Scott McMillin

Surrender

2019

Tom Binger "Head IV" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomin...

Acrylic on canvas paper, mounted on masonite with black enamel painted frame.

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

“Summer Joy” is a vibrant original encaustic painting by Maine-based artist Marcia Crumley, measuring 24 x 24 inches. Created with layers of molten beeswax and richly pigmented color...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on Paper Signed Lower Right Framed by Bark Affixed to the back are original gold lame fabric swatches. This drawing is available, along with two other original costume drawings from BIRDIE by Miles White, another of Conrad Birdie and one of Chita Rivera. Miles White, a leading Broadway and Hollywood costume designer for decades. created costumes for the original Broadway productions of OKLAHOMA CAROUSEL, BYE BYE BIRDIE and many others. In film he worked on "Around the World in 80 Days" and "The Greatest Show on Earth." He designed Ringling Bros and Barnum & Bailey Circus, and the Ice Capades for many years. Miles was a close friend for the last 20 years of his life. We live with one of his two Tony Awards and a dozen drawings. BYE BYE BIRDIE is a stage musical with music by Charles Strouse and lyrics by Lee Adams, based upon a book by Michael Stewart...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway. Boris Aronson (1898 – 1980) "Day and Night" Gouache and watercolor on ...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...