples of Victorian natural history illustration. Here's a description ...

Antique print titled 'Vue Generale Perspective de l'Hôtel Royal des Invalides'. Bird's-eye view of Hôtel National des Invalides, Paris, France. Published, circa 1760.

Joan Miró (1893-1983) "La Bague du Sanglier" Limited Edition Lithograph on Arches paper Numbered 93/100 Hand signed in pencil Published by Maeght Éditeur, Paris Framed dimensions: ...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

This original antique steel engraving, Constantinople from the Golden Horn, is a plate from the second volume of The Turkish Empire Illustrated, published in London by Peter Jackson ...

This is a delightful round framed print of a Pineapple study originally from a hand coloured early 19th Century French botanical illustration. Prints of this style were originally p...

Bosporus Harbor View from Pera, Istanbul Arsenal – Antique Bartlett, c.1839 Description: An elegant and detailed 19th-century view of the Arsenal of Constantinople as seen from Pera, after W.H. Bartlett. This engraving presents a lively harbor scene along the Bosporus, with ships at anchor and the city rising in layered architectural forms across the water. Published in London around 1839 by Fisher, Son & Co., this work exemplifies the refined steel engraving techniques of the period. The composition balances foreground architectural elements with the expansive cityscape beyond, offering both intimacy and grandeur. The skyline of Constantinople is richly depicted with domes, minarets, and densely built structures, conveying the scale and importance of the city during the Ottoman era. The foreground includes cypress trees and traditional buildings, framing the view and adding depth. The original hand-coloring enhances the subtle interplay of light across the water and architecture, making this a particularly decorative and collectible example of Bartlett’s work. Note: All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only. Condition: Good condition. Light age toning and scattered foxing, mainly in the margins. Plate mark visible. Image remains clear with pleasing original coloring. Framing tips: Beautiful in a dark frame with a wide mount for a classic collector’s look. Also suitable for a lighter contemporary frame to emphasize the cityscape and water tones. Technique: Steel engraving with original hand-coloring Maker: W.H. Bartlett (after), engraved by S. Bradshaw, London, circa 1839 Keywords: Istanbul harbor print, Pera engraving, Constantinople arsenal, Bartlett Istanbul, Bosporus harbor scene, antique Turkey print, Ottoman cityscape, 19th century engraving, Istanbul skyline, maritime print, Middle East art...

Set of Four Antique Sporting Horse Lithographs – Sweetbryer, Sweetwilliam, Pericles & Micklethwait's Hunter, Hullmandel c.1840 A decorative set of four original nineteenth-century s...

Great image of a Crested Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Lovely botanical print Chromo-lithograph Original color Published, circa 1870 Unframed. Chipped top left corner Free shipping

Wonderful set of 12 botanical prints Chromo-lithographs after watercolours by Elijah Walton Published by W.M Thompson. 1869 Unframed. The measurement given is the paper size. Fr...

Title: The Battle of Trafalgar, Admiral Nelson & British Fleet, 1805 Original antique 19th-century steel engraving depicting the Battle of Trafalgar, the decisive British naval victory of 21 October 1805 during the Napoleonic Wars. This dramatic maritime scene is after the painting by celebrated British marine artist Clarkson Frederick Stanfield, R.A. (1793–1867), and was engraved by John Cousen (1804–1880). The inscriptions beneath the image read: “C. STANFIELD, R.A. PAINTER.” “J. COUSEN, ENGRAVER.” “THE BATTLE OF TRAFALGAR.” “FROM THE PICTURE IN THE VERNON GALLERY.” The Battle of Trafalgar Fought on 21 October 1805 off Cape Trafalgar on the southwestern coast of Spain, the Battle of Trafalgar was one of the most important naval engagements of the Napoleonic Wars. The British Royal Navy, commanded by Vice-Admiral Horatio Nelson, confronted the combined French and Spanish fleet under Admiral Pierre-Charles Villeneuve. Nelson employed an unconventional attack, dividing his fleet into columns that sailed directly into the Franco-Spanish battle line. The resulting close-range engagement ended in a decisive British victory and confirmed Britain’s command of the seas. The battle became one of the defining events of British maritime history. Admiral Horatio Nelson & HMS Victory Vice-Admiral Horatio Nelson (1758–1805) commanded the British fleet from his famous flagship HMS Victory. Shortly before the battle commenced, Nelson ordered the celebrated signal: “England expects that every man will do his duty.” During the fighting, Nelson was struck by a musket ball fired from the French ship Redoutable and was mortally wounded. He died aboard HMS Victory during the battle, having lived long enough to learn that victory was assured. His death at the moment of triumph made Nelson a national hero and permanently linked his name with Trafalgar. The Scene Stanfield’s composition conveys the enormous scale, violence and confusion of a major naval engagement in the age of sail. Ships-of-the-line crowd the horizon, their towering masts and rigging emerging through smoke, spray and the dramatic sky. Several vessels are depicted fighting at extremely close quarters, recalling the devastating exchanges of cannon fire that characterized the battle. In the foreground, broken spars, wreckage and sailors struggling in the turbulent sea emphasize the human consequences of the engagement. The exceptionally wide composition gives the engraving an almost panoramic character and makes it particularly effective as a decorative maritime print. Clarkson Frederick Stanfield, R.A. (1793–1867) Clarkson Frederick Stanfield was one of the leading British marine painters of the 19th century. Stanfield had first-hand experience of life at sea before establishing himself as an artist. His knowledge of ships, rigging, changing weather and the movement of the ocean contributed to the convincing maritime atmosphere for which his work became celebrated. He was elected a Royal Academician and became particularly admired for his dramatic marine and historical paintings. John Cousen (1804–1880) The painting was translated into engraving by John Cousen, an accomplished English engraver known particularly for his landscape, architectural and marine subjects after important contemporary British artists. His finely worked engraving preserves the dramatic tonal effects of Stanfield’s original painting, from the dark turbulent foreground water to the distant ships disappearing into smoke and atmospheric haze. The Vernon Gallery The original painting was part of the important collection assembled by British businessman and philanthropist Robert Vernon (1774–1849). Vernon built an extensive collection devoted primarily to contemporary British art and presented his collection to the British nation in 1847. The inscription “From the Picture in the Vernon Gallery” records the important provenance of Stanfield’s original composition. Technique: Original antique steel engraving Artist: Clarkson Frederick Stanfield, R.A. (1793–1867) Engraver: John Cousen (1804–1880) Title: The Battle of Trafalgar Subject: Battle of Trafalgar Date depicted: 21 October 1805 Historical figure: Vice-Admiral Horatio Nelson British flagship: HMS Victory Historical period: Napoleonic Wars Origin: England Publication date: 19th century Style / Period: Victorian / 19th-century British maritime art Condition: Good antique condition with overall age-related toning, scattered spotting and foxing and minor staining. There is visible wear and some paper loss and irregularity to the outer edges and corners, particularly at the upper corners. Some minor handling marks and creasing are present, consistent with the age of the sheet. The engraved image itself remains strong, detailed and visually impressive. Please study the photographs carefully as they form part of the condition description. Please note: This is an original antique 19th-century steel engraving, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Battle of Trafalgar, Trafalgar 1805, Admiral Nelson, Horatio Nelson, Lord Nelson, HMS Victory, Royal Navy, British Navy, Napoleonic Wars, Napoleon, naval battle, naval warfare, British naval history, maritime history, military history, sailing ships, ships of the line, antique maritime print, antique naval engraving, Clarkson Stanfield, Clarkson Frederick Stanfield, John Cousen, Vernon Gallery, British marine art, Victorian engraving, steel engraving, original antique print, 19th century maritime art

Title: Original Antique Hand-Coloured Engraving of the Inca Sun Festival, Peru, c.1777 Description: An original antique hand-coloured copperplate engraving depicting two scenes from...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

Great image of a Marsh Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original col...

Wading Birds & Cranes Print: Flamingo, Stork, Ibis, Bustard – Antique 1867 This elegant antique print depicts a variety of wading birds and cranes, including flamingos, storks, ibis...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

Vintage print of airships circling a baby. Illustration of 'The Saturday Evening Post', published 1932.

Eleven hummingbirds among foliage and flowers. This original antique natural history plate was printed in color by the Bibliographisches Institut for Meyers Grosses Konversations-Lex...

Great image of a Spotted Flycatcher Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Origina...

Great image of an Orphean Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original ...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

Wonderful set of 16 botanical prints. All grasses Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement giv...

Great image of crocodiles and alligators. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original ha...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Great image of The Battle of Naseby Fine steel engraving after G.Cattermole Published by Mackenzie C.1870 Unframed. The size given is the paper size

A beautiful drypoint etching by master French Impressionist artist/painter Pierre Auguste Renoir (1841-1919) titled "Le Chapeau Epingle ( also referred to as "The Hat Pin", "The Pinn...

Jesus Blessing the Children, Antique German Chromolithograph after Meithheuser c.1900 This exceptionally moving late 19th–early 20th century German chromolithograph depicts one of t...

Set of Four Antique Mineralogy & Crystal Chromolithographs by Kenngott, 1888 DESCRIPTION: A fascinating set of four original 19th-century scientific plates illustrating mineralo...

Cadillac La Salle Fleetwood and Fisher Fleetwood 1920's vintage Saturday Evening Post advertising prints 1928 and 1929 The first, featuri...

These 19th-century lithographs—War and Peace—carry the layered authorship typical of British printmaking at the time, where image, technique, and distribution each played a distinct ...

After Henri Matisse (1869–1954), Nice, Travail et Joie, Vintage Color Offset Lithograph after the 1947 Mourlot Travel Poster, This printing Circa 1965–1970 After Henri Matisse (1869...

This original engraving titled "'t Huys van Niel" (also known as "Praetorium de Niele") depicts a historic building located in the province of Antwerp, Belgium. This copperplate engr...

Original antique caricature print of a dentist called Dr. Eisenbart, published circa 1860. This is a so called catchpenny print or ‘centsprenten’ in...

Capture the timeless appeal of maritime history with this exceptional pair of vintage mid-20th-century nautical art prints. The left piece features the celebrated American-built clip...

Great set of sea battles Copper-plate engravings. Published by J.Stratford, London. Dated 1803 Unframed. Free shipping.

Antique Japanese Costume Print: Four Elegant Women in Edo-Period Kimono This refined 19th-century Japanese print features four beautifully dressed women in elegant kimono, each capt...

Title: 1897 Botanical Prints – Azalea, Heath Varieties, and Sea Lavender This remarkable set of four original botanical prints from 1897 s...