Art by Medium: Lacquer

A still life of flowers in a vase 27324-LU2595214540452

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

Artist’s Statement: “I have decided to make available some work I did back in the 90's that I had put aside because I didn't want to sell it at the time. You can tell that I had been...

"A house in the woods. Cherry blossom" landscape of the Volsky Lily. The landscape with the forest house was painted in spring. How I want to escape there from the city. It will sett...

These stunning spring narcissus are placed in a transparent vase. The bright yellow flowers create a vivid color contrast against the silvery blue background focusing the viewer's ey...

Sculpture, bespoke case and bottle for La Grande Dame 2012 designed by Yayoi Kusama Edition of 100 45 x 36 x 36 cm (17.7 x 14.2 x 14.2 in) Signed, numbe...

The picture is bright, saturated with aromas of the tropics. Tuberoses are in full bloom. Butterflies are a symbol of life. Fragrant flowers surround you from all sides. An exotic co...

Purple lace of white peonies" realistic still life by Lilia Volskaya. Flowers are the ultimate delight in beauty, which is flawless. The slight curves of lines, tones and semitones, ...

"White lilies" floral still life realism of the Volsky Lily. The painting is done in oil on canvas. It is written in 3 layers. Flowers look very impressive on a dark background. Lil...

(NOTE: if you enter "Gridish" into the 1stDibs search field you will see others in this series come up) (Comes framed in a maple high-profile "floater" frame.) Artist’s Statement: ...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

"At dawn" abstract marine landscape by Lilia Volskaya. Charming seascape. He breathes sea spray and foam. Waves run into the endless expanses of the sea At dawn, the water turns red....

Registros XI, 2023 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 240 H cm x 140 W cm. Unique Impressions of pa...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion a...

Liquid Life Series n7, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 200 H X 156 W cm. U...

François Benoit Lison (1968 - ) "Unwrapped" Acrylic and lacquer on canvas 100 x 81 cm 2022 Born in Granville, France, on April 14, 1968, François Benoît-Lison began with a figurative approach, which gradually evolved into abstraction, first lyrical, then more contrasting, where black reigns supreme. Black is a sacred color, sometimes dark, sometimes dazzling, without limits, it can be dominant or gentle. After acrylics and oils, bituminous pastes and inks opened another door, that of the abstract, much more profound and contemporary, with the possibility of working these materials in many aspects and forms. Since the 1980s, the artist has been offering us works imbued with research, reflection and philosophy, charged with a strong, raw message, highlighting his thoughts and leaving an indelible imprint. Abstraction is his adventure, his freedom, his struggle, his dreams, his rage, his solitude. Works by Jackson Pollock, Caravaggio, Egon Schiele, Pierre Soulages and André Marfaing...

''Flying Love" is a unique mix media hand painted metal wall sculpture on wood panel by Joel Amit. The artwork comes with a certificate of authenticity and artist's book. This piece ...

(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...

Luxurious vintage black lacquer and gold plated lighter with red Chinese lettering.

The paintings are drawn with oil on the canvas. A summer landscape with white jasmine flowers. Clusters of flowers. The painting is made in the style of painting...

"What inspired the creation of this floral abstraction: The excellent intensive pink and red colours supporting with tender light rose and violet hues. Dimension in inches: 31 x 31 D...

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

Magic geranium" still life framed by Volskay Lilya. A beautiful airy, very light still life. It is executed in a mixed technique. There are also acrylic paints and inks, ceramic cont...

In this painting, I aimed to capture the serene, almost timeless ambience of domestic life, juxtaposed with a subtle nod to companionship and the unspoken grace. The contrast between...

''Flying Love" is a unique mix media hand painted metal wall sculpture on wood panel by Joel Amit. The artwork comes with a certificate of authenticity and artist's book. This piece ...

"Pop Doll" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer, acrylic, stencil, aerosol, mother of pearl, digigraphy, varnish, resin, Indian headdress 218 cm or helmet 198 cm. NEW MOVEMENT & STYLE: POP ART, POP FREE, Contemporary Edition : Unique, signed Weight: Approximately 25 kg. “The impressions of David's artworks on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his artworks bring positive emotion, represented by the vast creative power of his talent.” David Cintract was born in 1970. Halfway between Andy Warhol and Roy Lichtenstein, the artist projects his vision of consumer society on all media: paintings, dolls or mannequins. While paying tribute to the great artists Pop, Cintract has stood out thanks to his strong personality, becoming a key figure in the movement that he founded: “The Pop free.” David Cintract has a fascination for the exuberant sculpture and storage works so “Aladdin’s cave...

Original Herman Miller Summer Picnic screen printed lacquer ink and lacquer finish print. August 20, 1971 annual company picnic poster is a...

Mahogany, dye, lacquer, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...

A pair of Meiji period, late 19th Century Lacquerware (漆器, shikki) miniature cabinets on stands. The decorative panels are of very fine quality. The cabinets are a 'true pair' that i...

François Benoit Lison (1968 - ) "Au détour" Laque sur toile 130 x 97 cm 2022 Born in Granville, France, on April 14, 1968, François Benoît-Lison began with a figurative approach, which gradually evolved into abstraction, first lyrical, then more contrasting, where black reigns supreme. Black is a sacred color, sometimes dark, sometimes dazzling, without limits, it can be dominant or gentle. After acrylics and oils, bituminous pastes and inks opened another door, that of the abstract, much more profound and contemporary, with the possibility of working these materials in many aspects and forms. Since the 1980s, the artist has been offering us works imbued with research, reflection and philosophy, charged with a strong, raw message, highlighting his thoughts and leaving an indelible imprint. Abstraction is his adventure, his freedom, his struggle, his dreams, his rage, his solitude. Works by Jackson Pollock, Caravaggio, Egon Schiele, Pierre Soulages and André Marfaing...

(NOTE: if you enter "Gridish" into the 1stDibs search field you will see others in this series come up) (Comes framed in a maple high-profile "floater" frame.) Artist’s Statement: ...

François Benoit-Lison « From black » Laque sur toile Lacquer on canvas 130 x 97 cm 51 1/4 x 38 1/4 in. 2020 Born in Granville, France, on April 14, 1968, François Benoît-Lison beg...

The paintings are drawn with oil on the canvas. Shipping rolled in a TUBE. Chrysanthemums painted in Claude Monet's manner. Water-based sustainable mineral paints were used to creat...

"Meltdown in No. 23", a large scale abstract finished with a high gloss lacquer by Duane Albert Armstrong (American, b. 1938). Presented in a black metal frame. Signed "D. Armstrong"...

Seeker Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Graphite filled acrylic laquor on filled polyester resin base 35 x 10 x 12  "I am an artist, a sculptor n...

Blue Valentine" interior landscape of the VolskyaLiliya.. The size of the work is 50x60 cm, made in oil on canvas, relief paste of three types. A painting from the "Letters" series.T...

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Natural Flow Series n2, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 210 H X 117 W cm....

The paintings are drawn with oil on the canvas with stretcher. The baguette frame for this painting is selected from the baguette collection of 2024. It will be a gift for the buyer....

Registros XII, 2023 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 240 H cm x 140 W cm. Unique Impressions of p...

The paintings are drawn with acrylic on the hardboard (back side made of the double cardboard). Acrylic paints are used to create the painting on canvas animals and ecology. A cruci...

"Pop Doll" is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer,...

White Series n2 and n3 Diptych, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Individual size: 160 H x 100 W cm. Ove...

FREE SHIPPING TO WORLDWIDE! Artisan: Francisco Martinez Espinoza MASTERPIECE Made with Tzomplantli wood, woodcarving technique gouges, machete and sandpaper, decorated with tradi...

NOTE: This piece has sold. But it can be commissioned in different sizes and or colors. Timeline for commission is roughly 4-6 weeks to ship. Modulus II is a striking mid century ...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...

Dionysian Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 44 x 8 x 6 in "I am an artist, a sculptor...

" Levitation III ", 2019 Edition: 18/20 40 x 19 x 8 cm Rafael Barrios, sculptor, and founder of the Virtualism movement. From the beginning, his work...

An exotic garden and 3 green birds. the original oil painting of the Volsky Lily. This painting is a continuation of the series "My Funny Birds". Maybe you will say that such color...

The sea bay. Impressionism.Landscape" Volskaya Lilya.Size: 50x60cm, oil on canvas, lacquer. The landscape is painted in bright colors. Blue, blue, turquoise are the colors of summer...

I sought to juxtapose the stillness of introspection with the relentless flow of time. The central figure is set against a rustic backdrop. Her flowing garment, stark and almost othe...

Paradise Pond. An oil landscape in the style of the Nayiv Volsky Lily. In our fantasies, there are corners or places where we want to come again and again. I decided to share my plac...

The triptych is winter. Landscape in oil . Volskaya Liliya. A painting with landscapes is a wonderful mediator between people and nature.Paintings with views of nature that can make...

Artist: Kuno Vollet Golden Orbit Contemporary Minimal Gold Brass sculpture, lacquered to keep its shiny surface. Elegant for any art collection...

The paintings are drawn with oil on the canvas. Shipping rolled in a TUBE. Original Volskaya Lilya painting "Red poppies in fifty hues". Poppies in a landscape. Beautiful and br...

"Provence.Lovesick wastelands" landscape by Lilia Volskaya. The painting "Provence.Lavender wastelands" is a creation of impressions of lavender blooming and its fragrance.. A nod to...

Medium: Carved wood figure with white lacquer finish, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

Artist/Designer; Manufacturer: Eddie Peake (b. 1981) Marking(s); notes: signed; 2013 Country of origin; materials: British; lacquered spray paint on polished stainless steel Dimensio...

Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered graphite and other media. They are painted on fiber pan...

Artist's Statement: "As I often do, I chose a very simple form to work with here – a grid of rectangles. Content never interests me much, and I don’t spend time thinking about it. I...

Registros XXIII, 2023 by Nat Orlowski From The Series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 480 H cm x 180 W cm. Unique Impressions of...

Painted by Jim Jacobs (American, born 1945), titled, 'Nankaweep' and dated 1983. Previously with Lopoukhine Gallery, Boston from label, verso. A substantial, dynamic abstract compri...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

A gorgeous, luxurious lovely summer bouquet of flowers in a blue vase. Blue wildflowers of forget-me-nots grow at my mother's cottage. White flowers appeared in the forest, delicate....

Registros XXI, 2023 by Nat Orlowski From The Series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 500 H cm x 200 W cm. Unique Impressions of p...

The paintings are drawn with oil on the canvas with stretcher A bright still life with pomegranates and lemons. The national Armenian headscarf is on a dark background. There is a s...

This is a beautiful contemporary photograph of the bridge over the River Kwai in Thailand. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on birch wood using archival inks and is then sealed with a durable semi-glossy lacquer. The image shows a person with a bright halo, crossing the bridge or in the center of the bridge about to cross a metaphorical bridge. This metaphor can be translated into many beautiful messages in life. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Basswood, white lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...