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"January 18 to February 12" Exhibition Poster of Jester on Horse by Ben Shahn
About the Item
"January 18 to February 12" exhibition poster of jester on horse by Ben Shahn, circa 1960s. The poster is in good vintage condition and measures 20" x 28"; it is presented in a vintage gold metal frame. Not inspected out of frame, please refer to photographs. #3640
Ben Shahn, 1898-1969
Named one of the “World’s Ten Best Artists” by then-popular Look magazine in 1948 and renowned for his anguished, searingly bold imagery, artist and activist Ben Shahn protested against social injustice and honored ordinary people in lithographs, paintings, photographs, and public murals. For Shahn, art was a powerful tool for sociopolitical commentary and for urging and effecting change. As he asserted: “If we are to have values, a spiritual life and a culture, these things must find the imagery and interpretations through the arts.”
- Creator:Ben Shahn (Artist)
- Dimensions:Height: 28 in (71.12 cm)Width: 20 in (50.8 cm)Depth: 1.5 in (3.81 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use. The print is in good vintage condition. Not inspected out of frame, please refer to photographs. Frame is in average condition with some nicks and dings to the wood.
- Seller Location:San Diego, CA
- Reference Number:
Ben Shahn
Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.
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