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Founded in Hellerup, Denmark, by entrepreneur Ejvind Kold Christensen, furniture manufacturer E. Kold Christensen was instrumental in advancing the career of Poul Kjærholm, a revered Danish cabinetmaker who brought a graceful and sleek new style to Scandinavian design.

Christensen and Kjærholm formed not only a close friendship but also a fruitful business partnership that endured for decades. The company produced most of Kjærholm’s acclaimed armchairs, stools and lounge chairs — which were often framed in brushed steel and upholstered in leather — until Kjærholm’s death in 1980.

Christensen began his career as a sales manager for the furniture manufacturer Carl Hansen & Søn. In the late 1940s, Christensen introduced the young Hans Wegner to Carl’s son, Holger Hansen — who was by then running his family’s legendary company — after recognizing the potential of this new designer. Wegner, Hansen and Christensen solidified their partnership by forming SALESCO — a marketing company with the sole purpose of promoting Wegner’s now universally celebrated body of work. 

In the mid-1950s, Christensen partnered with promising designer Kjærholm — their pairing was the result of Wegner recommending that Christensen help develop Kjærholm (Wegner had been a teacher of Kjærholm’s at what is now the Royal Danish Academy of Fine Arts). Christensen established his eponymous company with the singular goal of manufacturing his friend’s works. 

E. Kold Christensen’s founder offered Kjærholm the room he needed to explore the structural potential of steel in furniture-making — he created forward-looking seating, tables and other pieces that reflected the influence of modernist designers such as Ludwig Mies van der Rohe and Lilly Reich rather than the output of his Scandinavian peers, who worked primarily with wood. (Kjærholm would later experiment with wood during the 1970s.) 

The refined PK22 chair, a lounger made of steel with a seat of leather or canvas has over time been compared to Mies and Reich’s Barcelona chair and is a fine example of Kjærholm’s mid-century innovations for E. Kold Christensen. It was an instant commercial success — launching both the designer's and manufacturer's careers. Later, Kjærholm’s iconic PK24 chair merged stainless steel, leather and a sinuous seat of woven wicker, while his PK61 coffee table offered a fanciful, off-center support structure for its glass top. By 1960, Kjærholm had twice been awarded the Grand Prize at the Milan Triennale.

In the 1980s, E. Kold Christensen sold the production rights to a range of Kjærholm’s work to Fritz Hansen, where the designer had incidentally worked for a short time in the early 1950s (the company now has rights to the complete collection) . Many of Kjærholm’s works are part of collections at the Museum of Modern Art and the Metropolitan Museum of Art in New York City, while museums in Norway, Denmark, Germany and Sweden also have his works — each produced by E. Kold Christensen — in their permanent collections. 

On 1stDibs, find vintage E. Kold Christensen chairs, tables, lighting and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.