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Hermann Max PechsteinWeib Vom Manne Begehrt (Woman Desired by Man) /// Max Pechstein Woodcut Modern1920
1920
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About the Item
Artist: Hermann Max Pechstein (German, 1881-1955)
Title: "Weib Vom Manne Begehrt (Woman Desired by Man)"
Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)
*Unsigned edition
Year: 1919, (published 1920)
Medium: Original Woodcut Engraving on cream wove paper
Limited edition: 500, (there was also a signed and numbered edition of 30)
Printer: Unknown
Publisher: Klinkhardt & Biermann, Leipzig, Germany
Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114
Sheet size: 12.75" x 9.5"
Image size: 9.88" x 6.25"
Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY.
"Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)" brings together woodcuts, lithographs, and reproductions by thirty-one artists representing a cross-section of styles from Impressionism to Expressionism, uniting under a single cover works ranging from naturalistic self-portraits to left-wing political caricatures. It features works by artists associated with the Berlin Secession (an exhibiting society comprised primarily of German Impressionists), with Expressionist groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists like Max Beckmann who were not affliliated with any group.
In his introduction, art historian Kurt Pfister identified Expressionism as the leading force in German art at the time, while stressing the plurality of approaches to style and subject matter that the movement encompassed. Pfister emphasized the openness of German artists to foreign sources, and cited the importance of Paul Cézanne, Edvard Munch, and Pablo Picasso as well as Japanese, Indian, African, and Gothic art for the development of German art. There was a fifty-year difference in age between the oldest artist, Max Liebermann, and the youngest, Conrad Felixmüller, featured in the collection. The volume also included Lyonel Feininger, an American who had lived in Germany since 1896, as well as Austrian artists Oskar Kokoschka and Alfred Kubin.
Biography:
Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures.
From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art) exhibition of 1937. During this time, Pechstein went into seclusion in rural Pomerania. He was a prolific printmaker, producing 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, mostly etchings. Pechstein was a professor at the Berlin Academy for ten years before his dismissal by the Nazis in 1933. He was reinstated in 1945, and subsequently won numerous titles and awards for his work. He died in West Berlin. He is buried on the Evangelischer Friedhof Alt-Schmargendorf in Berlin.
- Creator:Hermann Max Pechstein (1881 - 1955, German)
- Creation Year:1920
- Dimensions:Height: 12.75 in (32.39 cm)Width: 9.5 in (24.13 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12125748852
Hermann Max Pechstein
Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures. From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art) exhibition of 1937. During this time, Pechstein went into seclusion in rural Pomerania. He was a prolific printmaker, producing 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, mostly etchings. Pechstein was a professor at the Berlin Academy for ten years before his dismissal by the Nazis in 1933. He was reinstated in 1945, and subsequently won numerous titles and awards for his work. He died in West Berlin. He is buried on the Evangelischer Friedhof Alt-Schmargendorf in Berlin.
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By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 220, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.57"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
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Zwei Frauen (Two Women) /// German Expressionism Karl Schmidt-Rottluff Woodcut
By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Zwei Frauen (Two Women)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 222, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Overall size with attached page: 8.5" x 10.63"
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.63"
Condition: Toning to sheet (as normal). A few tiny pinholes in right margin. In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl...
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Frau in der Wanne (Woman in Tub) /// German Expressionism Schmidt-Rottluff Nude
By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Frau in der Wanne (Woman in Tub)"
Series: Die Aktion
*Unsigned edition
Year: 1915
Medium: Original Woodcut Engraving on cream smooth wove paper
Limited edition: Unknown, (there was also a signed edition on laid paper with wider margins in an unknown edition size)
Printer: F.E. Haag, Melle, Hanover, Germany
Publisher: Verlag der Wochenschrift DIE AKTION, Berlin, Germany
Reference: "Das Graphische Werk Bis 1923" - Schapire No. 171, page 37; Söhn No. 40502
Framing: Recently framed in a contemporary gold moulding with 100% cotton rag matting and Artglass
Framed size: 16" x 13.25"
Sheet size: 11.5" x 8.75"
Image size: 10" x 7.25"
Condition: Faint UV staining to sheet and light toning at edges. It is otherwise a strong impression in excellent condition
Extremely rare
Notes:
Provenance: private collection - Kiel, Germany. Comes from the famous "Die Aktion" publication, Vol. 5, No. 13 published March 20th, 1915. Text on verso as issued. There is an example of this complete issue in the permanent collection of the Museum of Modern Art, New York, NY.
In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
Artist Max Oppenheimer...
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By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Bekleidete und nackte Frau (Clothed and Naked Woman)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 221, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Overall size with attached page: 8.5" x 10.63"
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.38"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
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By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Weiblicher Kopf (Female Head)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 224, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Overall size with attached page: 8.5" x 10.63"
Sheet size: 8.5" x 5.38"
Image size: 4.88" x 3.5"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
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By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Männlicher Kopf an weibliche (Male Head Leaning against Female)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
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Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 225, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Sheet size: 8.5" x 5.38"
Image size: 6.25" x 3.57"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
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