Art by Medium: Screen

Robert Indiana 9, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame Included: Elegantly matted and fra...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "yield" can i...

Robert Indiana, American (1928 -2018) - To the Bridge from the American Dream Portfolio, Year: 1964 (1997), Medium: Screenprint on Wove Paper (unsigned), Edition: 395, Image Size:...

This exquisite silkscreen by Robert Indiana (1928–2018), titled Eternal Hexagon, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Eternal Hexagon, Indiana channels the crisp geometry, hard-edged clarity, and bold typographic immediacy that define his mature style, merging symbolic abstraction with a visual language rooted in American signage, industrial aesthetics, and modernist form. Executed as a silkscreen on Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Robert Indiana (1928–2018) Title: Eternal Hexagon, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Sheehan, Susan, et al. Robert Indiana Prints: A Catalogue Raisonne, 1951–1991. Susan Sheehan Gallery, 1991, No. 33. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Robert Indiana (1928–2018) was a pioneering American painter, printmaker, and sculptor whose bold fusion of text, color, and hard edged geometry helped define Pop Art and positioned him within a powerful lineage extending from Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, synthesizing the conceptual daring of early modernism with the visual immediacy of postwar American culture; emerging in 1960s New York as a leading voice of the Pop generation, Indiana transformed the language of commercial signage, roadside Americana, billboards, typography, and industrial stenciling into emotionally charged meditations on identity, patriotism, desire, labor, migration, and national mythology, and his seminal LOVE image first conceived in 1965 for the Museum of Modern Art’s Christmas card became one of the most influential and widely disseminated works of the 20th century, cementing his global legacy while his broader oeuvre explored political history, the Vietnam War, the civil rights movement, and autobiographical narratives tied to his industrial Midwest upbringing; influenced by the structural clarity of Calder, the conceptual provocations of Duchamp, the spiritual abstraction of Kandinsky, the surreal wit of Miro, and the experimental boldness of Man Ray, Indiana moved alongside Pop and contemporary luminaries such as Andy Warhol, Roy Lichtenstein, James Rosenquist, Claes Oldenburg, and Tom Wesselmann, all while forging a distinct voice that elevated language into monumental sculpture and emotional architecture, shaping later generations of artists including Jenny Holzer, Barbara Kruger, Ed Ruscha, Glenn Ligon, Tracey Emin, and Martin Creed, and earning placement in the world’s foremost museums MoMA, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Guggenheim Museum, the National Gallery of Art, LACMA, the Philadelphia Museum of Art, the Tate Modern, and others culminating in his highest auction record on May 15, 2019, when LOVE (Red/Blue) (1966–1999) sold for 4,112,000 USD at Christies New York. Robert Indiana silkscreen...

Artist: Robert Indiana Title: The Calumet Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 22" x 17" Signature: Unsigned

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The Mississippi River ...

Artist: Robert Indiana (American, 1928-2018) Title: "Polygon: Square (Four)" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper...

Robert Indiana 0, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 (unsigned) Frame included: Elegantly matted and fra...

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

Artist: Robert Indiana Title: The American Dream Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 62/395 Frame Size: 26 1/2" x 22" Sheet Size: 18 1/2" x 16" Image ...

The Book of Love Poem - LOVE: Enflame. Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, Signed and numbered in pencil Edition of 200, PP 10 Size: 24 in....

ROBERT INDIANA Santa Fe Opera (Hand signed, numbered), 1976 Silkscreen on wove paper 37 1/2 × 27 inches Edition AP 7/50 Hand Signed and dated lower rig...

Artist: Robert Indiana Title: Highball on the Redball Manifest Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 62/395 Frame Size: 26 1/2" x 22" Sheet Size: 18 1/2...

Robert Indiana Marylin, 2008 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 3/12 Signed, editioned, and dated in pencil, lower right PROVENANCE: The...

Artist: Robert Indiana, American (1928 - 2018) Title: Art from the American Dream Portfolio Year: 1972 (1997) Medium: Serigraph Edition Size: 395 Image Size: 14 x 14 inches Size: 22 ...

Artist: Robert Indiana Title: The Book of Love 11 Medium: Serigraph Year: 1996 Edition: 2/15 Frame Size: 30" x 28 1/4" Sheet Size: 24" x 20" Image Size: 18" x 18" Signature: Unsigned

Robert Indiana, American (1928 -2018) - The Beware Danger from the American Dream Portfolio, Year: 1963 (1997), Medium: Screenprint on wove paper (unsigned), Edition: 395, Image S...

The Book of Love Poem - From the Umbrage of a Master Poet Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200,...

Robert Indiana, American (1928 -2018) - Art from the American Dream Portfolio, Year: 1972(1997), Medium: Screenprint (unsigned), Edition: 395, Image Size: 14 x 14 inches, Size: ...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

The Book of Love Poem - When the Word is Love Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, PP 10 Size:...

Robert Indiana (American, 1928 - 2018) Der Traum Heisst Verlangen (A Streetcar Named Desire), 1971 Screenprint in colors Edition 29/135 Signed a...

Artist: Robert Indiana, American (1928 - ) Title: Fire Bridge: Chrysler Museum at Norfolk, December 1 - January 15 Year: circa 1965 Medium: Screenprint on Fabriano Paper Size: 30 x ...

Artist: Robert Indiana, American (1928 - 2018) Title: Indianapolis Museum of Art Year: 1970 Medium: Silkscreen Poster Size: 35 x 25 in. (88.9 x 63.5 cm)

Robert Indiana Santa Fe Opera 1976 Silkscreen in colors Hand signed in pencil 37.5 x 27 inches

Artist: Robert Indiana, American (1928 - 2018) Title: The Figure 5 from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint on wove paper Edition: 395 Image Size: 16.7...

The Book of Love Poem - To Draw a Straight Line Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, 10 PP Siz...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Artist: Robert Indiana (1928-2018) Title: Jenny Reefer (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 49/150, plus proofs Size: 24 x 20 inches Condition: Goo...

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait 1969" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry pap...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 7 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint on Wove Paper Edition Size: 395 Image Size: 16....

Artist: Robert Indiana Title: The Hartley Elegies - KvF X Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 50 Paper Size: 60 x 60 inches Printer: Bob Blanto...

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...

Artist: Robert Indiana, American (1928 - 2018) Title: The New Glory Penny from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint (unsigned) Edition size: 395 Image S...

Artist: Fritz Genkinger, German (1934–2017) Title: August (Number 8) Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) ...

Artist: Winfred Gaul, German (1928–2003) Title: May Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20 x 18 in...

Artist: Robert Indiana, American (1928 - 2018) Title: Decade Autoportrait from the American Dream Portfolio Year: 1977 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inche...

Artist: Robert Indiana, American (1928 - ) Title: The American Dream: High Ball Redball Manifest Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: ...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Screenprint (unsigned) Edition Size : 395 Image Size: 18 x ...

A silkscreen Love print with poem by Robert Indiana from the Book of Love. Presented in a plexi-box frame. Artist: Robert Indiana, American (1928 - ) ...

Artist: Robert Indiana, American (1928 - 2018) Title: New Glory Banner Year: 1968 Medium: Silkscreen on Card Stock Image Size: 7.5 x 4.5 inches Size: 15.5 x 12.5 inches (Promotional...

Artist: Robert Indiana, American (1928 - 2018) Title: Parrot from the American Dream Portfolio Year: 1967 (1997) Medium: Screenprint (unsigned) Edition Size: 395 Image Size: 16.5 x 1...

Artist: Robert Indiana, American (1928 - 2018) Title: Yield Brother #2 from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph Edition: 39...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF I Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

Artist: Robert Indiana (1928-2018) Title: Anne (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 77/150, plus proofs Size: 24 x 20 inches Condition: Good Inscri...

Artist: Robert Indiana, American (1928 - 2018) Title: The Calumet from the American Dream Portfolio Year: 1961 (1997) Medium: Serigraph Edition Size: 395 Image Size: 15 x 13.75 inche...

Artist: Robert Indiana, American (1928 - 2018) Title: The President from the American Dream Portfolio Year: 1961 (1997) Medium: Screenprint Edition Size: 395 Image Size: 17 x 14 inch...

Artist: Robert Indiana (1928-2018) Title: Angel More (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 35/150, plus proofs Size: 24 x 20 inches Condition: Good ...

Artist: Robert Indiana, American (1928 - 2018) Title: Black Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Screenprint (unsigned) Edition: 395 Image Size: 14 x 1...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF II Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Robert Indiana (1928-2018) Title: Anthony Comstock (Sheehan 102) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 9/150, plus proofs Size: 24 x 20 inches Condition:...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VI Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 P...

Artist: Robert Indiana, American (1928 - 2018) Title: The Beware Danger from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition: 395 Image Size: 14 x 14 inche...