Panel Abstract Paintings

Fracture IX, Acrylic on Panel Painting by Michael Batty, 2001 Additional information: Medium: Acrylic on panel Dimensions: 22 x 22 in Michael Batty (Canadian, born 1967) Michael B...

Leslie Jane Roberts Vanilla Extract, 2024 acrylic gouache, pencil, ink on panel 12 x 9 in. (rob002) For Leslie Jane Roberts the line is information. They are typically color-coded t...

"Topo" is an abstract landscape painting featuring blue and green hues. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. “My series of paintings deal with sensation and ultra-color,” Kate explains. “I am considering the concepts of over-consciousness, Horror Vacui and the overlap between joy and terror. In visual art, “horror vacui” (from Latin “fear of empty space”), also kenophobia (from Greek “fear of the empty”), is the filling of the entire surface of a space or an artwork with detail. For this series titled “Gold,” each piece is influenced by a topic of consideration: technology, super-nature, genetics, pharmaceuticals, perception. As Kate studies and meditates on these subjects, her path of investigation grows more and more intense until she teeters between becoming overwhelmed by fear for our future and a euphoria filled with hope and intention. “I feel so much life that I am paralyzed by it, and I am confounded by how sensation and numbness can blend together,” says Kate. “All that glitters is Gold.” Born in 1983, Kate Hooray Osmond earned her MFA in Studio Art from...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Anthony Falcetta Smp#11, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal004)

Excellent example of Loper Sr.'s work from this period. Exhibited at the Delaware art Museum show titled "Edward L. Loper from the Prism's Edge". Signed lower right. 43.75" x 30.75" ...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic forms, resulting in atmospheric images evocative...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment, and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State...

"Wonderwheel #31" features hues of pink, yellow and gold. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. Kate Hooray ...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Susan Woldman received her BA Degree from Sarah Lawrence College. After studying sculpture in Lacoste, France through the Cleveland Institute of Art she went on to get her MFA at the...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

20" x 32" Unframed Original - Oil on Canvas Hand Signed by Yari Ostovany 2021

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Between Here and There by Elaine Fox [2022] original Oil Paint on Cradled Panel Image size: H:35 cm x W:35 cm Complete Size of Unframed Work: H:35 cm x W:35 cm x D:2cm Sold Unframed...

Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave...

"Wonderwheel #4" features hues of purple, blue and gold. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. Kate Hooray Osmond is an American painter a...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Voyeur is a monochromatic architectural painting and a cityscape. It is Oil and Acrylic on Wood Panel, 30x30. It is sold individually or as a diptych with Ruled by Shapes/Destroyed by Geometry. Jason Wright was born in the United States (1975). He studied Painting and Graphic Design at the Corcoran College of Art and Design in Washington, DC. Jason was immersed in art from a young age, illustrating and designing graphics for the surfing, skateboarding, and snowboarding industry. Apart from his current body of work, he is an accomplished mix media painter, as well as a medaled action sports athlete. His current work focuses on the theory of shelter, and explores the relationship between the simplistic shape of a home and it's ever presence in our lives, his work is generally rendered in a dusk, dawn, or full moon setting. Wright’s passion for HDR and long exposure photography...

Hyun Ae Kang is a famous Korean Artist, born in Seoul, South Korea. Today she lives and works in California, USA. In her work Hyun combines traditional Korean spirit and Western ab...

"Shelter Island Evening" is a blue and green oil painting of a Northeastern American harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurati...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Europa 22 by Los Angeles artist Stephanie Cate is Acrylic on Wood Panel. It is 48x36. The black, white and green abstraction explores the Moon Europa, a planet with fire, ice and a...

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...

Anthony Falcetta Speedee, 2023 acrylic, gypsum compound & spray paint on canvas 28 x 24 in. (fal012)

Anthony Falcetta Smp#19, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal011)

This original geometric abstract wall sculpture by Rebecca Klundt is a 20 inch tall by 15 inch wide mixed media artwork, constructed from reclaimed wood and finished with acrylic pai...

An abstract depiction of a seascape during sunset. Painted from life in Waterford, Connecticut. Framed in a traditional black frame with gold inner trim (See pictures). Nelson H. Wh...

Clean and precise, carefully ordered stripes and lines with orange and ochre stripes in a square shape against the neutral beige lined background. This contemporary abstract painting...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Sea Girt by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throughout th...

Eric Blum Untitled No. 1040, 2024 ink, silk, and beeswax on panel 48 x 48 in. (blum097)

Represented by George Billis Gallery, NYC & LA --“Adhering collage elements to panels on which he can also paint, Cutlip gives just the right heft to his compositions, a balancing ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

“Burning Ember” is a captivating abstract artwork that captures the intensity of flame and heat through vivid, dynamic palettes and brushwork. The painting is characterized by bold s...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Hunt Rettig is a mixed-media artist based in Aspen, Colorado. His three-dimensional wall sculptures often consist of polyester film, thermoplastic rubber and acrylics that he molds t...

A lively, impressionistic depiction of a anniversary day captures a vibrant and romantic depiction of a couple dancing gracefully in an elegant outdoor setting, rendered in a bold im...

Vivid oranges, violets, blue and golden yellow tones are created through Joanne Ungar's unique poured wax process in this multi-panel wall installation. 48"x59"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, with a COA. This wall piece is composed of 24 cast wax panels, created in high quality archival materials. The abstracted image imbedded in the work is the open and unfolded form of a Johnnie Walker...

In this abstract painting in oil and graphite on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of blue are vibrant against a calm, soft s...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process, to create this multi-panel wall installation. 37"x54"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, and COA. This wall piece is composed of 24 cast wax panels. The abstracted image imbedded in the work is a photograph of the packing for Botox treatments. Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process. This large scale wax painting is a beautiful statement piece that is signed on reverse by the artist. In addition to the cosmetic applications of Botox, it is also used as a pain relief medication for migraine sufferers. The geometric abstract composition is created through the imagery of the folds from the boxed packaging. The grid is created and installed on a heavy duty welded metal back brace...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Soft Sky Size: 21" x 18" x ...

Europa 21 by Los Angeles artist Stephanie Cate is Acrylic on Wood Panel. It is 48x36. The black, white and green abstraction explores the Moon Europa, a planet with fire, ice and a...

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

"Cloudy Dreams Unreal" is an abstract mixed media on panel by Carly Allen Martin. The artists use of organic brushstrokes and colors makes this piec...

In this abstract painting in acrylic on linen mounted on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of magenta pink and green with hin...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Katheryn Holt (American, born 1951) "After the Rains" 2022 Oil Paint, Mixed Media, Wood Panel, Wood, Wire The artist signed the back of the painting. Original: 40" x 60" x 1/2" Fram...

Foreign seeds and encaustic on wood panel 24 x 24 x 1.5 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by...