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What was Dora Maar famous for?

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What was Dora Maar famous for?
Dora Maar was famous for her impact on the art world. Arguably, she is best known for being the model and inspiration for Pablo Picasso's Weeping Women series of portraits. However, Maar was also an artist in her own right. Among her works were photomontages that helped define the Surrealist movement while also commenting on the day's sociopolitical issues. Shop an assortment of Dora Maar art on 1stDibs.
1stDibs ExpertJanuary 19, 2025
Shop for Dora Maar on 1stDibs
'Abstract, Turquoise and Gray', Paris, Picasso, Andre L'Hote, Guernica, Benezit
By Dora Maar
Located in Santa Cruz, CA
Signed verso with artist monogram 'DM' for Dora Maar (Argentine-French, 1907-1997); additionally impressed, upper left, with Dora Maar Estate stamp, Maison de la Chimie sale, Paris; October, 1998. In addition to her central role as Picasso's model and lover, Dora Maar served as his constant muse during the period of his creation of Guernica for which she also served as model for the lantern-holder, appearing at upper right. Prior to embarking on her two-year relationship with Picasso, Maar had already produced a widely-respected body of work and was celebrated as an influential and cutting-edge photographer. Nevertheless, it is her high-profile relationship with Picasso and her own personality- both in publications about Picasso and in those dedicated to her own life and work- that have acquired particular significance in art-historical literature. Maar's close link to the Surrealists, however, derived from her personal radiance and enigmatic personality as well as to the conscious and politically-informed artistic perspective that underlay her cutting-edge photomontages of the 1930s. Her increasingly radical political views during this period reinforced Picasso's own awareness of the deteriorating international political situation and of the civil war in his homeland. This heightened awareness culminated in the creation of "Guernica', his supreme artistic and political statement of the 1930's. Born in 1907, Henrietta Theodora Markovitch adopted the pen name of Dora Maar during the first years of her photography career. Growing up in Buenos Aires and Paris, she learned to speak French, Spanish and English fluently and, from 1927 on, attended the Art Academy of Andre L'Hote in Montparnasse. At the Academy, she studied painting but, by the end of the 1920s, she had transferred to the Ecole de Photographie de la Ville de Paris. In the early 1930s, she founded a photographic studio together with Pierre Kfer, who was later to make a career as stage designer. Numerous fashion and advertising photography shoots resulted from this collaboration and these were soon followed by her first Paris exhibitions. Dora Maar's photographic style during the 1930s show clear, surrealist characteristics. In her photographs and photomontages, she frequently played with shifting proportions, thus echoing an important feature of surrealist pictures. This tendency was augmented by the combination of disparate objects, which robs the photographs of their character of reflecting extreme reality, converting them to expressions of inner visions and psychic states. In parallel to these surreal photographs, Dora Maar produced sobering documentary photographs of her urban environments in Paris, London or Barcelona. Repeatedly, she records, in her photographs, the underprivileged, the unemployed and homeless, the socially disadvantaged and the physically deformed. It was precisely the simplicity of these photos that enabled Dora Maar to give the day-to-day and the ugly a magnificent monstrosity in which the beautiful and the horrible blend into one another. This recorded reality is thus accompanied by a level of inner associations, fears and visions. This present work, painted in the 1930's, remained in Dora Maar's possession until the end of her life, and shows her early interest in abstraction and her preoccupation with the complex inter-relationships of color and form. This painting is accompanied by a first edition copy of...
Category

1930s Abstract Abstract Paintings

Materials

Canvas, Oil

"abstract composition" green Yellowstone Oil cm. 27 x 26 1950 ca Green , Yellow
By Dora Maar
Located in Torino, IT
Green, Yellow, abstract, Picasso, Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1...
Category

1950s Abstract Abstract Paintings

Materials

Oil, Cardboard

Kazbek, Picasso's Dog, Paris, (Kazbek, le Chien de Pablo Picasso, Paris)
By Dora Maar
Located in London, GB
Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...
Category

Early 20th Century Black and White Photography

Materials

Silver Gelatin

Dora Maar Framed Hand Signed Pointillist Drawing, circa 1960
By Dora Maar
Located in Barcelona, Barcelona
Pointillist composition by Dora Maar. Authenticity stamp of the auction that took place in 1998 in Paris. Black ink on cream white paper. 20th century, undated. Frame not included. ...
Category

Vintage 1960s French Mid-Century Modern Drawings

Materials

Paper

Original Dora Maar, (Picasso's muse) fine ink drawing of abstract forms, 1998
By Dora Maar
Located in Petworth, West Sussex
This is a beautiful and fine avant-garde finished drawing of abstract forms by the French female artist, Dora Maar. Dora Maar was a distinctive artist in her own right marked by str...
Category

20th Century Surrealist Abstract Drawings and Watercolors

Materials

Paper, Ink

Dora Maar Pointillist Framed Colored Drawing, circa 1960
By Dora Maar
Located in Barcelona, Barcelona
Pointillist drawing by Dora Maar. Authenticity stamp of the auction that took place in 1998 in Paris. Black ink on cream white paper. 20th Century, undated. Framed and si...
Category

Vintage 1960s French Mid-Century Modern Drawings

Materials

Paper, Wood

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