Prints

Rare 17th Century View of St. Augustine Florida, Hand-Colored, 1671 Original hand-colored copper engraving depicting St. Augustine, Florida, published in Amsterdam in 1671. This imp...

Mexican Woman Costume Print – Antique Hand-Colored Lithograph, 1854 This antique hand-colored lithograph, published in 1854 in Album des Voyages Anciens et Modernes by Martial Ardan...

Set of Three Antique St. Vincent Engravings after Agostino Brunias, 1818 Important matching set of three original antique engravings depicting the people and culture of St. Vincent ...

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Antique Sugarcane Botanical Print – Saccharum officinarum, Hayne Plate 100 Description: This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, shown with scientific clarity and quiet elegance. The composition presents the full growth habit with segmented canes and flowering plume, accompanied by precise analytical details of the inflorescence and spikelets, as well as a separate cross-section of the cane. The balance between clarity and restraint is characteristic of early German academic botany at its best. The print originates from Friedrich Gottlob Hayne’s monumental work Getreue Darstellung und Beschreibung der in der Arzneykunde gebräuchlichen Gewächse, published in Berlin in the early 19th century. Hayne was one of the most important botanical authors of his time, and his work played a crucial role in standardizing the visual language of medicinal and economic botany across Europe. Each plate was engraved on copper and then carefully hand colored, combining scientific accuracy with refined aesthetic appeal. Sugarcane held enormous economic and medicinal importance in the 18th and 19th centuries, linked to global trade networks, colonial agriculture, and the production of sugar as both food and pharmaceutical ingredient. As such, this plate carries strong historical resonance beyond its botanical subject, appealing equally to collectors of natural history, economic botany, and early scientific illustration. Visually, the print works exceptionally well as a stand-alone sheet. The calm composition, generous margins, and soft hand coloring make it particularly attractive for interior settings, from classic libraries to contemporary spaces where natural history prints are used as architectural accents. Condition report: Good antique condition. Light, even age toning to the paper consistent with age. Minor surface marks and soft handling wear visible on close inspection. Plate impression visible. No major tears or losses. Framing tips: This print benefits from a wide mat to emphasize its scientific elegance. Recommended combinations include a black or dark walnut frame with an ivory or parchment mat for a classic look, or a slim natural oak frame with an off-white mat for a lighter, contemporary presentation. Avoid overly dark mats, which can overpower the delicate hand coloring. Technique: Copper engraving with original hand coloring Maker: Friedrich Gottlob Hayne, Berlin, early 19th century Keywords: antique botanical print, sugarcane print, sugar cane botanical, saccharum officinarum, antique plant illustration, hand colored botanical, 19th century botanical print, natural history wall art, framed botanical print, antique agricultural print, economic botany illustration, tropical plant artwork, colonial trade decor, kitchen botanical wall art...

1980s Original rare gorgeous Patrick Nagel "The Book" Lithograph. Signature printed. Copyright 1981 Mirage Publishing Inc. Santa Monica. This lithograph is in excellent condition and...

Elegant hand-watercoloured print representing the herbaceous biennial plant Anthriscus sylvestris, known as cow parsley, painted with notes of antique rose and light blue color shade...

Red Achimenes Flower Botanical Lithograph, Charles Morren, 1845 Description: A vivid mid-19th-century botanical lithograph depicting Achimenes rosea Lindl. var. formosa, a highly de...

The image depicts an original old hand-colored copperplate engraving of the plant "Oxalis stricta", commonly known as yellow wood sorrel or common yellow oxalis. This botanical illus...

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleasure ...

Set of two antique shell prints titled 'Pyrule'. These prints originate from 'Species général et iconographie des coquilles vivantes' by Louis-Char...

This image is a framed print after the painting Young Woman in Green (Young Woman with Gloves), also known by its French title Jeune Fille Vert, by the Polish Art Deco painter Tamara...

Group of Four Abstract Photolithographs on Vellum by Cy Twombly, from the limited edition "Gaeta" portfolio produced by Hine Editions, San Francisco, CA, circa 1987. They have been p...

The work in question is part of a series of 30 prints on Japanese paper number with out sign Provenance Paris around Broder Family publisher .last picture Explanation: Series of 3...

Beautiful Cottagecore Style antique 19th Century custom framed pair of Pomological William Henry Prestele Jeffries Apple, Kelsey and Satsuma Peaches prints 1887 and 1888 Fine, custom...

Great print of Faneuil Hall Steel engraving after W.H Bartlett Published by Virtue 1838 Unframed. The measurement is the paper size. Free shipping  

Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...

Atahualpa – Last Inca Emperor of Peru – Baroque Engraving c.1700 Description: This striking antique engraving depicts Atahualpa, the last sovereign emperor of the Inca Empire, here ...

Untitled print of a ruin in Peru. This print originates from 'Die Kunstwerke vom Alterthum bis auf die Gegenwart, oder, Wegweiser durch das ganze Gebiet der bildenden Kunst : enthalt...

St. Catherine’s Monastery at Mount Sinai – Plan and Elevation Engravings c.1776 This striking pair of antique engravings offers a rare architectural study of the renowned monastery ...

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

A very stylish "View of the Center of Paris Taken from the Air" lithograph map published by the Paris Ministry of Tourism, circa early 1950s. The piece measures 27" x 43" and shows...

Title: 1799 Samuel Howitt "Mares & Foals" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Date: Published February 1, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original late Georgian copperplate engraving titled Mares & Foals, designed and engraved by the distinguished British sporting artist Samuel Howitt. The print depicts a tranquil pastoral scene with mares and their young gathered beneath a magnificent tree in an English countryside setting. The plate is signed in the image "Howitt inv. et f.", indicating that Howitt both conceived and executed the engraving himself. At lower right it bears the publication line "Published Feb.y 1st, 1799," confirming its eighteenth-century origin. Samuel Howitt was among the foremost British animal and sporting artists of his generation. Renowned for his naturalistic depictions of horses, hunting scenes, and wildlife, his works were widely admired by the English gentry and remain highly collectible today. His engravings combine elegant composition with remarkable observational detail, making them timeless decorative works. This authentic Georgian print offers exceptional appeal for equestrian interiors, country houses, libraries, and collectors of antique sporting art. Condition: Good antique condition with light age toning and minor handling wear consistent with more than two centuries of age. The sheet retains generous original margins and presents beautifully. Presented unframed. Framed images are shown for inspiration only and not always to scale. Keywords: Samuel Howitt, Mares & Foals, horse engraving, equestrian print, Georgian engraving, sporting art, English countryside, antique animal print, original copperplate engraving, British horse art, pastoral landscape, 1799 engraving, country house decor, stable decoration, laid paper print, eighteenth century print, English sporting print...

Set of 6 Vanity Fair Spy Caricatures – Named Victorian Figures 1883 Description: A cohesive and historically rich set of six original Vanity Fair chro...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Title: Louis XVI Floral Decorative Panel Chromolithograph by Albert Racinet, Paris, c. 1873 Description: An exquisite original antique chromolithograph illustrating an elegant Loui...

Group of Six Abstract Photolithographs on Vellum by Cy Twombly, from the limited edition "Gaeta" portfolio produced by Hine Editions, San Francisco, CA, circa 1987. They have been pr...

Modern French Color Lithograph signed Fitzori, French school color lithograph Titled "Bonjour Madame". This original French color lithograph bursting with vibrant, eye-catching col...

Engraving of the Caravanserai of Cachan – Dutch 18th-Century View of Persian Architecture This fine architectural engraving depicts “De Caravansera van Cachan” (The Caravanserai of ...

One of nine striking 19th Century chromolithographs by John Burley Waring. Originally created to showcase the Masterpieces of Industrial Art and Sculpture at the 1862 International ...

A rare extra-large reproduction print, printed on engraving paper with an antique star press and watercolored by hand representing an antique capital. The capital's from a collection...

1990s (1993) Original gorgeous Patrick Nagel poster “Commemorative #13” This poster is in excellent condition and so rare. Edition: Montana©1993 Jennifer Dumas, Inc. - Published by L...

Henry Thomas Alken (British, 1785-1851) A set of 3 cockfighting scenes; two images drawn and engraved by C.B. Stock, the other (diptych) by Henry Alken, published in London by W.C. ...

"January 18 to February 12" exhibition poster of jester on horse by Ben Shahn, circa 1960s. The poster is in good vintage condition and measures 20" x 28"; it is presented in a vint...

Print: Full color digital archival print on Somerset Photo 330g/m2 Size: 610 x 508 mm (24 x 20 in) Edition of 100 Signed, dated, and numbered by the artist (2016-2018) Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. The book tells the stories of over 400 artists spanning 500 years and reveals a parallel yet equally engaging history of art for an age that champions a great diversity of voices. The Great Women Artists print portfolio offers collectors the opportunity to acquire affordable works by some of the most celebrated and sought-after women artists of our time, while contributing to a worthy cause. Jenny Saville...

Antique Herbs and Mushrooms Botanical Prints, Natural History Set, 1852 Description This exceptional three-plate set combines aromatic herbs and fungi, drawn from Landwirthschaftlic...

Print from the Collection Botanique Vegetables representinga group of three different types of artichokes enriched with green colors and nuances of watercolor. Another different veg...

Renaissance Wind Cosmology Woodcut with Globe & Elemental Winds, 1590 This striking late 16th-century German woodcut page originates from an early ency...

Original Antique Print of Roman Chariot Racing and Circus Maximus by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman chariot racing and the Circus Maximus, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer VIII / Antiquités VIII” and contains four illustrations relating to Roman chariot racing and the famous circus games of antiquity. Fig. 1 presents a reconstruction of the Circus Maximus in Rome, the enormous ancient arena used for chariot races and other public spectacles. The elongated track is shown surrounded by tiers of seating, monumental entrances and the central barrier or spina, decorated with an obelisk, statues and other monuments. Fig. 2 depicts a dramatic Roman quadriga: a four-horse chariot racing at speed, with the charioteer leaning forward and wielding his whip. The richly ornamented chariot and animated horses make this the visual centerpiece of the plate. Fig. 3 illustrates details of an ancient horse harness or bridle, while Fig. 4 reproduces an ancient representation of a chariot and driver. The engraving is delicately enhanced with original hand coloring in restrained shades of green, ochre, red and brown and bears the engraved signature “Jacob H. Schmuzer” beneath Fig. 4. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, ancient history and costumes. An attractive early 19th-century representation of ancient Rome, particularly appealing to collectors of classical antiquity, equestrian subjects and Grand Tour imagery. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer VIII / Antiquités VIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting. Some wear and irregularity along the right sheet edge and minor marginal imperfections. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman chariot print, chariot racing, Circus Maximus, ancient Rome print, Roman quadriga, four horse chariot, Roman horses, Roman antiquities, classical antiquity, Grand Tour print, equestrian engraving, Bertuch print, Friedrich Justin Bertuch, Jacob Schmuzer, hand colored engraving, Neoclassical print, antique Roman print

Elegant hand-watercolored print representing Corallium Rubrum in red nuance, Image reproduced from ancient and famous illustrations. These prints are available in 2 different represe...

A wonderful, brightly colored, large exhibition lithograph print by famed Japanese American artist Masami Teraoka titled "Thanatopsis/Contemplations On Death. (Zen Monk and Ascending...

Antique Sago Palm Botanical Print, Sagus Farinifera, c.1831 Description: This original botanical engraving depicts the sago palm, Sagus Farinife...

Wonderful set of 16 botanical prints. All grasses Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement giv...

A vintage lithograph of a glamorous woman of the Art Nouveau era from the cover of the first edition of " Cocorico" a high art French magazine published in 1898 for their Dec. 31st i...

Emperor Meiji Silver Wedding Jubilee, Nobukazu Japanese Triptych, 1894 Description: An impressive original Japanese color woodblock triptych by Yosai Nobukazu depicting the grand ce...

Woven on the Jacquard ribbon looms of the renowned Neyret brothers Rothers weavers House in st Etienne France . This antique woven Stevengraph is based on the painting 'LES RAMEAUX' (The palm Sunday) by French artist , Elisabeth Sonrel...

JOAN MIRÓ color lithograph, "Self-Portrait II", published by the SPADEN, Paris, 1973, and bearing their blind stamp number 36/150, printed sign.

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

Group of Eight Abstract Photolithographs on Vellum by Cy Twombly, from the limited edition "Gaeta" portfolio produced by Hine Editions, San Francisco, CA, circa 1987. They have been ...

Mid century abstract lithograph by Gerard Schneider, German, circa 1960s. Signed. It measures 28.5"H x 37.5"W.

8 Baroque Style Erotic Prints of Compromised Aristocrats & Soldiers, I (I is our inventory tag) Italy, 20th Century Prints,  This suite of eight Italian Baroque-style erotic prints ...

Small and rare unframed woodcut , lithograph , screenprint and collage by the State of Roy Lichtenstain , two paintings ; green lamp 1984 . Introducing an exquisite piece of artistry...

Rare, original 19th century woodblock print. Beautiful Edo period print from the original publisher. Quality framed with conservation glass in an black painted frame. Red Blue Gree...

John Nieuhoff Exotic Fish Prints Set of Five Hand-Colored Engravings c1704 This rare and attractive group of five hand-colored engravings depicts a diverse selection of exotic marin...

New Zealand, Antique Map, Pacific Islands, Sandwich Islands, Blackie Atlas 1860 Description: This original antique map titled New Zealand presents a detailed mid-19th-century view of New Zealand, accompanied by inset maps of the Sandwich Islands (Hawaii), the Galapagos Islands, and the Papuan Archipelago. It originates from The Imperial Atlas of Modern Geography and was published in 1860 by W. G. Blackie, one of the most respected British atlas publishers of the period. The main map depicts both the North and South Islands of New Zealand with finely engraved coastal outlines, mountain ranges, rivers, settlements, and regional divisions. Early place names and geographic features reflect contemporary European exploration and colonial knowledge, making the map an important historical document of New Zealand’s cartographic development during the 19th century. To the right, the additional Pacific island groups are shown in separate panels, each carefully delineated and subtly hand-colored. These inset maps broaden the geographical scope of the sheet, illustrating Britain’s growing interest in the wider Pacific world. The restrained original hand coloring helps distinguish coastlines and island groups while maintaining a calm, elegant appearance. The overall layout is balanced and visually engaging, combining dense geographic information with generous open areas of sea. This makes the map particularly attractive both as a collectible reference piece and as decorative wall art. Its horizontal format works well in interiors, especially for collectors or designers drawn to maritime history, exploration, and Pacific geography. Condition report: Good antique condition. Light overall age toning consistent with period. Minor scattered foxing and faint handling marks, primarily in the margins. Original central fold as issued. No major tears or losses. Framing tips: A wide ivory or warm cream mat will enhance the engraved detail and original coloring. A dark walnut, black, or understated antique gilt frame complements the map’s academic and exploratory character. Museum or UV-protective glass is recommended. Technique: Copper engraving with original hand coloring Maker: W. G. Blackie, Scotland, 1860 Keywords: New Zealand map...

Antique bird print titled 'Streptopelia Orientalis'. Old bird print depicting the oriental turtle dove. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by...

English Victorian style colored botanical print of lotus flowers titled \"The Sacred Egyptian Bean\" in white painted frame (after Dr. Robert John Thornton)

Fabulous set of 10 prints. All judges or lawyers. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair C.1870. Actually dated 18...

A set of 11 H.A. Ogden chromolithographs depicting U.S. Military uniforms in period frames, circa 1908. 14 by 17 ½ inches; ¾ inches deep