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Style: American Realist
Victory
Located in Ibadan, Oyo
"Victory" emanates a sense of vibrancy and vitality, drawing viewers into its world of anticipation and celebration. The central figure, depicted with a wide grin and laughter lines ...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Canvas, Mixed Media, Oil, Acrylic

Victory
Victory
$5,600 Sale Price
20% Off
Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century
Located in New York, NY
Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...
Category

1980s American Realist Mixed Media

Materials

Paper, Watercolor

Al Hirschfeld "Beat the Band" New York Times Broadway Theatre Illustration 1940s
Located in New York, NY
Al Hirschfeld (1903-2003) "Beat the Band" 22 x 26 1/2 inches ink on board published in The New York Times, October 11, 1942 The unframed work comes directly from the Al Hirschfeld F...
Category

1940s American Realist Mixed Media

Materials

Ink, Board

In My Heart Feel the Embrace of Sacred Feeling, Goethe 19CII
Located in San Francisco, CA
This artwork titled In "My Heart Feel the Embrace of Sacred Feeling, Goethe 19C II" is a mixed media (Acrylic paint and collage) on wood panel by California artist Millicent Thomkins...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Acrylic

Forest Interior No. 7
Located in Burlingame, CA
Robert Gamblin’s intent as an artist is to reach for transcendence through his color-centric oil paintings that capture the majesty of light as it graces the Earth. In this series, o...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Paper, Gouache

Niman Kachinas - Alo Manas
Located in Soquel, CA
Alo Manas by Lawrence Fodor (American, b. 1951). A lithograph of Hopi Medicine Men. Shortly after Summer Solstice each year the Hopi ceremony called the Niman Kachina, also known as “The Going Home of the Kachina.” Presented in a wooden frame. Signed "Larry Fodor...
Category

1980s American Realist Mixed Media

Materials

Lithograph

Autumn Hills, Vermont
Located in Lexington, MA
"Autumn Hills, Vermont" is a 16 x 16 inch original encaustic painting on panel that captures the radiant essence of a New England fall. Created using the ancient method of encaustic ...
Category

2010s American Realist Mixed Media

Materials

Encaustic

Dreams of Summer
Located in Lexington, MA
"Dreams of Summer" is a 16 x 16 inch encaustic painting on panel that radiates joy, texture, and the vibrant beauty of a wildflower-filled landscape. Created using the encaustic tech...
Category

2010s American Realist Mixed Media

Materials

Encaustic

And If I Could Escape
Located in Columbia, MO
Tobi C is a white, non-binary artist who grew up in San Diego and calls Columbia, Missouri home. Tobi holds a BA in both Structural Violence and Gender Studies from the Metropolitan University of...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Mixed Media

Summer Leaves Mixed Media on Yupo Paper 20″ x 26″ Image 28 1/2″ x 34 1/2″
Located in Houston, TX
Summer Leaves is Mixed Media on Yupo Paper 20″ x 26″ Image Framed it is 28 1/2″ x 34 1/2″.Art is floated in a white or neutral 1” depth gallery frame with plexi glazing. Look for free shipping at checkout. Grateful that Summer Leaves 1 painting was juried into the Salon des Refuses’ Exhibition. This is a national juried art competition that is on exhibit from September 2, 2023 – January 2, 2024. This contemporary art exhibit will be on display in the Ancient Sculpture Museum. The Earth’s diverse surface is fascinating. The vegetative environments invite viewers to visit a place. Local light and atmosphere affect the plant life that thrives, the colors we see and experience of mood and energy. These botanical paintings explore memory and landscape with complex spatial environments that hover between painterly realism and abstract passages. Throughout the long tradition of landscape painting, there exists a connection between the artist and the natural world. A painter can evoke this relationship through the use of color, value and line whether the painting is representational or abstracted. These elements combine and intertwine to create rhythms of perspective and dimension, illuminating this personal vision on canvas. Yupo paper is waterproof, and stands up to the rigors of the elements and demanding environments. Ultra-smooth and bright white, it's a paper alternative that stands out. Bio Julie...
Category

2010s American Realist Mixed Media

Materials

Mixed Media

End of Season Mixed Media on Yupo paper Image 37 x 24 Framed 46 x 32 .75
Located in Houston, TX
End of Season by Texas artist Julie England is mixed media on Yupo paper. The size of End of End of Season is 37″ x 24″ Image 46″ x 32 3/4″ Framed. Ar...
Category

2010s American Realist Mixed Media

Materials

Mixed Media

Perched, Bird Painting, Southwest, 25x21 Framed, Whimsical, Mixed Media, Oil
Located in Houston, TX
Perched is by Anne Embree who is known for her whimsical animal paintings . Perched focuses on the Bird and the surrounding objects Perched is 16 x 20 unf...
Category

2010s American Realist Mixed Media

Materials

Mixed Media, Oil

Four Lotus, Original Painting
Located in San Francisco, CA

Artist Comments
Artist Guigen Zha presents a quadriptych of pink lotuses in varying positions and stages of growth. He creates an eye-catching contrast by realistically painting the flowers over the abstract gradient background. Guigen collages the subject to perfectly integrate the three expressive painting techniques into the composition. "It can also be hung separately as four individual pictures of the lotus," says Guigen.


About the Artist
From cross-cultural life experiences, artist Guigen Zha presents conceptual compositions of traditional Chinese art...

Category

21st Century and Contemporary American Realist Mixed Media

Materials

Mixed Media

Rainbow Gardens, Original Painting
Located in San Francisco, CA

Artist Comments
This piece depicts the colorful Rainbow Gardens area near Las Vegas. While sheltering in place, artist Crystal DiPietro found peace and solace in these hills ...

Category

21st Century and Contemporary American Realist Mixed Media

Materials

Mixed Media

Edifice Complex, Rain & Fog
Located in Fairfield, CT
Burned pieces by Paul Chojnowski. I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the s...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Archival Paper

Urban Series: Promised
Located in New York, NY
Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and urban neighborhoods surrounding him, created a series of...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Graphite

Three Bridges
Located in Fairfield, CT
Burned pieces by Paul Chojnowski. I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the s...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Archival Paper

Al Hirschfeld "Art Week" NYC illustration New York Times poster design 1940
Located in New York, NY
Poster design for National Art Week, November, 1940. In collaboration the Al Hirschfeld Foundation Al Hirschfeld’s drawings stand as one of the most innovative efforts in establishi...
Category

1940s American Realist Mixed Media

Materials

Paper, Mixed Media

Related Items
#159
Located in Fairfield, CT
Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish under desolate circumstances. The seemingly bleak, the empty...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Paper, Watercolor

#159
$420
H 8.75 in W 6.25 in
Girl with Braided Hair, Raphael Soyer
Located in Fairfield, CT
Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1987 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...
Category

1980s American Realist Mixed Media

Materials

Canvas, Oil

“The Newspaper Boy”
Located in San Francisco, CA
The classic hard luck, independent kid, maybe 8 or 10 years old here, selling the day’s papers out on the grubby streets of early 1900s New York City. He’s paused in a quiet spot, ap...
Category

Early 1900s American Realist Mixed Media

Materials

Canvas, Oil

“The Newspaper Boy”
“The Newspaper Boy”
$1,925
H 21.5 in W 17.5 in D 2.5 in
Street of the Old Quarter British School signed Cade oil on canvas painting
Located in Barcelona, Barcelona
**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...
Category

1890s American Realist Mixed Media

Materials

Canvas, Oil

Saguaro 14
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Paper, Watercolor

Saguaro 14
$180
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Rare Original Keith Haring Record Art (Keith Haring 1984)
Located in NEW YORK, NY
Keith Haring Record Art 1984: Medium: Offset Lithograph on record jacket, vinyl record Dimensions: 12 x 12 inches. Cover: Fair to good overall...
Category

1980s American Realist Mixed Media

Materials

Lithograph, Offset

Film Still #3 (portrait, western movie, cowboy, Hat, shadow, monochrome art)
Located in Quebec, Quebec
Rudolf Kosow’s Film Still #3 continues his haunting exploration of the Western genre through a contemporary surrealist lens. A close-up of a stoic, rugged cowboy figure—likely inspired by Clint Eastwood—dominates the square composition. The figure’s face is heavily shadowed by a broad-brimmed hat, his lips...
Category

2010s American Realist Mixed Media

Materials

Canvas, Oil

Abstract Composition Diptych
Located in Astoria, NY
Abstract Composition Diptych, Mixed Media on Paper, laid on board, overlapping transparent circles with a flock of teardrops, apparently unsigned, unframed. Panel: 24" H x 24" W. Pro...
Category

Late 20th Century American Realist Mixed Media

Materials

Paper, Ink, Watercolor, Gouache, Board

'Sketching Wisconsin' original oil painting, Signed
Located in Milwaukee, WI
John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...
Category

1940s American Realist Mixed Media

Materials

Canvas, Oil

Abstract Expressionist Original Gouache on paper Collage style of de Kooning
Located in Soquel, CA
Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...
Category

1980s American Realist Mixed Media

Materials

Gouache, Illustration Board, Laid Paper

Hilaire Hiler 1960 Abstract Structuralist Painting, New Mexico Modernist
Located in Denver, CO
This original 1960 abstract painting by Hilaire Hiler (1898–1966) exemplifies his distinctive structuralist style and modernist vision. Created during his influential period in New Mexico, the artwork features soothing, harmonious tones of pink and blue, expertly layered to evoke a sense of calm and balance. Signed in the lower right corner, this mid-century modern piece measures 15 ½ x 18 ¾ inches framed, with an image size of 14 x 17 ½ inches. Hilaire Hiler’s work stands out for its intellectual rigor and visual harmony, blending abstraction with a structuralist approach that explores color, form, and rhythm. About the Artist: Born in St. Paul, Minnesota, and raised in Providence, Rhode Island, Hiler received extensive art training at the Rhode Island School of Design, Pennsylvania Academy of the Fine Arts, and the University of Paris. Between 1919 and 1934, he lived in Paris, working as a jazz pianist while engaging deeply with the European avant-garde. After returning to the U.S., Hiler painted WPA murals for San Francisco’s Aquatic Park...
Category

1960s American Realist Mixed Media

Materials

Gouache, Graphite

Jamie Nares, When the Language was Young. lithograph on polymer, signed/N Framed
Located in New York, NY
Jamie Nares When the Language was Young, 2010 Lithograph in red on polymer Pencil signed, dated and numbered 13/50 lower front Lithograph in red on acrylic Pencil signed, dated and ...
Category

2010s American Realist Mixed Media

Materials

Plastic, Mixed Media, Lithograph

Previously Available Items
Hyperrealistic Portrait of a Woman with Chain Link Fence
Located in Houston, TX
Green-toned hyperrealistic figurative painting by Texas artist Kevin Peterson. The painting depicts a woman in a white dress sitting by a lush green sce...
Category

Early 2000s American Realist Mixed Media

Materials

Oil, Panel

The Tree, Original Painting
Located in San Francisco, CA

Artist Comments
A potted plant flourishes on the fire escape of a brownstone New York City apartment building. "The grass is always greener, even in New York, where there is ...

Category

21st Century and Contemporary American Realist Mixed Media

Materials

Mixed Media

2 SLAVE PROPERTY TAX BILLS - Adams County, Mississippi - 1852 and 1855 -
Located in Santa Monica, CA
MISSISSIPPI PROPERTY TAX RECEIPTS INCLUDING SLAVES. 2 Printed Property Tax Receipts with with ink annotations - listing inventory and tax amount for Land, Pianos, Carriages, Hors...
Category

1850s American Realist Mixed Media

Materials

Ink, Archival Paper

"J&L Oxygen Plant" Industrial Landscape Scene Contemporary Watercolor Drawing
Located in New York, NY
"J&L Oxygen Plant" Industrial Landscape Scene Contemporary Watercolor Drawing. 18 x 24 1/2 inches, framed 27 x 32 inches, Provenance...
Category

1980s American Realist Mixed Media

Materials

Paper, Watercolor

"Diner" NYC New Yorker Illustration Mid-Century Modernism Realism American Scene
Located in New York, NY
"Diner" NYC New Yorker Illustration Mid-Century Modernism Realism American Scene Arthur Getz (1913-1996) "Diner," 29 x 20 inches. Caesin paint on paper, c...
Category

1940s American Realist Mixed Media

Materials

Paper, Casein

Fruit Basket Still Life
By Eva McMurrey
Located in Houston, TX
Still life painting of a fruit bowl with grapes, pineapples, and apples by Eva McMurrey a Texas artist circa 1954. Signed and dated in lower rig...
Category

Mid-20th Century American Realist Mixed Media

Materials

Oil

Study for 'Punchinellos' Victory Dance
Located in Houston, TX
Study for 'Punchinellos' Victory Dance by Robert Levers. Watercolor and chalk on paper, circa 1985. Dimensions are of art itself without frame. Robert Levers (American 1930-1991) ...
Category

1980s American Realist Mixed Media

Materials

Chalk, Watercolor

"Saint with Butterflies" Abstract Figurative Impressionist Painting
Located in Houston, TX
Beautiful figurative painting titled "Saint with Butterflies" by Kelly Fearing. Mixed media, circa 1955. Signed in lower right corner. Dimensions Without Frame: H 50.5 in. x W 11.5...
Category

1950s American Realist Mixed Media

Materials

Mixed Media

Bull
By John Fulton Short
Located in San Francisco, CA
This artwork "Bull" c. 1975 by American bull fighter and artist, JohnFulton Short (John Fulton 1933-1998) is a bull blood painting on paper. It is signed at the lower right corner by...
Category

Late 20th Century American Realist Mixed Media

Materials

Other Medium

Bull
Bull
H 26.5 in W 21.1 in D 1.85 in
Three bulls
By John Fulton Short
Located in San Francisco, CA
This artwork "Three Bulls" c. 1975 by American bull fighter and artist, JohnFulton Short (John Fulton 1933-1998) is a bull blood painting on paper. It is signed at the lower right co...
Category

Late 20th Century American Realist Mixed Media

Materials

Other Medium

Three bulls
Three bulls
H 21 in W 26.25 in D 1.35 in
Artigas Hill - Architectural Study with Landscape, Collaged and Painted
Located in Chicago, IL
This textural study by Carol Pylant combines collaged elements, modeling paste and oil paint. A study for her larger paintings, this formative work is a deftly painted depiction of a wall and antique blue wooden door at the Artigas Foundation outside Barcelona in Spain. The landscape in the background is taken from a different part of the property. the collage and modeling paste bring depth to the surface, capturing the stucco texture in the wall. Through the doorway and window a lush landscape invites the viewer in. This artwork is framed. The framed dimensions are H 20 x W 23 inches. Carol S. Pylant Artigas Hill, 2017 Oil and collage on paper 12h x 15w in 30.48h x 38.10w cm CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore, Wisconsin State Journal, Madison, Wisconsin, November 18 1990 "Artists Bring New Visions", by Ina Pasch, Wisconsin State Journal, Madison, Wisconsin, October 7 1990 "Madison's Wisconsin Triennial Makes a Statement in Many Ways", by James Auer, The Milwaukee Journal, October 7 1990 "Wisconsin Artists Represented at Triennial", by Kirsten Simonsen, The Daily Cardinal, University of Wisconsin, Madison, September 28 1990 "Wisconsin Triennial Art Show", by Kevin Lynch, The Capital Times, Madison, Wisconsin, September 22 1990 "School of Art & Design opens photo exhibit" The Intelligencer Journal, Lancaster, Penn., September 1990 "Art courts drama at PSA&D" Lancaster, Pennsylvania, September 1990 "Windows on an Artist", by Larry Mallak, Research Sampler ,The Graduate School, University of Wisconsin, Madison 1989 "Upward Mobility and Disposable Imagery", by Edgar Allen Beem, Maine Times, September 24 1989 "Award Winning Pylant Displays Realism", The Bowdoin Orient, Brunswick, Maine, September 8 1989 "Art Exhibit Opens at University Art Gallery", The Daily Star Journal, Warrensburg, Missouri, September l 1989 "Arts Calendar has Variety /Pylant Paintings in Bowdoin Show", The Times Record, Brunswick, Maine, August 1989 "Amerikanerinnen im Oberpfalzer Kuntslerhaus, Gegenseitiges Lernen", by Harold Raab, Die Woche, West Germany, July l3 1989 "American Spirits im Oberpfalzer Kunstlerhaus, Mittelbayerische Zeitung, West Germany, July 6 1989 "Zum Abscheid eine Ausstellung Arrangiert", Mittlebayerische Zeitung, West Germany, July 5 1989 "Amerikanerinnen in der Kebbel Villa", Mittelbayerische Zeitung, West Germany June 9 1989 "A Day With Carol Pylant", by Jackie Michard, On Wisconsin, University of Wisconsin- Madison, July 1989 "VCCA Artists in Germany", The News and Daily Advance, Lynchburg, Virginia, May 28 1989 "City Notes-Dear Diaries", by Paul Gerard...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Oil, Mixed Media, Archival Paper

Traveler in an Endless Frontier
Located in Sag Harbor, NY
This small oil painting is a realistic of a western landscape. The oval shape is reminiscent of an airplane window, or portal. Painted on lead over wood panel. A long man-made road d...
Category

21st Century and Contemporary American Realist Mixed Media

Materials

Oil, Wood Panel

American Realist mixed media for sale on 1stDibs.

Find a wide variety of authentic American Realist mixed media available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Albert Al Hirschfeld, Clarence 'Skip' Maeselle, Crystal DiPietro, and Lawrence Fodor. Frequently made by artists working with Mixed Media, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Realist mixed media, so small editions measuring 8 inches across are also available. Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $20,000, while the average work sells for $2,125.

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