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Item Ships From: Bay Area
"People Gathering" Large original lithograph
By Roy Carruthers
Located in San Francisco, CA
This artwork "People Gathering" c.1990 is an original lithograph by noted South African artist Roy Carruthers, 1938-2013. It is hand signed and inscri...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
"Centre Noeuds" planche #1
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Amaryllis
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Amaryllis" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 95/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist.
Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity.
Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles.
In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide.
Selected Museums
Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum
Brooks Museum of Art, Memphis
The Butler Institute of American Art, Youngstown Dallas Museum of Art
Fine Arts Museums of San Francisco
Frye Art Museum, Seattle
Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh
Hunterian Art Gallery, University of Glasgow
Library of Congress, Washington, DC
The Metropolitan Museum of Art, New York
The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston
The Museum of Modern Art, New York
The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library
Oakland Museum of California
Philadelphia Museum of Art
Phoenix Art Museum
Portland Art Museum, Oregon
Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art
University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum
Selected public collections
ALZA Corporation, Mountain View
ART In Embassies Program, U.S. Department of State
AT&T, New York
Atlantic Richfield, Los Angeles
BankAmerica Corporation, Charlotte
Citigroup, New York
Cleveland Institute of Music
Clorox Company, Oakland
Comerica Bank, Costa Mesa & San Jose
H.J. Heinz Company, Pittsburgh
Illinois Bell Telephone...
Category
Mid-20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Bay Laurel Diptych (Hand-printed cyanotype, 40 x 52 inches combined)
Located in Oakland, CA
These are two separate 40 x 26 inch cyanotypes (unique monotypes) made using the same tree branches flipped over facing the opposite direction, the result being a symmetrical mirror ...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Monotype, Photogram, Paper, Archival Paper, Rag Paper
$1,560 Sale Price
20% Off
"Centre Noeuds" planche #2
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Awakening
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Awakening" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 70/150 in pencil...
Category
Mid-20th Century Op Art Bay Area - Prints and Multiples
Materials
Screen
"Centre Noeuds" planche #10
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
The Lord of Earthly Delights
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Lord of Earthly Delights" c.1980 is an original color lithograph on paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 1...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
Brennie Brackett Original Still Life Framed Giclee c.2000
Located in San Francisco, CA
Brennie Brackett Original Still Life Framed Giclee
Original giclee on paper
Dimensions 20.5" wide x 21" high
The frame measures 29" wide x 29.5" hi...
Category
21st Century and Contemporary Realist Bay Area - Prints and Multiples
Materials
Giclée
Bell Tower, Lecce
Located in San Francisco, CA
This artwork titled "Bell Towr, Lecce" 1999, is an original archival pigment print by noted American photographer and artist Jenny Okun, b.1953. It is hand signed, dated and numbered 2/10 in pencil by the artist. The image size is 20 x 40 inches, the paper size is 26 x 46 inches, framed size is 28.25 x 48.25 inches. Custom framed in a metal silver frame, with white backing. It is in excellent condition, the frame have some very minor rubs, barely visible.
About the artist:
Jenny Okun is an American artist and filmmaker who travels the world in search of unusual beauty. Her artworks have been shown in more than sixty international exhibitions and in numerous private and public collections. Commissions have included the J. Paul Getty Museum, the Tate Modern, and the Whitney Museum of American Art. Craig Krull describes her artwork as “large-scale color photographic abstractions. Okun distills the essential qualities of form, texture, color, and detail into one layered vision.”
Her earlier two books, Dreamscapes and Variations, show artworks of architecture, landscape, nudes, and art.
SOLO EXHIBITIONS
2012 Craig Krull, Santa Monica, USA
Museo Storico della Citta di Lecce (MUST), Lecce, Italy
2009 Treasure Island Music Festival in San Francisco, USA
2008 Art First, London, UK
Building 98 : Grubb & Ellis, Marfa, Texas, USA
Hennessey + Ingalls : Art and Architecture Bookstore, Santa Monica, USA
2007 Craig Krull "Studio Walls" and Book Signing, Santa Monica, USA
The Colburn School, Los Angeles, USA
2006 Don Giovanni, El Portal Theatre, North Hollywood, USA
the architectural photography of Jenny Okun on the sets by Yael Pardess, El Dorado Opera, Los Angeles, USA
2005 Craig Krull, Santa Monica, USA
Art First, London, UK
2004...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Archival Pigment
Untitled III
By Tracey Adams
Located in San Francisco, CA
This artwork "Untitled III" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 1998 in pencil at the lower right corner by the artist. The im...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monotype
Schallaburg Castle
By Luigi Kasimir
Located in San Francisco, CA
Artist: Luigi Kasimir Austrian (1881-1962)
Title: Schallaburg Castle, Austria
Year: circa 1930
Medium: Color Etching
Sight size: 17 x 22.25 inches
Sheet Size: 20 x 25 inches
Framed Size:26.5 x 31.5 inches
Signature: Signed lower right by the artist
Edition: unknown
Condition: See below
This artwork titled "Schallaburg Castle c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right. The plate mark (image) size is 17 x 22.25 inches, paper size is 20 x 25 inches, matted size is 24 x 29 inches, framed size is 26.5 x 31.5 inches. It is custom matted with a brown inner mat, gold liner and cream-colored outer mat. The wood frame is black with a faint gold inner edge. The print is in fair-to-good condition. It is attached to the mat with archival tape. It bears the residue of a previous backing on the reverse, but that does not at all show on the front of the print. The surface of the print is in very good condition with strong colors. There are small losses to the corners of the print, far from the image. The mat is in good condition. The frame is in fair condition with some pits, mostly on the lower and upper bars. I have included pictures of the reverse of the print as well as the flaws on the frame. I can ship the print with the frame or without the frame.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
1930s Realist Bay Area - Prints and Multiples
Materials
Paper, Etching
Trumpeteers
Located in San Francisco, CA
This artwork titled "Trumpeteers" 1976 is an original wood engraving by Russian/American artist Leon Gilmour, 1907-1996. It is hand signed, titled, dated ...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Woodcut
Johns Hopkins Hospital
By Samuel Donovan Swann
Located in San Francisco, CA
This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Tree Tunnel
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and sugarlift aquatint.
Edition of 35
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Etching, Intaglio
The Purple Mountain’s Majestic
Located in San Francisco, CA
This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Only the Dreamer Can Choose the Dream
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Only the Dreamer Can Choose the Dream
Year: 1980
Medium: Lithograph
Sight size: 20.75 x 29 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 110. This one: 34/110
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Johnny Friedlaender Abstract Artist's Proof Signed Limited Edition Print
By Johnny Friedlaender
Located in San Rafael, CA
Johnny Gotthard Friedlaender (German, 1912-1992)
'Cadran Solair' (Sun Dial)
Titled verso
Aquatint etching in colors on wove paper
Pencil signed lower right, edition EA (épreuve d'ar...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Etching, Aquatint
l' Avare Qui a Perdu son Tresor, From the suite Les Fables De La Fontaine
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: l' Avare Qui a Perdu son Tresor
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Montval Laid paper
Image (plate mark) size: 11.5 x 9.5 inches
paper size: 14.85 x 11.15 inches
Signature: Signed in the plate as issue
Publisher: Teriade, Paris
Printer: Maurice Potin
Condition: Excellent
Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 25 x22.75 inches
Description: From the suite les Fables De La Fontaine...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Etching
Rabbit Series #1
Located in San Francisco, CA
This artwork titled "Rabbit Series #1" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches is in excellent condition.
About the artist:
Radovan Kraguly...
Category
Late 20th Century Pop Art Bay Area - Prints and Multiples
Materials
Mezzotint
Village in France
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949)
Title: Village in France
Year: c.1927
Medium: Color Etching with aquatint
Image (Plate mark) size: 13.5 x 10 inches
Sheet size: 14.75 x 11.25 inches
Signature: Hand signed and numbered 9/50 in black ink by the artist
Condition: Very good, margin slightly toned by age
About the artist.
David Rosenthal (1876-1949) was a Cincinnati artist...
Category
Early 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
"Waterloo Volunteers" From the suite "History of England"
Located in San Francisco, CA
This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...
Category
Late 20th Century Romantic Bay Area - Prints and Multiples
Materials
Etching
Rothenburg, City Hall Gate
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Rothenburg, City Hall Gate" c. 1975 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Printed...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Seebenstein Castle Courtyard, Austria, large color etching
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Seebenstein Castle, Austria" 1920 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 15.75 x 22.25 inches, Framed size is 27.25 x 33 inches. Custom framed in a wooden silver frame, with brown/green matting and red/brown fillet. It is in excellent condition, the frame has a very minor restoration, practically invisible.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
The warrior
By Jean Lurçat
Located in San Francisco, CA
Artist: Jean Lurçat (French, 1892-1966)
Title: The Warrior
Year: 1953
Medium: Color lithograph
Edition: Numbered 140/150 in pencil
Paper: Hand made p...
Category
Mid-20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Hecatombe de Toros
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
#1, So don't be a like a feather in the wind, The Divine Comedy, The Paradise.
By Frédéric Choisel
Located in Burlingame, CA
#1 ,So don't be a like a feather in the wind, The Divine Comedy, The Paradise. monotype with hand coloring in ink. Unique.
From a new series of 7 monoprints with hand coloring inspi...
Category
21st Century and Contemporary Abstract Bay Area - Prints and Multiples
Materials
Ink, Monoprint
Deux Feuilles II
By Antoni Clavé
Located in San Francisco, CA
This artwork titled " Deux Feuilles II" 1970 is a color etching with carborundum by noted Spanish artist Antoni Clave 1913-2005. It is signed and numbered 4/80 in pencil by the artist. The size is 29.85 x 22.5 inches. It is in excellent condition, the colors are fresh and bright.
About the artist:
Antoni Clavé was born in Barcelona on 5 April 1913. From 1926 he attended evening courses at the Escuela de Artes y Oficios "Llotja" taught by Félix Mestres, Josep Mongrell and Angel Ferrant. Mongrell found Clavé a place as a house painter's apprentice in 1927 because Clavé was fascinated by the hands-on side of painting and especially by the materials used for such work and wanted to learn how to prepare paints.
During the Spanish Civil War Clavé served as a draughtsman for the Republican government, but at the end of the war. he fled to France. After internment at Les Haras camp in Perpignan, Clavé settled in Paris in 1939, drawing comics and working as an illustrator. During the 1940s Clavé's painting showed the stylistic influence of Bonnard, Vuillard, Rouault and especially Picasso, with whom he became acquainted in 1944.
From 1946 Clavé did numerous designs for ballet and theatre in Paris, Munich, London and New York; in the 1950s he turned to book illustration. In 1954 Clavé ceased working as a stage-set designer and illustrator to devote himself entirely to painting, visiting Spain again. His paintings became more abstract and enigmatic; inspired by wall textures...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
Hanover Schmiedestrasse
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Hanover Schmiedestrasse" 1920 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower cen...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
"And Put on the Eyes of Zedekiah" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Etching
Abstract Composition 9
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Abstract Composition 9" c.1970 in an original color lithograph on B.F,K. Rives paper by noted Polish artist Johnny Friedlaender, 1912-199...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Asagiri
Located in San Francisco, CA
This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible.
About the artwork:
This artwork required 7 different carved wood blocks and 21 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Woodcut
Constance Fletcher
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Constance Fletcher"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
City 358
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 358
Year: circa 1972
Medium: Serigraph
Sight size: 19.25 x 25.75 inches.
Sheet size: 22.75 x 28.75 inches.
Signa...
Category
1970s Abstract Geometric Bay Area - Prints and Multiples
Materials
Paper, Screen
Hybrid
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Hybrid" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Iris at Dusk
Located in San Francisco, CA
This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Woodcut
"Landscape with Pond" Large original color serigraph
By Anton Sipos
Located in San Francisco, CA
This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...
Category
Late 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Screen
"Centre Noeuds" planche #7
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
"Centre Noeuds" planche #4
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Vacance
By Hiro Yamagata
Located in San Francisco, CA
This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Screen
Le Lapin Agile
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Le Lapin Agile" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 372/375 in...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Paris Ville du Front
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Paris Ville du Front
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22.25 i...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Anthony Comstock
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anthony Comstock"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
La Melodie Acide II
By (after) Joan Miró
Located in San Francisco, CA
This artwork titled "La Melodie Acide II" 1980 (printed and published in 1983) is a color lithograph on Guarro paper after Joan Miro 1893-1983. It is si...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Knight Running After a Girl
By Charles Bragg
Located in San Francisco, CA
This artwork "Knight Running After a Girl" c.1980 is an original etching on Wove paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 56/300 in pe...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Etching
Venice
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Venice" 1965 is an original color aquatint on Arches paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 42/100 in pencil by the a...
Category
Mid-20th Century Impressionist Bay Area - Prints and Multiples
Materials
Aquatint
AOC - Contemporary Political Pop Art Print Portrait of Alexandria Ocasio-Cortez
By Amy Smith
Located in Gilroy, CA
Limited Edition #3 of 20
Print of original painting, printed on Coventry rag paper. Unframed.
Alexandria Ocasio-Cortez, also known by her initials, AOC, is an American politician s...
Category
2010s Pop Art Bay Area - Prints and Multiples
Materials
Archival Pigment
Horses #III
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #III" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand si...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Gertrude S.
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Gertrude S."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
Anne
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anne"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items.
Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design.
The work of Robert Indians...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
$1,150
Cascade
By Bruce Weinberg
Located in San Francisco, CA
This artwork titled "Cascade" 1991 is a color etching, with embossing and gold addition on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, numbere...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Mixed Media
Trees
Located in San Francisco, CA
This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Monotype
Submerged Form
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Taos Corn Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Taos Corn Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 20.5 x 22.25 inches.
Sheet size: 21.75 x 27.5 inches.
Signature: Signed lower right
Edition: 90. This one: 77/90
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Prints and Multiples
Materials
Paper, Lithograph
The Observer
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Observer" c.1970 is an original color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 55/300 in pencil by the ar...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
"Untitled" from Suite 10 West Coast Artists
By Jim Melchert
Located in San Francisco, CA
Artist: Jim Melchert – American (1930 - 2023)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithogra...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Untitled" from Suite 10 West Coast Artists
By Keith Boyle
Located in San Francisco, CA
Artist: Keith Boyle – American (1930 - 2023)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithograph on ivory wove paper
Image size: 18.5 x 18.5 inches
Sheet size: 23.25 x 22.25 inches.
Publisher: Collector’s Press, San Francisco
Edition: 75.
Signature: Signed lower right in pencil
Numbered: 39/75 lower right in pencil
Condition: Good
This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
"Diagrams" Monotype with collage
By Inez Storer
Located in San Francisco, CA
This artwork titled "Diagrams" 1982 is a color monotype with collage on Chine colle paper by noted American artist Inez Storer, b. 1933. It is hand signed in pencil at the lower righ...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monotype
Elizabeth's Cone
Located in Burlingame, CA
'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...
Category
21st Century and Contemporary American Realist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
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