Questions & Answers
Our trusted network of 1stDibs sellers answer common questions
Are numbered prints worth money?
1 Answer

Yes, some numbered prints are worth money. Often, numbered pieces are original prints produced in a limited quantity. Because only a select number of prints were produced, they may appreciate in value over time. However, the artist, age, image quality, condition and other characteristics will largely determine the potential value of numbered prints. A certified appraiser or experienced art dealer can inspect your print and give you an idea of how much it may be worth. On 1stDibs, shop a wide range of art prints.
1stDibs ExpertOctober 30, 2024
Related Questions
- What old prints are worth money?1 Answer
- Are art prints worth money?1 Answer
- Are Lowry prints worth any money?1 Answer
- Are Picasso prints worth money?1 Answer
- What artists’ prints are worth money?1 Answer
Shop for Prints and Multiples on 1stDibs
"Apparition at the Border of Language"
Located in Lyons, CO
This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations.
The artist de...
Category
2010s Contemporary More Prints
Materials
Lithograph
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
1860s Victorian Landscape Prints
Materials
Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Landscape Prints
Materials
Laid Paper, Engraving
(after) Alexander Liberman - "Socrate" serigraph
Located in Henderson, NV
Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge"....
Category
1960s Prints and Multiples
Materials
Lithograph, Stencil
Vintage Andy Warhol Perrier Poster, Original 1983 Pop Art Lithograph, Mint
By Andy Warhol
Located in Spokane, WA
Original 1983 Andy Warhol Perrier Poster – Authentic Pop Art Masterpiece. Grade A.
Preserved in mint condition, this poster is a rare find for serious...
Category
1980s Pop Art Still-life Prints
Materials
Offset
On Lake Attersee -Austria Gallery Edition-Plate signed-Giclee on Museum Board
By Gustav Klimt
Located in London, GB
This is a Limited Austrian Edition, signed on plate, published by Austria-Klimt Villa Gallery in 2012 ( seal in the picture); Giclee printed on high quality heavy Museum Board. The p...
Category
Early 1900s Post-Impressionist Landscape Paintings
Materials
Ink, Archival Paper, Giclée


