Jered Sprecher

Arrayed In Time

2024

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

In Untitled 7.1.25, Bryan Ricci presents a richly layered abstraction that moves between structure and release, color and gesture. Dense clusters of thick, block-like marks float acr...

This is an original painting on panel by artist Jeremy Nichols. The piece ships ready to hang in the pictured floater frame and measures 24in height x 18in width. The artist had recently focused on mainly graphite works in this style in recent years and this piece marks an exciting transition back to including paint and color in his process. Jeremy Nichols was born in Tokyo, Japan in 1982. He spent most of his youth in the suburbs of Columbus, Ohio and traveling back and forth from Tokyo, Japan. After high school, he went to the Ohio State University to study Printmaking under Charles Massey...

Aaron Collier’s abstract paintings are both suggestive and silent, exploring the possibility of paint to simultaneously reveal and conceal. Since 2017 he has been interested in paral...

A companion painting to this piece, TECHNOLOGY OF DIRT is owned by the Knoxville Museum of Art. The painting "TECHNOLOGY OF DIRT & AIR" was inspired by an image glanced as I passed by a florist shop window. Inside the florist show was a vibrant floral arrangement overflowing with roses and foliage. On the surface of the window were reflections of architecture behind me and abstracted slivers of light and distorted shapes of things reflected though hardly recognizable. I snapped a few photographs at the time. Several months later, I returned to those images and was intrigued at how the flowers in the image seemed to be made out of crystal and how the reflections on the window "interrupted" the ability to easily make out the forms in the photograph. I was intrigued by the complexity of the image and how recognizable elements emerged and then faded into abstraction. As I worked on this painting, I wanted it to be as if it was coming into crisp focus, while also becoming a complicated tapestry of shapes and colors. I have made six paintings in this series thus far. Jered Sprecher is a visual artist who was born in Lincoln, Nebraska (1976). He received his M.F.A. from the University of Iowa and his B.A. from Concordia University in Nebraska. He has taught at Princeton University and Cornell University. Mr. Sprecher currently lives and works in Knoxville, Tennessee, where he is an assistant professor at the University of Tennessee. Jered Sprecher’s studio practice explores the “handwriting” of humankind. The vocabulary that he draws from is focused on the vast array of marks and images in one’s surroundings. From this vocabulary he samples visual motifs and imports them into his paintings and drawings. These works continually focus on remnants and fragments that are captured in the midst of change, then edited and fused together in the space of painting. These images are pregnant with a longing to communicate. The success and failure of these “messages in a bottle” are the basis of his work. Mr. Sprecher has had solo exhibitions at Wendy Cooper Gallery, Chicago; Jeff Bailey Gallery, New York; the Art Gallery of Knoxville; The Cress Gallery-UTC, Chattanooga; and Steven Zevitas Gallery, Boston. His work has also been included in group exhibitions at The Drawing Center, New York; Brooklyn Academy of Music (Next Next Art), New York; Cheekwood Museum of Art, Nashville; Des Moines Art Center; Urban Institute for Contemporary Art, Grand Rapids; Arthouse, Austin; Mark Moore Gallery...