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Item Ships From: Bay Area
Untitled
Located in San Francisco, CA
This artwork "Untitled" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 7/35 in pencil by the artist. The image (plate mark) size is 9 x 18.5 inches, framed size is 19 x 27.85 inches. Published by Joseph Grossman Fine Art...
Category
21st Century and Contemporary Pop Art Bay Area - Prints and Multiples
Materials
Linocut
Swing Screen
By James Rosenquist
Located in San Francisco, CA
This artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...
Category
Late 20th Century Pop Art Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Three Native American Girls
By Popo and Ruby Lee
Located in San Francisco, CA
This artwork "Three Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 2/750 in pencil by the arti...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
La Collana I
By Massimo Campigli, 1895-1971
Located in San Francisco, CA
This artwork titled "La Collana" is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbered 46/125 in p...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Expanding
By Betty Rees Heredia
Located in San Francisco, CA
This artwork titled "Expandingr" 2001 is a original color lithograph on wove paper by American artist Betty Rees Heredia A.K.A Betty Snyder Shapiro,...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Lithograph
Silent Hunter
Located in San Francisco, CA
This artwork titled "Silent Hunter" 2002 is an original color stonecut on beige Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 15 x 11.75 inches, framed size is 23.35 x 20 inches. Custom framed in a wooden dark green frame, with green matting. It is in excellent condition.
About the artist:
Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.
Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston.
Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak.
The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day.
Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation.
While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Other Medium
Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
By Gerard Edelinck
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king .
This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included.
Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
Category
Late 17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Panda
Located in San Francisco, CA
This artwork "Panda" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered 379/750 in p...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Theories of Planetary Orbits: A Framed 18th C. Celestial Map by Doppelmayr
By Johann Gabriel Doppelmayr 1
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...
Category
Early 18th Century Bay Area - Prints and Multiples
Materials
Engraving
Untitled #2
By Ian Tyson
Located in San Francisco, CA
This artwork "Untitled #2" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 59/75 in pencil by the art...
Category
Late 20th Century Abstract Geometric Bay Area - Prints and Multiples
Materials
Screen
Beach Wall and Sun
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 5/7 with hand coloring. the plate (image) size is 8 x 15 inches the overall paper dimension is 17 x 23 inches. Kim Frohsin spent 12 years working on monotype ev's...
Category
20th Century Contemporary Bay Area - Prints and Multiples
Materials
Monotype
Roslyn Lane
By Kim Frohsin
Located in Burlingame, CA
Monotype EV Ed 5/7 with heavy hand coloring with mixed media. Portrait of the artist's mother. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay Area Fig...
Category
1990s Contemporary Bay Area - Prints and Multiples
Materials
Monotype
Midday Sun (18 x 24 inch hand-printed toned cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
White Stork "Ardea Ciconia": An 18th Century Hand-colored Engraving by Nozeman
By Cornelis Nozeman and Jan Christiaan Sepp
Located in Alamo, CA
This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Ardea Ciconia" (White Stork) by Cornelius Nozeman in volume II of his publication 'Nederlan...
Category
1780s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Forest Light (hand-stained cyanotype, 12 x 9" matted to 14 x 11")
Located in Oakland, CA
A glimpse between tree trunks of distant Monterey pines dissolving into the light and fog. This is a hand-stained contact photo using the antique cyanotype process from the 1800s. Th...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Photogram
$112 Sale Price
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"Ram's Head, Full Face" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Fly
By James Rosenquist
Located in San Francisco, CA
This artwork titled "Fly" 1981 is an original color lithograph on Arches paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, titled and numbered P....
Category
Late 20th Century Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
Portrat der Bildhauerin Germaine Richier
By Cuno Amiet 1
Located in San Francisco, CA
This artwork titled "Portrat Der Bildhauerin Germaine Richier" 1950 is an original colors lithograph by Swiss artist Cuno Amiet, 1868-1961. It is hand signe...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Mirror #9 (C.114, Mirror Series), 1972
By Roy Lichtenstein
Located in Greenwich, CT
Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame.
Catalog -
Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114.
About Lichtenstein’s Mirror Series (taken from Corlett):
Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66).
This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...
Category
20th Century Pop Art Bay Area - Prints and Multiples
Materials
Lithograph, Screen
Still Life with Fish and Knife
By Mihail Chemiakin
Located in San Francisco, CA
Artist: Mihail Chemiakin – Russian (1943- )
Title: Still Life with Fish and Knife
Year: Circa 1980
Medium: Color Lithograph on Japon paper
Image s...
Category
1980s Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
Two Tall Pines (11 x 7.5 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Photogram
Faculty Meeting
Located in San Francisco, CA
This artwork titled "Faculty Meeting" c.1990 in an original etching with intensive hand coloring on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered E.V 5/8 in pencil by the artist. The image size is 16 x 15.65 inches, sheet size is 24.35 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Etching
"Toad I" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Toad I" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...
Category
Early 19th Century Academic Bay Area - Prints and Multiples
Materials
Engraving
#1, So don't be a like a feather in the wind, The Divine Comedy, The Paradise.
By Frédéric Choisel
Located in Burlingame, CA
#1 ,So don't be a like a feather in the wind, The Divine Comedy, The Paradise. monotype with hand coloring in ink. Unique.
From a new series of 7 monoprints with hand coloring inspi...
Category
21st Century and Contemporary Abstract Bay Area - Prints and Multiples
Materials
Ink, Monoprint
Jean Vyboud "Reclining Nude" Original Pencil Signed Etching C.1920
By Jean-Auguste Vyboud
Located in San Francisco, CA
Jean Vyboud "Reclining Nude" Original Pencil Signed Etching C.1920
Beautiful 1920s nude etching by listed French artist Jean Vyboud (1872-1944)
P...
Category
Early 20th Century Bay Area - Prints and Multiples
Materials
Etching
Untitled
By Terry Leftrook
Located in San Francisco, CA
This artwork "Untitled #5" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The artwork...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Offset
Salle's Hermit Hummingbirds: A 19th C. Gould Hand-colored "Phaethornis Augusti"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Phaethornis Augusti", Salle's Hermit Hummingbird by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, grey, black, white and some green colored hummingbirds about a plant with green leaves and coral and yellow flowers.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original text page is included.
There are five other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Southeastern Ireland: A 17th Century Hand Colored Map by Mercator and Hondius
By Gerard Mercator
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...
Category
1630s Bay Area - Prints and Multiples
Materials
Engraving
Kee-She-Waa, A Fox Warrior: Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
This an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "Kee-She-Waa, A Fox Warrior", drawn b...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Zuni Rain Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Zuni Rain Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 14.5 x 27.25 inches.
Sheet siz...
Category
1980s Other Art Style Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Cosovo No 1
By Kim Frohsin
Located in Burlingame, CA
Girl's shoes, heels or tap shoes in bronze, black and gold, featured in this Monotype ev edition 8/8 with hand coloring. Kim Frohsin spent 12 years working o...
Category
1990s Contemporary Bay Area - Prints and Multiples
Materials
Gouache, Mixed Media, Monotype, Pastel
"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Belgium and the Netherlands: A Hand-colored 17th Century Map by Visscher
By Nicolaus Visscher
Located in Alamo, CA
This is an original hand-colored 17th century map of Belgium by Nicolaus (Nicolas) Visscher II entitled "Belgium Foederatum emendate auctum et novissime editum", published in Amsterdam in 1678. The map shows the seven provinces comprising the Belgium federation or the Republic of the Seven United Netherlands or the Dutch Republic as it was also known. The republic was formed when an alliance of seven Dutch provinces in the Spanish Netherlands revolted against rule by Spain in 1579 (the Union of Utrecht) and declared their independence in 1581 (the Act of Abjuration). The seven provinces were Groningen, Frisia, Overijssel, Guelders, Utrecht, Holland and Zeeland. This was a predecessor state to the Netherlands and the first fully independent Dutch nation state. Amsterdam, Delft, Rouen, Utrecht, Brugge, Ghent, and Antwerp are all included on the map. A small inset map in the lower right depicts the course of the Maas River from Maastricht to Wessem. There is a decorative cartouche in the upper left corner and a distance scale cartouche in the lower right corner.
The map is presented in an attractive antiqued medium brown-colored wood frame with gold-colored inner and outer trim and a light tan-colored fabric mat. The frame measures 26.63" high by 30" wide by 0.75" deep. There is some darkening of the red areas in the map, presumably related to oxidation of the original iron containing pigment over time. There are also a few scattered spots. The map is otherwise in very good condition.
The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...
Category
Late 17th Century Other Art Style Bay Area - Prints and Multiples
Materials
Engraving
General U.S. Grant
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: General U.S. Grant
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
Self Portrait I
By Pia Stern
Located in San Francisco, CA
This artwork titled "Self Portrait I" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated a...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monoprint
The Quilt Makers
Located in San Francisco, CA
This artwork titled " The Quilt Makers" 1988 is a color offset lithograph on paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) ...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Three Children
By Beniamino Bufano
Located in San Francisco, CA
This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and inscribed "Bon a Tirer" in pencil by the artist. Published by, First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 19.85 x 17.65 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition.
About the artist:
Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Lithograph
Volubilis
By Stanley William Hayter
Located in San Francisco, CA
Artist: Stanley William Hayter (1901-1988 )
Title: Volubilis
Date: 1969
Medium: Lithograph
Image Size: 25.75 x 19.75 inches
Sheet size: 25.75 x 19.75 inches – BFK Rives paper
Signature: signed, dated lower right
Publisher: Desjoberts, Paris
Catalogue Raisonne: B&M 331
Edition: 50 plus 10 proofs. This one: 19/50
This exceptional color lithograph is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Volubilis was published in 1969, and is B&M 331 in the catalog raisonne. The print is in good condition aside from soft handling creases, stray printing ink in the lower right corner, 6 in. surface rub upper left corner which is barely visible upon very close inspection. Please see photographs.
Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
The Curiosity Shop
Located in San Francisco, CA
This artwork titled "The curiosity Shop" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Etching
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Northern Scotland: 17th Century Hand-colored Map by Mercator
By Gerard Mercator
Located in Alamo, CA
This is a framed hand-colored 17th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner.
The map is presented in an antiqued brown wood...
Category
Mid-17th Century Other Art Style Bay Area - Prints and Multiples
Materials
Engraving
18th C. Portrait of William Harvey, MD: 17th C. Circulatory System Discoveries
By Jacobus Houbraken
Located in Alamo, CA
An 18th century engraved portrait of William Harvey, MD by Jacobus Houbraken after a painting by Wilhem von Bemmel, from "The Heads of Illustrious Pers...
Category
1730s Bay Area - Prints and Multiples
Materials
Engraving
A Hand Colored 17th Century Janssonius Map of Prussia: Poland, N. Germany, etc.
By Johannes Janssonius
Located in Alamo, CA
An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...
Category
Mid-17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Odyssetron I (From the suite of 5 lithographs)
Located in San Francisco, CA
This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...
Category
Late 20th Century Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
Crown Prince
By Deborah Oropallo
Located in San Francisco, CA
Artist: Deborah Oropallo (1954-)
Title: Crown Prince
Medium: Etching and aquatint in colors
Date: 1987
Printer: Teaberry Press (Timothy Berry, San Franci...
Category
1980s Conceptual Bay Area - Prints and Multiples
Materials
Etching, Aquatint
The Equestrian
By Charles Bragg
Located in San Francisco, CA
This artwork "The Equestrian" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 4/300 in pencil by the artist. T...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Etching
Lieutenant General Talmash: 18th C. Portrait by Houbraken
By Jacobus Houbraken
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Lieutenant General Talmash by Jacobus Houbraken after a painting by Sir Godfrey Kneller, from "The Heads of Illustrious Perso...
Category
1740s Bay Area - Prints and Multiples
Materials
Engraving
Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London between 1849 and 1861. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two mostly green-colored hummingbirds with brown wings perched on a branch of a tropical long leafed plant, possibly bamboo with ferns in the background.
This beautiful Gould hand-colored hummingbird lithograph is augmented with gum-arabic paint. It is in very good condition, other than some discoloration at the edges of the upper and lower right corners and residual binding material where the print was bound in the 19th century publication. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Hecatombe de Toros
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Thomas Willis, MD, 17th C. Pioneer of Neurology & Psychiatry: 18th C. Portrait
By George Vertue
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of the 17th century physician and scientist Thomas Willis, MD from "The Heads of Illustrious Person...
Category
1740s Bay Area - Prints and Multiples
Materials
Engraving
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
By Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Laid Paper, Engraving
Hellas
By Clinton Blair King
Located in San Francisco, CA
This Artwork Titlled "Hellas" 1974 is an original color etching and aquatint on Arches paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, ...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Etching
Payaso, Blue, Red and Yellow, 1980.
By Alejandro Colunga
Located in San Francisco, CA
These artwork title "Payaso blue, Red and Yellow" 1980 are the complete suite of three original lithographs by noted Mexican artist Alejandro Colunga, b.1948. They are hand signed, d...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Les Marguerites (Daisies)
By George Braque
Located in San Francisco, CA
Artist: George Braque – French (1882-1963)
Title: Les Marguerites (Daisies)
Year: circa 1952
Medium: Color etching and aquatint
Publisher: Maeght, Paris (bears Maeght blindstamp in ...
Category
1950s Cubist Bay Area - Prints and Multiples
Materials
Paper, Etching, Aquatint
Clown Assis, from Cirque de l'Etoile Filante
By Georges Rouault
Located in San Francisco, CA
This artwork "Clown Assis, from Cirque de l'Etoile Filante" 1932, is a wood engraving by French artist Georges Rouault 1871-1958 (Block engraved by Georges Aubert) It is signed in t...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut
Black Geese
By Winifred Austen
Located in San Francisco, CA
This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition.
About the artist:
Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit.
In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961.
She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Aquatint
Captain James Cook: 18th C. Portrait by William Hodges After Cook's 2nd Voyage
By William Hodges
Located in Alamo, CA
This is an original 18th Century copper plate engraved portrait of Captain James Cook as a young man. It was engraved by J. Basire after a painting by William Hodges, published in London by W. Strahan and T. Cadell in the Strand in 1777 as the frontispiece to the official journal publication of Cook's 2nd voyage of discovery, "A voyage towards the South Pole, and round the World. Performed in His Majesty's ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775". The journal was written by James Cook, Commander of the Resolution, which was the ship used for the voyage and William Hodges, who was the artist on board the ship. This famous image has been used in many articles and tributes to Captain Cook, including a Norfolk Island stamp celebrating his many accomplishments.
This engraved head-and-shoulders portrait of Captain Cook is enclosed in an oval with the appearance of a stone border. Captain Cook is dressed in his naval dress uniform, with a topcoat over a lace shirt. The engraving is printed on watermarked laid, chain-linked paper. The sheet measures 11.5" high x 9" wide. There is some spotting, most prominently in the margins. The print is otherwise in excellent condition.
Captain James Cook (1728-1779) was an English explorer, navigator, surveyor and cartographer, who dramatically changed what was known about the world through his three voyages of discovery in the 1770's. Cook's achievements are too numerous to include here, but for example, Cook charted much of the Pacific Ocean and discovered many island groups, including the Hawaiian islands, which he named the Sandwich Islands, in honor of the head of the British Admiralty and a patron of Cook's. Cook was the first European to explore the eastern coast of Australia, and he was the first to map the New Zealand coastline. He sailed farther south than any other explorer before him, disproving the belief that a huge land mass occupied the South Pole. He also explored the northwest coast of North America, including present day Alaska and adjacent portions of Russia. He proved that the Northwest Passage did not exist.
Cook was an exceptional seaman, navigator and leader of men, which contributed to the success of his explorations, but also saved his ship and crew on many occasions when faced with challenges, such as storms in previously unexplored waters, like occurred in the Great Barrier Reef off the eastern coast of Australia. He is also the first to require his crew to eat citrus fruit which markedly reduced the incidence of survey, which had led to large scale illness and death during earlier ocean voyages. As outstanding as Cook's skills were, they are even more impressive since they were self-taught. Having grown up the son of a farmhand in Northern England he had only four years of formal schooling. He taught himself astronomy, mathematics and other disciplines which were helpful when he continued his education, first in the merchant marine and then in the British Navy. Cook's adventurous career came to a sudden and unfortunate end in 1779, when he was killed in a confrontation with Hawaiian natives...
Category
1770s Bay Area - Prints and Multiples
Materials
Engraving
Key West Beach
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...
Category
Mid-20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
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