Todd Carpenter

Clouded

2019

The Engulf, 2020

Cloud, 2020

Knifed, 2019

The Last Landscape, 2020

Big skies evoke the excitement of a child, chasing fantastical cloud shapes as they blossom and curl against a deep azure sky. This painting is oil on a linen canvas that is 30 x 40 ...

"Head in the clouds" depicts skyscrapers and a waterway. This scene is of no particular place, but rather his interpretation and compilation of var...

"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...

Andrew Birk Clouds 1, 2014 On verso Enamel on Canvas 200.3 x 150.3 cm Andrew Birk’s practice loops broadly from the traditional two-dimensional surface to writing, sound, fashion, p...