Abstract Geometric Interior Paintings

The Citadel of Books is a monumental oil on canvas (59 x 59 inches / 150 x 150 cm) by French contemporary artist Sophie Dumont. This richly textured work features a stylized, six-com...

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: approx. 42.13 × 42.13 in (107 × 107 cm) Frame options: natural wood or black Year: 2025 – Signed front Certificate of authenti...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

In The Studio in Suspension, Sophie Dumont reimagines the atmosphere of a working artist’s studio, where canvases, color fields, and subtle objects appear to hover in a poised, quiet...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This is the one of them called "Connection". While work...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

This artwork makes part of my small collection of abstract paintings created in various soft neutral earth tones. Main colors of this collection are grey, brown, suede, black, white....

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This vibrant painting of Bauhaus reminiscences celebrates the bold colors, geometric forms, and architectural elegance of the Bauhaus movement. This captivating artwork combines dyna...

This contemporary abstract painting is part of a collection in soft, neutral earth tones—grey, brown, suede, black, and white—designed to bring calm and harmony to modern interiors. ...

Created by a contemporary French artist recognized for his refined approach to material and abstraction, this painting reflects a deep exploration of memory, silence, and time throug...

Inspired by Taoist teachings and meditations, 'Persian Rose' feels alive with its concentration on a single, pure color. Matuszewski creates meditative and harmonious color field pai...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

Sand game 2 2023, canvas, oil, collage, 50x30 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Sand game 1. 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual...

Sophie Dumont – Obscura Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood or black floater frame (collector's choice) Signed lowe...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Sand game 3 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Sophie Dumont – Metaphor of Thought (métaphore de la pensée) Unframed: 120 × 120 cm (47.2 × 47.2 in) Framed (natural wood floating frame): 127 × 127 cm (50 × 50 in) Natural wood or ...

Oil on canvas – Sophie Dumont Dimensions: Unframed: 100 × 100 cm (39.4 × 39.4 in) Framed (floating frame, natural wood or black): 107 × 107 cm (42.1 × 42.1 in) Sophie Dumont is a Fr...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

Diamonds. 2024. Linen canvas, oil, modular artwork 4 pcs. - 80x80 cm; total size 160x160 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art scho...

Maggie LaPorte Banks At the Edge of the Sea Original Abstract Painting Acrylic Paint and Mixed Medium on Linen Canvas Size: H 40cm x W 30cm x D 2cm Sold Unframed Please note that ins...

Title: Pensées Entrelacées Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood floater frame (black optional) Signed lower right – ...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Geometric trompe l'oeil, oil on canvas, measurements 100 x 100 x 3 cm. By Danish artist Peter Kramer, who creates an optical illusion on the canvas through his meticulous brush strok...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

"Story 0.2" is part of a new collection of abstract paintings by French contemporary artist Natalya Mougenot, dedicated to exploring the profound connection between heart and mind. ...

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

Sophie Dumont – “Chroniques de l’Esprit” Oil on canvas – 59.06 x 19.69 in (150 x 50 cm) Framed dimensions: 61.81 x 22.44 in (157 x 57 cm) – Choice of black or natural wood frame Year: 2025 Certificate of authenticity included In Chroniques de l’Esprit, French artist Sophie Dumont reinterprets the bookshelf as a vertical totem of thought and memory. Against a deep midnight-blue background, rows of stylized books emerge in warm ochres, ivory, sienna, and slate grey. The contrast between the dark ground and the luminous spines creates a striking rhythm of presence and silence. Built entirely with oil and palette knife, the surface reveals textured edges and tonal nuances that lend each volume a unique character. The composition exudes both structure and poetic tension, embodying the contemplative solitude of inner exploration. This elegant and powerful vertical painting is ideal for reading spaces, modern libraries, or collectors drawn to abstract representations of intellectual life. Dumont’s library series is internationally collected and widely exhibited for its minimalist elegance and emotional resonance. 🔍 Keywords SEO : abstract bookshelf...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

Sophie Dumont invites us to peer into the creative cauldron of her artist's studio. Through the language of geometric abstraction, she reveals the vibrant energy and meticulously orc...

For me, Venus de Milo is the magnificent feminine essence. I displayed the female power and versatility of a woman in color light behind her. This artwork is on canvas on a wooden ...

I collected meaningful symbols of this brutal war in Ukraine for liberty on this canvas: the leopard as a sign of help with armament, metal from Azovstal, images of the mother's womb...

'Nocturne with Red' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of calm blue, silver, grey and white, in the abstract mixed media painting...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Gates to your dreams. 2023., oil on linen, 140x120 cm Modular artwork from 4 pcs. - 70x60 cm total size 140x120 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona...

Soul shining 2025 oil on canvas 120x120 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual arts te...

Vinyl and Acrylic painting on Linen Canvas - Unique Work Work Title : Multiple #2 Artist : Christophe Drodelot (French artist, Born in 1965, lives and works in Nantes - France.) The...

April opus. 2018, canvas, oil, 100x80 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in L...

Grey Commuter Soft Geometry Series 2012 oil on canvas Consists of 8 modular pieces Each piece 12x9 inches Signed, dated and titled on the reverse side. Robert Petrick's artwork dr...

John Havens Thornton, Untitled, 2008 — oil on canvas A lively folded structure rises from a pale field, its interlocking planes switching between electric turquoise, rust, umber, an...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

"City Lines" 40X50x1.75" acrylic on canvas 2018 NYC Signed, dated and titled on the reverse side. "Line series influenced by the digital city"

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

Sofia Housou Alotrope Series oil on canvas 110 x 110 cm Sofia Housou’s post-abstract expressionist oeuvre operates in a dramatic background where colour becomes the vocabulary for ...

Maggie LaPorte Banks Keynance cove Original Abstract Painting Acrylic, Collage and Mixed Media on Canvas Canvas Size: H 50cm x W 40cm x D 2cm Sold Unframed Ready to Hang Please note ...

Stacker PC [2019] original acrylic on box-mounted MDF panels Image size: H:36 cm x W:23 cm Complete Size of Unframed Work: H:36 cm x W:23 cm x D:6cm Sold Unframed Please note th...

Victoria Harrison Spring Leaves 2020 Original Painting Acrylic and Acrylic Gloss Varnish on Canvas Board Signed and stamped on the back Sold Unframed Artwork Dimensions: 35cm X 35cm ...

Marble statue of a discobolus (or discobolos), a discus thrower, poised as if ready to throw his discus. For me, ancient Greek statues are the absolute of human magnificence. I dis...

The illustration that she danced from there. She'll feel alive, had done it right. Take on the freedom. The painting is on canvas on a stretcher 40x40x1.5cm with painted sides. All...

Vector Group (2015) oil enamel on canvas 24 x 20 inches

Red tango. 2018, oil on canvas, 100x120 cm Abstract composition in red colors Igor Leontiev (1957) - one of the leading independent painters in Latvia ...

Yellow tango. 2018, oil on canvas, 90x100 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent pain...

Sophie Dumont, French contemporary painter whose works are held in private and museum collections, created The Studio in 2018. This large oil on canvas belongs to her celebrated “ate...

"SPRAY_01" Abstract Painting 40" x 65" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...