Michael Beam

Untitled (BEEF)

2012

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

Antique French American modernist horse barn painting. Mixed media painting on paper. Framed. Signed. Measuring 41 by 49 inches overall and 31.5 by 39.5 painting alone. In excellent ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 48 by 48 inches overall and 40 by 40 painting alone. In excellent original condition. Hands...

Vintage modernist expressionist sunset oil painting. Oil on canvas. Image size, 27.5L x 20H. Signed.

CAROUSEL IN PINK Large scale dynamic. A four-panel piece, artist's modern take on the traditional carousel. Imaginary horses, colorful and full of flamboyant gestures. Each panel...

The American mustang. Revered for his freedom, yet never truly free. Cast in a red glow of pain, his spirit is never taken, as his numbers are cut down. Created in acrylics, life-...

Horse portrait. Americana colors. Acrylics, mixed media on canvas, 60" x 48"x 2". Gallery wrapped, wired and ready to hang. In “The Patriot”, the harnessed strength of the wor...

Original. Part of Candy Wrapper Collage series in Pop Art style. Natural wood frame. Inside a dog's dream. About the Artist: Benjamin received her Bachelor’s Degree in Fine Arts from the American University in Washington D.C. and her Master’s Degree in Art Education from New York University. In addition she received an Associate’s Degree in Textile Design from the Fashion Institute of Technology and studied at The Art Student’s League, The Parson’s School of Design and The New School. Benjamin taught art for 34 years. While on sabbatical from teaching she studied textile design. For the next 15 years she continued to teach, as well as freelance as a textile designer in both home furnishings and the apparel markets. In the mid 90’s her focus turned towards computer graphics, and as an art educator, she incorporated this into her curriculum. She was awarded for a “successful practice in crossing the digital divide through art and technology” by the United States Department of Education. Her early works were oils and acrylics. During the late 60’s her interest was in pure abstraction. Pop Art and the human figure began to interest her in the early 70’s. Gradually, Benjamin was drawn to experimenting with mixed media. In the 80’s there was the influence of a career in textile design that moved her towards a more decorative style. In the 90’s, she became involved in the teaching of computer graphics. This was to have a profound influence in aiding and developing a more recent “POP” style. She began to incorporate into her paintings, torn pieces of digital printouts of her subjects. “The part of me that is the “digital artist” became very inspired by the use of the computer as a tool with which I could manipulate my subject and its color energy. The “fine artist” in me was then able to incorporate these concepts into a new image on my canvas. Having always had an interest in mixed media, my current work is now a combination of both POP and Collage. Since 2008 I have been creating a body of work dubbed “Candy Wrapper Collage”. A juried show’s theme, “gluttony”, challenged me to ultimately explore my POP figures through a new medium….candy wrappers! Razor blades are my new paintbrushes and candy wrappers are my new paints. Utilizing torn, cut and expired candy wrappers and their packaging, I render my subjects in diverse and colorful forms. I create representational images of celebrities and pop-culture objects...