David D. Howlett

[Untitled]

c. 1991

Ernest Fiene, American (1894-1965), Thistles with Greek Relief, 1948 Signed lower right: "E. Fiene". Titled and signed on stretcher: "Thistles with Gree...

Signed lower left: "Trachtman 6-18-68". Born in Lynn, Trachtman spent most of his life in the Greater Boston area, eschewing the artistic hub of New York for his roots in New Engla...

Signed lower left. Marguerite Stuber Pearson was born in Philadelphia, PA. After overcoming childhood polio, that confined her to a wheel chair, she went on to have a distinguished...

Jason Berger (American, 1924-2010), Floral Arrangement, or Spring Flowers. Signed in pencil lower right: "jason berger". From the estate of the arti...

Bretzke depicts a beautifully transient moment in a boatyard; a man walks home with his dog as the sunset glows behind them. Framed Dimensions: 19.5 x 23.5 inches Artist Bio: Car...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Gorgeous vintage still life with Abalone Shells with driftwood Influenced by Claude Buck Tony studied still life under the master painter Claude Buck and the perfection of this copper kettle and abalone shell still life is clear he learned much form the master. Anthony Jankowski (Argentina/American b-1937)Image: 16"H x 20"L Frame: 19.5"H x 23"W x 1"D Tony Jankowski was born in Buenos Aires, Argentina. His mother, a former teacher, exposed him to European Masters, and encouraged him to draw and paint at an early age. Mr. Jankowski studied privately with several of Argentina’s leading artists. Continuing his art studies, Tony spent several years living and traveling throughout South America and Europe. He came to the United States in 1963, where he met and studied under Santa Barbara artist Claude Buck for 10 years. His paintings have been shown at galleries throughout the United States, Central and South America, and has won awards and done numerous commissions. Artist’s Statement: Tony Jankowski uses techniques of dynamic symmetry and golden proportions in his paintings. Tony says, “Essentially, it is a combination of mathematical proportions and values that will result in a painting with a golden point that will please the eye.” Claude Buck: Painter Claude Buck was born in New York City on July 3, 1890. He began his artistic studies at the National Academy of Design and was taught by artists including Emile Carlsen, George de Forest Brush...