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Art by Medium: Engraving

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Medium: Engraving
Soho Dreams
Located in London, GB
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...
Category

1980s Abstract Expressionist Art by Medium: Engraving

Materials

Drypoint, Etching, Aquatint

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

1710s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving, Etching, Intaglio

John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category

Early 18th Century Art by Medium: Engraving

Materials

Engraving

Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland. Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category

1780s Naturalistic Art by Medium: Engraving

Materials

Engraving

Vue d'un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne' French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illust...
Category

1780s Naturalistic Art by Medium: Engraving

Materials

Engraving

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Glutineux' A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category

Late 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Set of Four Stipple Engravings from "Drawings by Hans Holbein" /// Henry VIII
Located in Saint Augustine, FL
Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...
Category

1810s Old Masters Art by Medium: Engraving

Materials

Engraving, Intaglio

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'145. Cortinarius fulgens 146. Cortinarius semi-sanguines 147. Flammula sapinea' ' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category

Early 20th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Lithograph

Portrait of Jacob Cats, poet – engraved by Michiel Nöel Natalis
Located in Middletown, NY
Amsterdam: Francois Halma, circa 1700. Engraving on laid paper, 13 x 7 3/4 inches (350 x 197 mm); sheet 15 3/4 x 9 3/4 inches (400 x 248 mm), full margins. In very good condition wi...
Category

Early 18th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Nose #1
Located in Toronto, Ontario
William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...
Category

Early 2000s Surrealist Art by Medium: Engraving

Materials

Engraving, Drypoint, Etching, Aquatint

Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Located in San Francisco, CA
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787 Late 18th century hand colored engraving after Thomas Rowlandson A scene of a young student asking ...
Category

Late 18th Century Art by Medium: Engraving

Materials

Engraving

Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1750s Art by Medium: Engraving

Materials

Engraving

J. Becquet, Sculptor
Located in Fairlawn, OH
J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...
Category

19th Century Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1790s Art by Medium: Engraving

Materials

Engraving

A Man of Mangea 1784 final voyage of Captain Cook by John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category

1780s Realist Art by Medium: Engraving

Materials

Engraving

Saint Jerome, Old Masters Engraving by Amand-Durand after Albrecht Durer
Located in Long Island City, NY
Artist: Albrecht Dürer, After by Amand Durand, German (1471 - 1528) Title: Saint Jerome Year: 1873 Medium: Heliogravure Size: 9 x 7.25 in. (22.86 x 18.42 ...
Category

1870s Old Masters Art by Medium: Engraving

Materials

Engraving

Colossus of Rhodes, Optic View from the Seven Wonders Series, Probst, 18th cent
By Georg Balthasar Probst
Located in Firenze, IT
The Colossus of Rhodes - Vue d'optique day/night, Seven Wonders series, Probst, 1770 Technique and materials: hand-colored etching, punch-perforated, with collage work and colored p...
Category

Mid-18th Century Old Masters Art by Medium: Engraving

Materials

Paper, Handmade Paper, Engraving

Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

Argentinean Artist signed limited edition original art print silkscreen
Located in Miami, FL
Luis Rodolfo Trimano (Argentina, 1943) 'Estigmas 3', 2006 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 Unframed ID: TRI1706-003-106 Hand-signed by author
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving, Screen

After Jacob Herreyns the Elder (1643-1732) - 18thC Engraving, Maria Triumphant
Located in Corsham, GB
A richly detailed engraving after the original design by Jacob Herreyns the Elder, showing an elaborate pageant for Maria Theresa Walburga Amalia Christina (Maria Theresia (1717–17...
Category

18th Century Art by Medium: Engraving

Materials

Engraving

Xisco Mensua Spanish artist 1995 original signed framed engraving print n4
Located in Miami, FL
Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-004 Hand-signed by a...
Category

1990s Contemporary Art by Medium: Engraving

Materials

Paper, Engraving

THORNTON. The Superb Lily.
Located in London, London
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

1790s Naturalistic Art by Medium: Engraving

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Engraving

Materials

Engraving, Woodcut

Lice
Located in Fairlawn, OH
Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...
Category

1920s American Realist Art by Medium: Engraving

Materials

Drypoint

Plan of the Rood Loft in St George's Chapel (1790), engraving by James Basire
Located in London, GB
James Basire & Henry Emlyn Plan and Elevation of the Rood Loft in St George's Chapel at Windsor Engraving 47 x 55 cm This engraving was originally published by the Society of Ant...
Category

1790s Realist Art by Medium: Engraving

Materials

Engraving

Christ's College, Cambridge, engraving after David Loggan
Located in London, GB
After David Loggan (1634 - 1692) Christ's College, Cambridge Engraving 40 x 46 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engrave...
Category

Early 18th Century Realist Art by Medium: Engraving

Materials

Engraving

PLONGEON
Located in Portland, ME
Hayter, Stanley William (English, 1901-1988). PLONGEON. B/M 374. Engraving and soft-ground etching in colors, 1974. 23 x 19 1/4 inches; 583 x 460 mm. (plate), 29 3/4 x 22 inches (sh...
Category

1970s Art by Medium: Engraving

Materials

Engraving, Etching

Debris
Located in Fairlawn, OH
Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...
Category

Mid-20th Century Abstract Geometric Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category

Mid-19th Century Impressionist Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

1880s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Cambridgeshire map 17th century engraving by John Speed
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." John Speed (1551 or 1552 - 1629) Map of Cambridgeshire Engraving with later hand colouring 39 x 53 cm A beautifully coloured map of Cambridgeshire, with an antique description...
Category

1610s Art by Medium: Engraving

Materials

Engraving

Tiltey Church, Essex & Rochester Cathedral (1790), engraving by James Basire
Located in London, GB
James Basire & John Carter Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral Engraving 50 x 32 cm This engraving was originally published by the Society ...
Category

1790s Realist Art by Medium: Engraving

Materials

Engraving

The Death of Lazarus
By Hieronymus Wierix
Located in Fairlawn, OH
The Death of Lazarus Engraving, 1593 Feria VI. Post Domin IIII From: Evangelicae Historiae Imagines, Plate 76 Condition: Excellent Sheet size: 9 7/8 x 6 1/8 inches Reference: Referen...
Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Abstract Composition Color Engraving
By Najar Barsoumian Hratchaya
Located in Lake Worth Beach, FL
Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...
Category

1970s Abstract Art by Medium: Engraving

Materials

Archival Paper, Engraving

Untitled
Located in Fairlawn, OH
Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...
Category

1960s Abstract Expressionist Art by Medium: Engraving

Materials

Engraving

Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Category

Early 19th Century Art by Medium: Engraving

Materials

Engraving

"Le Bouclier, " Original Drypoint Etching signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...
Category

1970s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category

1880s Impressionist Art by Medium: Engraving

Materials

Drypoint, Etching

Queens' College, Cambridge, engraving by David Loggan
Located in London, GB
David Loggan (1634 - 1692) Queens' College, Cambridge Engraving 37 x 45 cm An eighteenth-century view of Queens', Cambridge, engraved by David Loggan, the noted engraver, draughtsm...
Category

18th Century Realist Art by Medium: Engraving

Materials

Engraving

Sidney Sussex, Cambridge, engraving by David Loggan
Located in London, GB
David Loggan (1634 - 1692) Sidney Sussex College, Cambridge Engraving 33 x 45 cm An eighteenth-century view of Sidney Sussex, Cambridge, engraved by David Loggan, the noted engrave...
Category

18th Century Realist Art by Medium: Engraving

Materials

Engraving

Big Horse, Black & Moorhead 46 very scarce 1932 engraving + drypoint signed 8/30
Located in New York, NY
Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered 8/30 an...
Category

1930s Abstract Expressionist Art by Medium: Engraving

Materials

Engraving, Drypoint

The Jolly Flat Boat Men
By George Caleb Bingham
Located in Missouri, MO
The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...
Category

1840s Hudson River School Art by Medium: Engraving

Materials

Engraving

The Unicorn Laser Disintegrates the Horns of Cosmic Rhinoceroses (The Conquest o
Located in Greenwich, CT
The Unicorn Laser Disintegrates the Horns of the Cosmic Rhinoceroses from the Conquest of Cosmos suite – 29.5 x 22" image size, signed ‘Dalí’ lower right and annotated lower left. Fr...
Category

20th Century Surrealist Art by Medium: Engraving

Materials

Drypoint, Lithograph

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century Art by Medium: Engraving

Materials

Watercolor, Engraving

G. Paterson "Dinner Party at a Mandarin's House" Engraving After T. Allom c.1840
Located in San Francisco, CA
G. Paterson "Dinner Party at a Mandarin's House" Original Engraving After T. Allom C.1840 Original engraving Dimensions 8" wide x 5" high The frame measures 20.5" wide x 18.5" hig...
Category

Mid-19th Century Realist Art by Medium: Engraving

Materials

Engraving

NIGHT WINDOWS
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...
Category

1910s Art by Medium: Engraving

Materials

Drypoint, Etching

Advice
Located in New York, NY
Walt Kuhn (1877-1949), Advice, etching and drypoint, 1915, signed in pencil lower right and titled lower left. In generally good condition but obviously a proof impression, with marg...
Category

1910s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

EXPRESS STOP
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). EXPRESS STOP. Etching, 1948. 6 3/8 x 5 3/4 inches (plate). Signed in pencil. Published by Associated American Artists In excellent condition....
Category

1940s Art by Medium: Engraving

Materials

Engraving

Trinity College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Cambridge (1690) Engraving 80 x 50 cm Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

1690s Realist Art by Medium: Engraving

Materials

Engraving

Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category

Mid-18th Century Art by Medium: Engraving

Materials

Engraving

Nymph and Faun - Print by Ker Xavier Rousssel - 1916 ca
Located in Roma, IT
Etching on vélin paper. Hand signed and noted. 3rd State Very good condition. Ref. Salomon n. 116 A delicate and poetic impression by Ker-Xavier Roussel, presenting an Arcadian ...
Category

1910s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Deux Baigneuses - Etching by André Lhote - 1927 ca.
Located in Roma, IT
Etching, soft varnish and roller on vélin paper. Hand signed and numbered in pencil. Edition of 150. Dry stamp "Le Chien de Pique". Matted (dimension 49x65 cm) Very good conditi...
Category

1920s Art by Medium: Engraving

Materials

Etching, Drypoint

The Bridge of Sighs, Venice, by Walter Henry Sweet & John Shapland
Located in Middletown, NY
Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...
Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Handmade Paper, Laid Paper, Etching, Engraving

'Sister, A portrait of the Moon' , Signed Etching c2021
Located in Frome, Somerset
'Sister' , by contemporary printmaker and artist Rosie McLay (British) Edition 59 of 75 in total, handmade etching by the artist. Ink on paper layed on Dutch gold leaf. Hand etched ...
Category

2010s Realist Art by Medium: Engraving

Materials

Engraving

The Original Entrance to the Cloisters at Magdalen College, Oxford Engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message...
Category

1780s Realist Art by Medium: Engraving

Materials

Engraving

Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641) Title: "Dominus Nicolaus Vander Borcht" Year: 1703 (first or second state of three) Medium: Original Engraving on laid paper Limi...
Category

Early 1700s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Adrian Collaert Martin de Vos 17th Century Engraving: The Daemons and the Pigs
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category

17th Century Realist Art by Medium: Engraving

Materials

Engraving

Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, London
4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...
Category

1780s Gothic Art by Medium: Engraving

Materials

Handmade Paper, Etching, Engraving

Clare College, Cambridge (aerial view) by David Loggan
Located in London, GB
David Loggan (1634 - 1692) Clare College, Cambridge Engraving 36 x 42 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...
Category

Early 18th Century Realist Art by Medium: Engraving

Materials

Engraving

Painting Bold Abstract Nature Seasons Transformation Maximalism Warm Invest
Located in Pretoria, Gauteng
Title: You are my Autumn and my Spring Large artwork Painting Bold Abstract Nature Seasons Transformation Maximalism Warm Investment In this painting, I connected to that which cha...
Category

21st Century and Contemporary Abstract Art by Medium: Engraving

Materials

Gesso, Canvas, Wood, Glaze, Underglaze, Acrylic, Engraving, Stretcher Bars

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.