Ole Wanscher Model 1668

A scholar and architect with the heart of an artist, Ole Wanscher helped define the functional, clean-cut style that formed the core of modern Danish furniture design. Influenced heavily by his world travels, Wanscher gained inspiration from English, Asian, Egyptian and traditional Shaker furniture, and he incorporated elements from these styles into his revered mid-century designs.

Wanscher’s deep respect for the use of traditional materials such as quality wood is reflected in his work, which is valued for being both beautiful and built to last. He was also a leader in the postwar “design for everyone” movement, creating many pieces intended for everyday life within the small confines of the average Danish household. Later, Wanscher became a prolific writer on the subject of furniture design. He is considered one of the most significant influences on the world of Scandinavian modernism.

The son of an art historian and a painter, Wanscher studied at the Royal Danish Academy of Fine Arts. From 1925 to 1927, Wanscher worked under the great Danish designer and professor Kaare Klint, who became one of the greatest stylistic influences on his output. Wanscher would go on to work as a professor at the academy from 1955 to 1973.

Wanscher founded his own furniture manufacturing company in 1929. Here he employed the top cabinetmakers of the day, most notably A.J. Iversen, with whom Wanscher collaborated for many years. While the workshop produced seductive handmade furniture with organic materials such as teak and mahogany, Wanscher intended to design durable seating, tables and more for the mass market — he was committed to making quality furniture available to a wider audience.

Of all of Wanscher’s designs, he is perhaps best known for his Colonial chair. This piece — which is part of a collection for Danish manufacturer P. Jeppesens that includes a sofa and a coffee table — exemplifies his penchant for combining minimalist design with traditional craftsmanship. Wanscher’s dining room tables, such as the Rungstedlund table, also epitomize the elegance of his work’s simple silhouettes and careful construction. These sleek tables serve as an ideal centerpiece for both modern and traditionally styled dining rooms, highlighting the versatility of Wanscher’s work.

Wanscher received a gold medal for his exemplary work at the 1960 Milan Triennale. He also received the Copenhagen Carpenters’ Guild Annual Award. Though Wanscher passed away in 1985, his iconic designs and scholarly writings remain relevant to this day.

Find vintage Ole Wanscher tables, seating and case pieces on 1stDibs.

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

• Emerged in the 1930s 
• Originated primarily in Denmark, Sweden and Finland
• Introduced in the United States in mid-20th century
• Informed by the Bauhaus and modernism; influenced American mid-century modernism  

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

• Bold, clean lines and simple, sturdy symmetries
• Use of natural materials — native woods such as pine, ash and beech
• Open, airy spaces
• Promotion of functionality
• Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
• Minimal ornamentation (little to no embellishment)
• A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

• Alvar Aalto
• Hans Wegner
• Kaare Klint
• Arne Jacobsen
• Greta Magnusson Grossman 
• Finn Juhl
• Arne Vodder
• Verner Panton

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

• Ant chair
• Grasshopper table lamp
• Wishbone chair
• Stool 60
• Artichoke lamp

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak. 

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

Black leather, silk velvet cushions, breathable bouclé fabric — when shopping for antique, new or vintage sofas, today’s couch connoisseurs have much to choose from in terms of style and shape. But it wasn’t always thus. 

The sofa is typically defined as a long upholstered seat that features a back and arms and is intended for two or more people. While the term “couch” comes from the Old French couche, meaning to lie down, and sofa has Eastern origins, both are forms of divan, a Turkish word that means an elongated cushioned seat. No matter how you spell it, sofa just means comfort, at least it does today.

In the early days of sofa design, upholstery consisted of horsehair or dried moss. Sofas that originated in countries such as France during the 17th century were more integral to decor than they were to comfort. Like most Baroque furnishings from the region, they frequently comprised heavy, gilded mahogany frames and were upholstered in floral Beauvais tapestry. Today, options abound when it comes to style and material, with authentic leather offerings and classy steel settees. Plush, velvet chesterfields represent the platonic ideal of coziness. 

Vladimir Kagan’s iconic sofa designs, such as the Crescent and the Serpentine — which, like the sectional sofas of the 1960s created by furniture makers such as Harvey Probber, are quite popular among mid-century modern furniture enthusiasts — showcase the spectrum of style available to modern consumers. Those looking to make a statement can turn to Studio 65’s lip-shaped Bocca sofa, which was inspired by the work of Salvador Dalí. Elsewhere, the furniture of the 1970s evokes an era when experimentation ruled, or at least provided a reason to break the rules. Just about every area of society felt a sudden urge to be wayward, to push boundaries — and buttons. Vintage leather sofas of that decade are characterized by a rare blending of the showy and organic.

With so many options, it’s important to explore and find the perfect furniture for your space. Paying attention to the lines of the cushions as well as the flow from the backrest into the arms is crucial to identifying a cohesive new piece for your home or office.

Fortunately, with styles from every era — and even round sofas — there’s a luxurious piece for every space. Deck out your living room with an Art Deco lounge or go retro with a nostalgic '80s design. No matter your sitting vision, the right piece is waiting for you in the expansive collection of unique sofas on 1stDibs.