Claudia Meyer

Dancer I, II, III

2013

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Traces mixed media on canvas 40x60 cm 2022 this art is sold ready to hang authenticity certificate Marilina Marchica, born in Agrigento, where she works and lives, she graduated in ...

Traces mixed media on canvas 100x120 cm 2017 original art ready to hang Marilina Marchica (Agrigento, 1984) Marilina Marchica, born in Agrigento, where she works and lives, she gr...

Dimitris Foutris Perhaps in the right track towards the Infinite, 2015 mixed media on paper 69 x 200 cm (diptych)

Pradosh Swain - Longing Past II - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England. Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippas work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Two genres, two generations of artistic movements intersect with each other, creating a place where contradictions co exist. Disjunctive kinds of everything, hidden in plain sight, create a realm in which one can lose oneself. Implied abstract imagery reveals conflict between beauty and desolation ,whilst Romanticism and Modernism combine with clashing qualities of drawing and painting. Images develop through a series of intuitive acts. Repeated applications of thin films of ink and paint build depth and patina. Layers are often removed by washing and scrubbing, revealing a palimpsest of faded marks and former painterly decisions, exposing the underbelly, vulnerable and tender. Additional information: Untitled 0042 by Philippa Anderson [2023] Original painting Acrylic paint, Canvas, Charcoal, Colour Pencil, Pencil on Canvas SOLD UNFRAMED Signed by artist Image size: Height: 100cm (39.37 in) Width: 120cm (47.24 in) Complete size of unframed painting Height: 100cm (39.37 in) Width: 120cm (47.24 in) Depth: 4cm (1.57 in) Please note that insitu images are purely an indication of how a piece may look ARTIST PROFILE: Philippa was born and grew up in Northumberland before moving to Herefordshire where she currently lives and works. She studied a BA Hons in Fine Art at Cheltenham College of Art and has recently completed an MA at Hereford College of Art. She also holds two teaching qualifications , a PGCE for adult education and a GTP for Secondary school education. Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England.Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippa's work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Connections. Through Philippas current and ongoing line of enquiry several connections are being explored which are both real and notional. The fusing of genres, the industrial and the pastoral which combine elements of classical romanticism and post contemporary modernism, these relate to her past and her present surroundings. Rarely associated elements of drawing and painting are combined on canvas adding to the narrative of her personal story. Work produced displays...