Neoclassical Prints

This is an engraving, in colors. With a Beautiful frame in wood. Representing an Scene of Hunting with Animals.

Important Italian neoclassical engraving belonging to a series of fourteen by: Drawing Togniolo Engraver Antonio Bernatti Engraver Benedetto Musitelli Engraver Giovanni Cipelli Drawi...

A lovely set of four 18th century style portrait engravings with allegorical scenes presented in giltwood frames under glass with very fine hand-colored matting. The engravings were ...

Engraving by Herbert Lespinasse, wtih it's in Gilt wood. Herbert Lespinasse was the only American deported to the Buchenwald concentration camp dur...

Wonderful print after Stothard Lovely colors. Chromolithograph Published by Connoisseur, circa 1900 Unframed.

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Kingfish and The Whitin...

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Mackerel, The Spanish M...

These are a set of TWO digitally remastered prints of Citrus Fruit studies, hand coloured and framed, originally from American water colours from Circa 18...

This lithograph by Dave Fox from 1991 features the artist's signature, lithograph number (1/70), and title "Intermission". Dave Fox's intention in the artwork is evident. It employs a subtler form of satire. The composition depicts an ordinary society event, infused with a pervasive sense of tedium among its participants, where nothing extraordinary unfolds. In the backdrop, a bar and its bartender serve as the setting, while in the foreground, two women engage in conversation, accompanied by a man holding a glass. He appears either poised to interject by social conditioning or already teetering on the precipice of profound ennui, displaying visible disinterest in the superficiality of their dialogue. The artist's meticulous attention to detail is particularly evident in the precise rendering of clothing, but their true mastery lies in portraying the women's eyes and lips, establishing the prevailing mood of the composition: a boredom beyond reality. Adding to the artistic finesse, the lithograph employs a creative use of light, with a left window serving as the primary light source. This illumination skillfully highlights the three characters in the foreground, while the figures in the background subtly blend into a darker environment. The carefully chosen shades of soft pastel pink and gray lend an elegant touch to the ensemble, enhancing the overall impact of the artwork. The artwork sits in a simple black woodframe. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

By French painter and printmaker Pierre Bouillon. Plate from Musée des antiques, dessiné et gravé par P. Bouillon, avec des notices explicatives par J. B. de Saint-Victor, 3 volumes,...

And engraving printed in Holland in 1710 by Lambert Visseher from a prominent Palm Springs, CA estate.. This charming image is of a neighborhood in Holland, on the edge of a river (o...

Black & White Framed Neoclassical Prints Set of '6' From Judy Cormier decorative European prints. Custom black wood frames and gold leaf details. Gla...

One of our favorite images from a group of engravings purchased from a prominent Palm Springs Estate. Gerald Felgemaker was annoyed collector of European etchings and engravings. Thi...

A. Brouwer pinx. N. Strixner del. Village Surgeon (The Feeling) A surgeon dressing the wound of a grimacing patient. 61 x 45 cm; Image: 29.3 x 26.3 cm Published c 1810 Stone lit...

Genito-Urinary Anatomical Chart by Fritz Frohse. Dated 1922. Paper mounted on canvas. Shows wear but still presents very well!

Harper and Brothers, "Liberty Enlightening the World" an offset lithographic print on paper created as an insert for Harper's Weekly, six-folded sheet depicting Bartholdi’s colossal ...

A well-preserved untinted engraving on paper published circa 1813 executed by Wilhelm Friedrich Gmelin after the original painting by Gaspard Poussin of Il ...

Midcentury 1940s etching of the National Cathedral, Washington, D.C. (1943) pencil signed by Reynold Weidenaar. Reynold Henry Weidenaar (American, 1915-1985) National Cathedral, Washington D.C., 1943 etching signed and titled in pencil lower margin, signed in plate edition of 25 “The following is from Fred W McCraw, art writer and artist. McCraw served during Weidenaar's last years as a consultant to the artist. Then, for several years after that, he also assisted the artist's family in managing Weidenaar's estate: Reynold Weidenaar was born in Grand Rapids, Michigan on 11/17/1915, and died there on 4/23/1985. He lived most of his life in west Michigan, with brief residencies away in Wisconsin, Kansas City, Missouri and in old Mexico...

A beautiful antique still life print of fruit displayed on a table. This unique piece is created from wood, and features a paper print under glass. The p...

Milton Avery (American, 1885-1965) "Sleeping Baby (Study of March Avery)", 1933, drypoint etching on paper, signed and dated in pencil lower right, numbe...

Artistic innovations framed art print Canada plate and cups - 3 pc set. Item features ornate gold frames, glass front, one print with plate and 2 others with cups, original labels, g...

Framed French Louis Vuitton Art Print in an Italian 19th Century Frame Louis Vuitton Print from Paris, France, framed in a one of a kind circ...

18th Century style Pierre Bouillon neoclassical engraving Prints of Roman & Greek Friezes. Beautifully framed. Additional information: ...

These are a pair of engraving, in color. They are representing, monuments of the city of Paris. They have been done durong the 19th century in France.

17th Century Italian Architectural Drawing of a Palazzo which has been done with pen and ink with a grey wash. Signed on reverse by Bart...

Amazing set of 4 Norman Rockwell singed prints each numbered 328/350.    

This is an engraving, in colors. With a large frame in wood. Representing an architectural place in paris. It has been made in France in the 18th Century. The engraving has no glass...

John James Audubon along with his son and friend the Reverend Bachman did one last trek to study the animals of North America. This is the grey rabbit from old to young. This is a ha...

Large original engraving by Francesco Piranesi (Italian, 1756-1810) from "Raccolta di Statue Antiche." Rome, 1780-1792. "Gruppo antico di Figure d. volgarme. il Toro Farnese". Copper...

"Pair of antique 19th century framed engravings of architecture of the Palais de Fontainebleau (Fontainebleau Palace). 1) Fragments Montant de Porte Chapiteaux...

"Two antique lithograph silhouettes of John Forsyth and Alexander Macomb taken from life by William Henry Brown and produced by E.B. & E.C. Kellogg. William Henry Brown and his wife, Emmaline, left Philadelphia around 1859 and settled in a small railraod community of Saxton near Altoona, PA. He had gone there to work on the railroad, since photography had put him out of work. By 1865 he had moved to Erie, PA and was married to Margaret Horrell. They had two sons. She died shortly thereafter and he moved to Wilcox near Kane, PA. Later he lived with a niece in Georgia then married a third time to Sarah Conrad. After her death he returned to South Carolina. Connecticut Historical Society still has the 6 foot silhouette of the ""Dewitt Clinton"" locomotive he had done in 1831. They also have 14 prints he gave them in 1853 of silhouettes that are not part of the Portrait Gallery. A traveling artist, William Brown was a portrait painter and silhouettist, whose subjects were distinguished persons, especially in Philadelphia, New England, and Charleston. Brown was especially noted for a series titled ""Portrait Gallery of Distinguished Americans"", published in 1846 as a book of lithographs from his full-length silhouettes. Also included were biographies of the subjects. He was born in Charleston but spent more time in Philadelphia than in the South. He trained as an engineer but in the early 1830s, devoted himself increasingly to art. He first worked in New England and then went South, spending much time in Charleston in the 1840s and early 1850. In 1842, he was in Natchez, and he was also in St. Louis and New Orleans. However, by the late 1850s demand for his work had lessened, and he returned to being an engineer, first in Philadelphia and then in Charleston where he died in 1883. John Forsyth Sr. (October 22, 1780 – October 21, 1841) was a 19th-century American politician from Georgia. He represented the state in both the House of Representatives and the Senate, and also served as the 33rd Governor of Georgia. As a supporter of the policies of President Andrew Jackson, Forsyth was appointed secretary of state by Jackson in 1834, and continued in that role until 1841 during the presidency of Martin Van Buren...

This is an engraving, in colors. With a large frame in wood. Representing an architectural place in Nancy. It has been made in France in the 18th century. The engraving has no glass...

Large original engraving by Francesco Piranesi (Italian, 1756-1810). "Laocoonte" from "Raccolta di Statue Antiche." Rome, 1780-1792. Copper engraving on laid paper. Unframed. Frances...

A rare map of Italy, an 18th century Italian etching and burin engraving set in a modern walnut frame within a passe-partout and glass. A hand colored map by Antonio Zatta entitled l...

A nice framed print of Pygmalion and Galatea Recently procured from Frank Lloyd Wright's DeRhodes House. Based on the painting by Jean-Léon Gérôme. Measures: 11.25"W x 14"H. Good...

in addition to the aforementioned title the engraving reads, "which has two gates, one for the workmen to enter at, one for the ships", "Published according to Act of Parliament...

Everyday views of Venice titled "A View of the Realto Buildings at Venice" and "A View of Little St. Marks Place at Venice" and then again in French, made for the English/French mark...

These are, Engravings, that has been made in France in the 19th Century. The Frames are in Gilted wood. They are reprensenting French navigation ports.

Color lithography of Venice, 18th century Printed by Jacques Chereu. The frame doesn’t has a glass.  

Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...

This is an engraving, in colors. With a large frame in wood. Representing an architectural place. It has been made in Italy in the 19th Century.

Simon-Charles Miger 1736-1828 was a French engraver most noted for the plates he produced for the the menagerie for the National Museum Of Natural History in Paris. The artist of the original watercolors was Nicholas Marechal...

Decorate an office or study with this antique black and white engraving. Hand colored in Italy circa 1760, the large monochromatic etching is set in a black and gilt frame with protective glass, and depicts the "Veduta Generale del Monte...

19th century Lithography of Venice in black and white In original condition, with wear consistent of age and use.

Four 18th C Italian Hand-Colored Architectural Engravings, by Carlo Antonini This set of four 18th century hand-colored architectural fragment engravings on paper are magnificent. ...

Eau-forte representing Oise Valley in the North of France. The painter, Phaludon, was known in the first part of 20th Century for is eau-forte landscapes. The stucco frame was made...

A pair of prints finely framed L'Hiver et Printemps. Each in a fine gilt wood frame set in a ebony larger frame.

Oil on canvas representing Chateau Chillon at the edge of the Leman Lake Late 19th century, Switzerland Good condition Shipping: L 45/2/38.    

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

A set of four frames with Klauber 18th century engravings within stunning rectangular frames in gold-leaf gilded wood with lapis lazuli blue color paper inserts in the external profile, with gold decorations. Under the original glass we find the effigies of Saints Ambrose...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

Thsi stylish and chic set of two framed engraving date to the 18th century and were created by Francesco Cepparoli and Giovani Morghen. Note: Overall dimensions are 21 5/8" heigh...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

17th century (circa 1675) Roman naval column and fountain engraving. Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512–1577 Rome) Portfolio: Speculum Romanae Magnif...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...